HEALTH: HIV/AIDS Now Leading Cause of Death For Black Women In Mass « Clutch Magazine

HIV/AIDS

Now Leading Cause of Death

For Black Women In Mass

Tuesday May 31, 2011 – by Britni Danielle

The numbers are startling. In Massachusetts, women now account for more than 1 in 4 new HIV/AIDS cases. Of them, more than half are Black women. To add insult to injury, Black women are 38 times more likely to contract the disease than white women.

According to Minority Women’s Health, there are several factors that lead to higher causes of HIV/AIDS infections for African-American women: Poverty, lack of sex education, untreated sexually transmitted infections that leave women vulnerable to HIV infections, incarceration of Black men, and men who sleep with other men without informing their female partners.

One Massachusetts woman, Chavelle, recounted how she found out about her status.

“I was in a steady relationship. We were using protection, and one day, in a heated discussion, you know, he yells out, ‘That’s why I’m HIV positive!’” she told the Boston Channel.

Although it sounds extreme, Dr. Bela Bashar, clinical director of HIV services at the Dimock Center in Roxbury, Mass., says cases like Chavelle’s are sadly commonplace.

“Really a lot of women, African-American women, don’t really know what their partners are doing or their partners are keeping certain aspects of their life shielded from their female partners,” said Bashar.

HIV/AIDS is now one of the leading causes of death for young Black women. According to the data, the majority of Black women who are infected with the virus (60%) contract the disease from their partners, boyfriends, and husbands who are either unaware or are not honest about their status.

“If a person who doesn’t know they’re infected, who is completely asymptomatic, which a lot of people are in the early stages of disease, they may go about with their regular behaviors,” said Bashar. “They’re putting tremendous amount of risk to the general public.”

Although the majority of Black women are infected by their partners, the leading cause of infection for White women is through injection drug use.

No matter how the disease is contracted, however, knowing your status (and your partner’s status), abstaining from risky sexual activity, and using condoms are the biggest ways to prevent the spread of the disease.

 

POV: Chatter Is Not Leadership

Black Chatter, Not Leadership

Jill Nelson has had enough of the irrelevant, privileged-class debate about Cornel West's criticism of Barack Obama.

  •  | Posted: May 25, 2011 at 11:27 PM

Black Chatter, Not Leadership
Jeff J. Mitchell/Getty Images; John Lamparski/WireImage

I'm about as disgusted with Cornel West's political and personal attacks on President Obama and the ensuing back and forth among the academic punditocracy as I am with hearing about Arnold Schwarzenegger's fornication, everything to do with any Kardashian and Oprah's never-ending farewell. Frankly, it's both boring and appalling that this verbal battle has taken center stage, now joined by various supporters on either side and by media that love a Negro brawl just as much as the sponsors of the battle royal did in Ralph Ellison's Invisible Man. The protagonist thought he was there for intellectual reasons, too, until he was pushed into the ring and heard voices shouting, "Get going in there!" and "Let me at that big nigger!"

Given the dismal economy, the political and cultural landscape, the rise of the New Confederacy, and the general air of depression and malaise pervading the country, there are many more important issues to discuss and things to do than listen to West, his supporters or his detractors.

If anything, the conversation over who's right and who's wrong in his or her assessment of President Obama merely serves as a heartbreaking reminder of how lacking in serious leadership black communities (as opposed to the nonexistent monolithic "black community" that hucksters pretend they represent) are when we so desperately need it. Where there are effective local organizers, they're too busy doing the work to become talking heads, or are drowned out by the voices of the professional commentariat.

This spectacle also shows how out of touch those academics are -- and how easily distracted they are from the issues of unemployment, poverty, mass incarceration and a failed education system when offered the opportunity to attack another member of the self-anointed class of public intellectuals.

Too bad West didn't get tickets to the inauguration for his family, but neither did most of us. And what about the millions who wouldn't have had the means to go even if they had been invited? West exposes his privileged-class roots when he sneers that "the guy who picks up my bags from the hotel has a ticket to the inauguration." This from the man who proclaims himself the great defender of the Ray Rays and Jamals of the world -- both iconic and suspect names to be trotted out as needed to evoke the downtrodden and conveniently speechless black masses.

Surely Barack Obama isn't above criticism, and constructive criticism is one way to define priorities and hold him accountable. But it's hard to take seriously West's assertion that Obama has become "a black mascot of Wall Street oligarchs and a black puppet of corporate plutocrats" when the accusation is interspersed with whining about inauguration tickets, unreturned calls and psychobabble about Obama harboring "a certain fear of free black men" because his mother and grandparents were Caucasian.

Would that there were an equal amount of verbiage, name-calling and righteous indignation via tweet, text and TV in response to the devastation of black communities by the fabricated "war on drugs" and ensuing mass incarceration that Michelle Alexander illuminates in The New Jim Crow. Instead, it seems that once again, the conversation is limited to the concerns of the privileged class. It's reminiscent of 2009, when another black academic, Henry Louis Gates Jr., editor-in-chief of The Root, became the much discussed poster boy of police-brutality victims instead of the dead bodies of Oscar Grant III, Sean Bell, Alberta Spruill and Aiyana Jones, among an ever growing list.

All of this chatter points out the absence of serious, feet-on-the-ground organizing or leadership. In its place we have corporate-media-approved black intelligentsia and pseudo leaders, while community organizers, local activists and serious reporters are all members of a disappeared or disappearing class. Academics and professional "leaders of the people" make convenient talking heads and give good in-group hostility, but neither group has much, if any, impact on everyday people or on the policies and policy makers that affect real lives.

Does anyone actually believe that Obama is concerned with what West thinks? Or that he needs anyone to defend him? Sorry, but it's easy to talk when you're educated and have a tenured gig in academia. In Harlem, where I live, a young black man takes his liberty and life in his hands just by walking down the street -- with his mouth shut.

It's hard to imagine Malcolm X, Fannie Lou Hamer, Martin Luther King Jr. or Shirley Chisholm -- each of them activists with constituencies to hold them accountable -- engaging in this sort of elite populism. Or declaring themselves representatives or leaders of a black mass conjured by the appropriately overworked Negro names and equally tired anecdotes. Sorry, West, but ask most of the masses about a black man named West and they'll assume you're talking about Kanye.

As a black feminist, I see the whole debacle as illustrative of the limits and failures of traditional black male leadership, a gender-based end of the road reached some time ago but still largely unacknowledged in black communities and unchallenged by black women. Enough of the dickpolitik! Surely now is the time to identify new priorities and institute specific conversations about how to positively transform communities.

Activists, organizers and others -- particularly women -- working at the grass roots should lead that conversation. And it should include all who are committed to working for change and social justice. Enough talking loud and saying nothin': Time for sisters to step up and jump to it once again. 

Jill Nelson lives and writes in Harlem, N.Y.

Like The Root on Facebook. Follow us on Twitter.

>http://www.theroot.com/views/black-chatter-not-leadership


 

HISTORY: The Tulsa Race Riot

The Tulsa Massacre

(31 May 1921)

 

Hartford Web Publishing is not the author of the documents in World History Archives and does not presume to validate their accuracy or authenticity nor to release their copyright.



Mass graves hold the secrets of American race massacre
James Langton, Electronic Telegraph, 29 March 1999. Searching for the graves of up to 400 black Americans in an attempt to end the 78-year cover-up of one of the worst acts of mass slaughter in the country's history.


U.S. ethnic cleansing: The 1921 Tulsa Massacre
By Monica Moorehead, Workers World, 10 June 1999. The U.S. government has never cared about the plight of any oppressed grouping. Its policy is to pit one oppressed group against the other to secure its brutal class rule. Example in Tulsa, Okla., in 1921. Investigations begun in 1997 concluded that this riot could more appropriately be described as a massacre. Mass graves of at least 300 Black victims of racist violence have been uncovered.


Seventy-eight years later, Tulsa re-examines deadly race riot
By Rick Montgomery, Kansas City Star, 7 September 1999. In 1921, when 35 blocks of a black district were burned in what may have been America's worst white race riot, the death toll may have approached 300.


Commission Probes Riot After 78 Years
Associated Press, 9 August 1999. Nearly 80 years after white mobs torched Tulsa's black business district, witnesses and survivors get the chance to share their stories with the Tulsa Race Riot Commission for the first time.


Witness To Disaster
By Scott Richardson, Bloomington Pantagraph, 11 February 2001. The recollections of Julia Duff.


The Tulsa Race Riot and Domestic Terrorism
By Kimberly Ellis, 17 May 2001. If body count, property destruction and the generational affect on human life is the measure, then the worst act of domestic terrorism in peacetime America was the Tulsa, Oklahoma massacre of mostly African Americans in 1921.


Black Wallstreet: Riot Destroys America's Most Affluent Black Community
By Michelle N. Jackson, [28 February 2003]. Black Wallstreet, a thriving 36-block black business district in Tulsa, Oklahoma, housed over 600 black owned and operated businesses at the turn of the century. Black Tulsa continued to thrive until the night of May 31st. That night, airplanes distributing nitroglycerin bombed the affluent community, and an angry white mob began the destruction of Little Africa.

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GO HERE TO READ A DETAILED STUDY

OF WHAT HAPPENED IN TULSA 1921

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Tulsa Race Riot of 1921:

Coming to terms with America’s terror attack

on Black America

By Roland S. Martin
November 17, 2003

Tim Madigan would be the first to tell you that when it comes to issues involving race in America, he was clueless for more than half of his 45 years on this earth.

 

 

Tim Madigan

A self-described white male from a “white bread, upper-Midwest, middle class working” family, Madigan says he grew up never having seen a black person until much later in life, adding that the multitude of racial issues confronting African Americans have been “completely irrelevant” throughout his childhood and young adulthood.

“And as a result,” he said, “(I am) someone who is wholly ignorant of the history of African Americans in this country.”

But all of that began to change about two years ago when an editor at theFort Worth Star-Telegram , where he is a features writer, asked Madigan to write a story on the Tulsa Race Riot of 1921. The devastating attack on the town’s black community by a mob of whites gained national attention when the state of Oklahoma officially began to examine what took place on that deadly night where nearly 300 blacks were killed, and the famous “Black Wall Street” of Tulsa was burned down and destroyed.

It was in doing the research for that story that Madigan began to learn about the atrocities committed by  white Americans since the Civil War against their fellow Americans, albeit of a darker hue. That story eventually led him to delve deeper and publish a book on the subject, The Burning: Massacre, Destruction and the Tulsa Race Riot of 1921.

Yet he also told BlackAmericaToday.com that the experience, which he called a “life changing” one, led him to re-examine his own personal views of race.

“I had often wondered as things would happen through the course of time such as the O.J. Simpson verdict or things where black people and white people seemed to see things so differently and that there seemed to be this huge cultural chasm between us,” he said. “Before it was more of a curiosity for me because it really didn’t seem to be terribly relevant to my life. But now I’ve learned that what happened in Tulsa was not some terrible historic accident but it was, if anything, a metaphor for what happened to blacks in this century after the Civil War ended.

“And I was just stunned and appalled and somewhat awestruck to learn some of these things; to learn how the Birth of a Nation motion picture gave rise to the new KKK, and how it wasn’t just a Southern phenomenon. How this movie that relied upon the most vile of racist stereotypes and celebrated the first KKK – and played in New York City for 27 weeks alone – was celebrated in Chicago and across the North, and how President Harding was a member of the KKK,; and how in the 1920s, odds are that you were a member of the Klan if you were in public office, and on and on and on; Jim Crow and lynchings reported in papers like box scores; and this sort of treatment often endorsed at the highest levels of white society. It was absolutely astounding to me.”

Madigan says not only did the book allow him to question the inherent racism that seems to be at the core of America, he also had to turn the mirror on himself and ask the difficult question, “Where would I have been in Tulsa in 1921?”

“Where would my grandfather have been? And I can’t say with any certainty that A, I would not have been part of the mob; B, that I would have done anything forceful to try and prevent that from turning into what it eventually resulted in.

“So, I think I say in the book that I can’t look at a black person the same way again. And that is not an overstatement. And my hope is with this book that more people like me will learn a little bit about the history; a little bit about why this chasm exists; and can somehow contribute to true healing in this country. I don’t think you can heal from things that you don’t know about. I think the first step to healing is knowledge and I hope that this book contributes to this knowledge somehow.”

He later said, “I have no problem admitting that I was or am a racist. I think we all are. It’s just a matter of degree. And I can say for a fact that I am less of a racist now than I was three years ago when I wrote this book because I think I understand black people much better; because I understand their history, and this is why history is so important.”

At times solemn and other times angry, Madigan comes across as someone who was genuinely affected by the research and subsequent book. He speaks in a quiet yet measured voice. He doesn’t come off as an apologist for all of white America. But he also isn’t an unabashed liberal, down with the cause of black America.

Madigan isn’t afraid to take on America, namely white America, for its refusal to confront the history of Tulsa and its own violent attacks on its own citizens. That is especially the case when discussions of September 11, 2001, come up.

Ever since 2001 Americans have lashed out at the World Trade Center attackers, asking how someone could commit such atrocities against innocent civilians. Echoing what Vernon Jordan and other African Americans have said about black Americans having to live with terrorism for years, Madigan says Tulsa should be viewed in the same way as September 11.

“After September 11 and even before, we Americans tended to congratulate ourselves on civility and sophistication, but what happened in Tulsa would have done Nazi Germany proud,” Madigan said. “It would have done anything in the Balkans proud. We’re talking about white mobs blowing the locks off the homes of old black people, and as they knelt in prayer putting guns to the back of their heads and shooting them. We’re talking about a gang of whites driving up to a house with three young children, going in and shooting them. We’re really talking about the most evil human conduct imaginable. Not in the Balkans, not in Nazi Germany, not in Somalia, but Tulsa, Okla.

 

 Related links:

Tim Madigan with Jerry Jazz Musician: An interview

Houston Chronicle review

Tulsa Race Riot Commission

Tulsa Race Riot Final Report

The Nation's report on the Tulsa Race Riot

Tulsa Race Riot History and Image Page

TulsaReparations.org

“And after September 11 blacks and whites were absolutely appalled, equally, in some ways. But inevitably we tended to say as part of our own attempts to come to terms with that that we would never do something like that. But we have. We have done something like that; over and over again. Not just in Tulsa, but in cities and towns across the United States…we are guilty of the same sort of evil against our own people as Osama bin Laden was and his band who flew those airplanes.

“But again, it’s hard to look at that and it’s hard to acknowledge it. It’s hard to acknowledge our own potential for evil. But again, it’s my opinion that unless you do we are much more vulnerable or likely to engage in it.”

The Burning can be a tough read for anyone, especially for African Americans. Yet Madigan, in revealing and graphic detail, is able to put the reader in the houses of the individuals who were killed, as well as paint a vivid portrait of the pain and heartache Tulsa’s African Americans must have felt as they were tormented, tortured and killed.

“Reading about Tulsa can be very unpleasant,” he said. “And what I tried to do is make this story, from the narrative standpoint, a page turner; make it as compelling as possible and make it as human as possible so that as odious as some of this stuff is, the reader – white or black – can keep moving forward and read the whole story. But it’s not easy and there is a tremendous amount, especially among older white people…to say that’s in the past and why bring that up now and why do we need affirmative action. There is this whole kind of maelstrom of debate and feeling that goes on in this country, part of which stems from the fact that it is an ugly history. But the benefits are that, I think true healing can occur.”

Madigan admits that he doesn’t know in what form the healing can take place. It might be a study of reparations or it even could be an apology, but he says something must be done to address what he considers to be an oversight by white America.

“We put the cart before the horse,” he said. “The first thing needs to be an apology. For what? For this – XYZ. And then the amends part comes. Then comes affirmative action; then comes the holidays.

“It haunts me after working on this book how there is this piece missing. It’s like we’re going to try to do it, the very least we can to try to make this right without it getting too painful. So we are going to have the Voting Right Act; the Great Society; we’re going to have Martin Luther King holiday, but we’re not going to go back and look at what really happened. We’re not going to go back and look at why affirmative action is necessary. My belief, and maybe I’m wrong, but unless we do that, all this other stuff is window dressing.”

 

Roland S. Martin is founder and editor of BlackAmericaToday.com. His columns are syndicated to newspapers nationwide by ©Creators Syndicate. He can be reached at roland@blackamericatoday.com.

 

>via: http://www.blackamericatoday.com/article.cfm?ArticleID=13

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Black History Month

The Tulsa Massacre, 1921

Revolutionary Worker #1043, February 20, 2000

On May 30, 1921, a rumor swept through the booming western oil town of Tulsa, Oklahoma that a young Black man had insulted a white woman in a downtown elevator.

According to the white supremacist rules of U.S. society, the accused man faced an immediate death sentence. Since the turn of the century, many hundreds of Black men in the U.S. had been brutally lynched and mutilated by vigilante gangs--without trial or investigation--often for accusations of "affronting white womanhood."

But this time, in Tulsa, it was different. This time there was resistance. Organized militant forces in the Black community stepped forward to defend Dick Rowland.

All the hateful forces of white supremacy in the area responded to that resistance with two feverish days of murder and fire. The dead of Tulsa's Black community lay stacked in piles. And the central Black business district of North Tulsa was totally burned out.

Tulsa 1921 is a story of brutal "ethnic cleansing" and genocide. This was the largest "civil disturbance" since the Civil War and the anti-Indian wars of the 1800s. It is a story that has been systematically censored by the system--despite the repeated efforts of the Black press, revolutionary forces and progressive historians to bring the facts to light.

Now, after almost 80 years, the truth about the Tulsa Massacre is finally breaking into the public arena, and the last survivors are stepping forward to tell the story that has been denied and suppressed.

Tulsa's Little Africa

For decades, Black people fleeing the horrors of the plantation South had found their way west to North Tulsa and forged a new community of 15,000--together with Black Seminoles who arrived in Oklahoma a century earlier after the infamous "Trail of Tears." This new community was called the Greenwood district, or "Little Africa."

Most of the people in this Black community were wage workers--often crossing the railroad tracks into South Tulsa for the worst jobs and domestic work. At the same time, the rigid segregation of Tulsa meant that "Little Africa" created its own business district along Greenwood Avenue. Supporters of Black capitalism nicknamed it "the Negro Wall Street."

There were Black-owned movie theaters, a newspaper, jewelry stores, 15 doctors, three law offices, a school, three grocery stores, many restaurants, churches, and a Black-owned bus line.

But the Tulsa Tribune and white racists of South Tulsa just called it "N*ggertown."

The invention of cars and intense demands of World War 1 brought explosive growth to the petroleum fields and to the notoriously corrupt and rowdy town of Tulsa. The local Tulsa owning class felt that their booming downtown business district was hemmed in by the Black Greenwood community. They wanted Blacks moved out. Police Commissioner Adkison and the Tulsa Tribune constantly accused Greenwood of being a center of prostitution, drugs, liquor and gambling.

Meanwhile in "Little Africa," like in other Black communities, there was a deeply impatient new mood of resistance. Black veterans came back from World War 1 with pride and a fresh belief that they deserved respect and equality. In urban areas, many Black people were bolder in questioning the lynch-law customs of Jim Crow. The revolutionary storms of Europe and Russia after World War 1 inspired the new revolutionary and communist organization among Black people.

The Call for Lynching

Dick Rowland, a young Black shoeshine man, knew the white elevator operator Sarah Page. An investigator from the NAACP uncovered that Rowland had called for the elevator. Page had been angry to be called by a Black man and closed the doors while he was only halfway in. Thrown off balance, he had stepped on her foot. As Rowland left that elevator, Page screamed that he had insulted her.

Rowland was arrested and taken to the Tulsa County Courthouse. No charges were ever pressed, no evidence was ever presented.

The next morning, the Tulsa Tribune printed a rabid editorial with the headline "To Lynch Negro Tonight." That evening, an armed mob of white people gathered outside the jail to lynch Dick Rowland.

A remarkable thing happened: Suddenly an armed group of Black men (variously reported at 50 to 75) arrived from Greenwood, dressed in World War 1 Army fatigues. With breath-taking courage, they confronted this growing crowd of 2,000 racists--announcing that they would fight to protect Rowland's life and see that he got basic justice.

There were shouts back and forth between the two groups--then shots. Several men fell dead. Greatly outnumbered, the Black militants retreated north, across the railroad tracks into Greenwood.

The local police organized a murderous attack on the Black community. They deputized hundreds of men from the lynch mob and told them, "Now you can go out and shoot any n*gger you see, and the law'll be behind you." Groups of white men broke into downtown hardware stores, pawnshops, and gun stores and took firearms and ammunition.

As the racist forces tried to cross the railroad tracks, fighters within the Black community held them off for hours with sniper fire. By dawn, huge numbers of armed whites had gathered--as many as 10,000--and at 5 a.m. they moved into "Little Africa." It was a full military invasion--complete with machine guns.

A 1924 legal brief by the American Central Insurance Company would later describe their "common intent to execute a common plan, to-wit: the extermination of the colored people of Tulsa and the destruction of the colored settlement, homes, and buildings, by fire."

There was continuous resistance. Teams of Black fighters formed to fight for the lives of the people. The combat was house-to-house, and even hand-to-hand in some areas. A Black woman, Mary Jones Parrish, later wrote: "Looking south out of the window of what then was the Woods Building, we saw car loads of men with rifles unloading up near the granary.... Then the truth dawned upon us that our men were fighting in vain to hold their dear Greenwood."

The survivors reported that their neighborhoods were strafed by airplanes. Explosives and firebombs were dropped. A Tulsa cop, Van B. Hurley, later reported that several prominent city officials met with local plane owners in a downtown office and planned the air attack. It was one of the first reported uses of aerial bombs in world history.

Fire and Mass Murder

 

"They set our house on fire and we were up in the attic... five kids... We were able to get out without injury but bullets were zinging around there... But when we got down, the telephone poles were burned and falling and my poor sister who was two years younger than I am said, `Kinney, is the world on fire?' I said, `I don't think so, but we are in deep trouble."'

Kinney Booker, who was 8
during the Massacre

The attackers immediately set the Black community on fire. A wall of flame swept through the Greenwood business district-- burning out everything in its path.

Meanwhile, gangs of heavily armed attackers went house-to-house--killing people, taking away Black men in a systematic roundup, stealing anything valuable and lighting Black homes on fire. Eyewitnesses reported that Sheriff's deputies used kerosene to burn down the finest homes in the district. About 1,200 houses, hotels, and businesses were destroyed. Thirty-five blocks were a burnt-out wasteland. Charred bodies were found in the debris.

Regular infantry of the Oklahoma National Guard rushed in on a special train, arriving June 1. The Guard's commander later wrote, "Twenty-five thousand whites, armed to the teeth, were ranging the city in utter and ruthless defiance of every concept of law and righteousness. Motor cars bristling with guns swept through the city, their occupants firing at will." The Guard soldiers were officially there to stop the "disturbance," but they quickly went to work rounding up Black people at bayonet point, wounding many in the process.

Behind the trees and walls near the foot of Standpipe Hill, the armed defense fighters of the Black community made their last stand. The National Guard set up two machine guns and poured deadly fire into the area. The last Black fighters surrendered. They were disarmed and marched in columns to four major internment areas that had been set up at the city's Convention Hall, McNulty Baseball Park, the Fairgrounds and the town's airport.

The killing was systematic and heartless. Death squads of armed whites, many of them organized Klansmen, went door-to-door in the burning neighborhoods killing people. They shot anyone moving in the streets. Black men were chained to cars and dragged to their deaths. In white areas, Black domestic workers were gunned down on their way home--without warning. Dr. A. C. Jackson (who was described by a founder of the Mayo Clinic as "the most able Negro surgeon in the country") was murdered after surrendering himself to police.

The National Guard organized teams to stack bodies and load them on wagons and trucks. The Red Cross reported treating almost 1,000 wounded people--overwhelmingly Black. The local Black school, which escaped the fire, became a field hospital. One observer wrote, "There were men wounded in every conceivable way, like soldiers after a big battle. Some with amputated limbs, burned faces, others minus an eye or with heads bandaged. There were women who were nervous wrecks, and some confinement cases. Was I in a hospital in France? No, in Tulsa."

Many Black people fled the city completely--into the Osage Hills and the many Black communities that dotted rural Oklahoma. Many thousands had been captured at gunpoint. Some were taken to killing fields and executed in cold blood. Others, including many children, were marched to the internment centers. At the entrance to the Tulsa Convention Center, a murdered Black man's body was publicly displayed as a trophy in the back of a truck. And columns of captured Black people were forced to pass in front of it, on their way into the building.

Reporter Brent Staples describes the aftermath (New York Times December 19, 1999): "Corpses stacked like cordwood on street corners, photographed for keepsakes. Corpses piled in the backs of wagons, dump trucks, and along railroad sidings. Corpses buried in an underground tunnel downtown, where one caller said 123 blacks had been clubbed to death. Corpses left to rot for days in a park under the blistering Oklahoma sun. Corpses dumped in the Arkansas River and allowed to float away."

By June 2, the fighting was over. The Black community had been completely burnt out --- turned into a smoking wasteland. After being held in internment, a thousand Black people were forced to spend the following winter in a refugee city of tents and board shacks under bitter conditions. For months, Black people would see white people on Tulsa's downtown streets wearing clothing and jewelry stolen during the pogrom.

The Fight for the Truth

The Black press in the U.S. fought hard to expose what had happened in Tulsa.

The newly formed Communist Party (CP) printed hundreds of thousands of flyers entitled "The Tulsa Massacre." The leaflet boldly supported the armed self-defense of Black communities and called for the revolutionary overthrow of the capitalist system for its brutal white supremacy. Activists distributed them very widely across the country--in factory districts, Black communities and conventions of organizations like the NAACP.

Government informants reported that a ton of the flyers were distributed in Chicago alone.

Revolutionaries and progressive people organized campaigns to aid the burned-out survivors of this massacre.

In Tulsa itself, amid the horror and sorrow, there was reportedly tremendous pride that Rowland had gone free and that the community had fought so fiercely with guns against racist attack.

Meanwhile, the U.S. power structure immediately moved to whitewash this event, and to suppress knowledge of it. A hastily convened grand jury announced that the events were caused by the Black community--specifically blaming "an effort on the part of a certain group of colored men who appeared at the courthouse..." In the second place they blamed the "agitation among the negroes of the social equality." Local authorities blamed a revolutionary organization, the African Blood Brotherhood, for instigating the resistance. Leading figures of the Black community were indicted for "inciting" the events of May 31. Not one white person was ever arrested or charged for the Tulsa Massacre.

Mayor Paul Brown reported that only 36 people died--10 whites and 26 Black people. This figure was repeated in history books and accounts--as an official accounting of these so-called "Tulsa Race Riots."

The headlines of the Tulsa Tribune raged:

  • "Propaganda of Negroes is Blamed"
  • "Black Agitators Blamed for Riot, Plot by Negro Society?"
  • "Bloodshed in Race War will Cleanse Tulsa"
  • "Negro Section Abolished by City's Order"
  • Local authorities made sure "Little Africa" would never be rebuilt--money was denied, new ordinances were passed.

    The newly formed FBI focused much of its activities during the summer of 1921, identifying and harassing the forces circulating the CP's "Tulsa Massacre" fliers. Insurance companies refused to compensate the victims of the Tulsa massacre and fire.

    And soon, this shameful Tulsa Massacre was simply erased from official American history and public discussion. Most people have simply never heard of it. Someone at the Tulsa Tribune removed all records that their newspaper had called for the lynching of Dick Rowland--no known copies of the inflammatory articles exist today.

    Over the years, there was an ongoing struggle to break through the silence. Survivors told of the air attacks and of bodies dumped in mineshafts and the nearby river. Officially, such reports were dismissed as unfounded exaggerations and lies. In the 1970s, thanks to the powerful Black Liberation movement, accounts of the Tulsa Massacre started to appear in progressive magazines, radical history books and the new courses on Black Studies.

    Memory and Mass Graves

    Six years ago, the world learned about the 1923 racist attack in Rosewood, Florida, through the movie and the court case where survivors received $2 million in restitution.

    Since 1997, a relentless movement has emerged to demand an accounting in Tulsa. Many participants demand reparations for the brutality and destruction. More than 150 witnesses, including 60 survivors, have testified at a "Tulsa Race Riot Commission" of the Oklahoma Legislature. And their powerful stories have brought out the truth--after all these many years. People have stepped forward to identify three places in Tulsa where Black bodies were buried in mass graves. Excavations at one of the mass grave sites are scheduled to begin this summer.

    Historians generally now estimate that at least 300 people died during this Massacre--over 90 percent of them Black. Some people suspect the number was much higher. In fact, the real number of dead may never be known.

    *****

    No force can undo the crimes of the Tulsa Massacre. But the struggle and determination of Black people has forced a public investigation of these events. Just demands are being made for a public accounting and reparations.

    At a time when official Amerikkka crudely denies the existence of systematic and institutional racism--the reality of Black people's lives and oppression has been wrenched into the light of day.


    This article is posted in English and Spanish on Revolutionary Worker Online
    http://rwor.org
    Write: Box 3486, Merchandise Mart, Chicago, IL 60654
    Phone: 773-227-4066 Fax: 773-227-4497
    (The RW Online does not currently communicate via email.)

    >via: http://revcom.us/a/v21/1040-049/1043/tulsa.htm

     


     

     

     

    VIDEO: Joy Denalane (South African/German) - MAUREEN In Session> Against The Odds

    Blog where DIY and indie collide

     

    21 май 2011, събота

    Joy Denalane

    - MAUREEN In Session


    I absolutely love that girl. Beautiful and uber-talented this german soul singer has a voice that always melts my heart. I felt in love with her music since "Let Go" off her second album Born & Raised released in 2006 and ever since I'm a fan (as well as some very influential hip-hop artists). Well she's back with Maureen, her third album expected to hit shelves in late May. Joy Denalane already released live sessions performing songs from her new album. Honestly the new material is outstanding. The three new tracks sound great and Joy delivers some great performances as always. Really can't wait to hear the whole album.




     

     

     

    PUB: The Original > African Digital Art: Pushing Digital Boundaries

    The Original is a curated publication showcasing original trends in art from across the African Continent. In order to inspire, delight and challenge existing ideas of African creativity, The Original endeavors to be the leading, exclusively African, online publication showcasing a broad variety of visual art and innovation from all comers of the continent.

    Pushing African creative boundaries by encouraging artists from Africa to share and submit their original work to be included in the publication. All art submitted will first go through a judging process by a special selection of leading creative thinkers from across the globe before being included in the publication. See the judges tab for more information.

    The Original aims to show a broad variety of visual art and innovation from all comers of the continent in order to inspire, delight and challenge existing ideas of African creativity.

    The submissions for the final publication will be selected by high profile judges: Massimo Vignelli, Jepchumba, Shani Judes and Peter Badenhorst.

    Entries must be in by the 5th of August 2011.

     

    To submit please go to the facebook page.

    Lets show the world what African art & design is all about.

     

    PUB: Blue Skunk Poetry Series

    The Blue Skunk Poetry Series is named for the literal translation of Mankato, the home base of RockSaw Press. When naming the town, the intention was to name it Mahkato, which in Dakota meant Blue Earth. However, thanks to a typographical error, it was named Mankato. Or, Blue Skunk. No one’s capitalized on the error in the literary world, so we thought we would.

    In Spring of 2012, RockSaw Press will print the winning chapbook in a run of 200.

    This year’s contest will be judged by Jude Nutter, author of  I Wish I Had a Heart Like Yours, Walt Whitman; The Curator of Silence; and Pictures of the Afterlife .

    The winner of the 2010 inaugural Blue Skunk Poetry Series was E.R. Carlin with his manuscript, Union Down.

       Guidelines:

    Reading Period: April 2nd through July 15th. There is no specific theme to the contest. We want to see the best work you’ve got.

    Include two cover page--the first with Title, Name, Address, E-mail, and Phone; the second with Title only. Name and title should not appear anywhere else in the manuscript itself.

    Poetry manuscript must be 24 pages or under of text (excluding front matter). We do not accept translations, however, if you’re work involves a little foreign language, that’s fine so long as understanding does not depend on knowing that language.

    Start each new poem on its own page.

    Previously published individual poems are ok, so long as they’ve not appeared in a book length format.

    A non-refundable reading fee of $10.00 should be made payable to RockSaw Press, or paid with well-concealed cash. (If submitting online, pay by card or paypal through the submission manager). Reading fee goes to help cover cost of the book and press costs. Any extra will add to the prize money.
    All submissions must be typed. Do not send your only copy as we cannot return manuscripts.
    Simultaneous submissions ok--notify us immediately if manuscript is accepted elsewhere.
    Multiple submissions ok if accompanied by a reading fee for each manuscript submitted.
    Include a S.A.S.E. for response. If you want receipt confirmation, also include an addressed and stamped postcard.
    Mark on envelope “Contest.”
    Winner will receive 20 copies of the chapbook and a $100 prize (prize amount may go up depending on amount of submissions).
    Finalists will receive a copy of the winning chapbook.

    Submissions not selected for the Blue Skunk Poetry Series will be considered for general publication.

    Submissions may be electronically submitted via Submishmash or mailed to:

         RockSaw Press-Attn: BSPS
         317 ½ E. Main St.
         Mankato, MN 56001

     

    PUB: Kentucky Women Writers Conference

    Now Accepting Entries for the 2011 Betty Gabehart Prize

    Each year the Kentucky Women Writers Conference offers opportunities for both emerging and established voices to be singled out and cheered on by our community. The Betty Gabehart Prize honors our good friend, patron, and former director who led the conference during its seminal decade in the 1980s.

    Three prizes are awarded, in poetry, fiction, and creative nonfiction. Each winner receives $200, two 2-day passes, and the opportunity to read her winning manuscript at the conference.

    >> Betty Gabehart Entry Form [PDF]

    >> Betty Gabehart Regulations [PDF]

    Congratulations to our winners from past years:

    2010

    • PRIZE IN POETRY: "Points of Light" by Joyce Latham of Silver Spring, Maryland.
    • PRIZE IN FICTION: "Fast Food" by Elaine Fowler Palencia of Champaign, Illinois
    • PRIZE IN NONFICTION "The Call I May Never Make" by Mariam Williams of Louisville, KY.

    2009

    • Emma Bolden of Georgetown, KY for "Nesting" (nonfiction)
    • Lisa Dordal of Nashville, TN for "Commemoration" (poetry)
    • Natalie Sypolt of Kingwood, WV for "Ruined Water" (fiction)

    2008

    • Lisa K. Buchanan of San Francisco, CA for "On the Eve of Departure" (fiction)
    • E. Gail Chandler, Shelbyville, Kentucky, for "One Room School" (poetry)
    • Kelly Bancroft, Youngstown, Ohio, for "Singer Sewing Machine No. 66" (creative nonfiction)

    2007

    • Kate Buckley, Laguna Beach, California, for "Dead Horse Trail," (poetry)
    • Donna McClanahan, Irvine, Kentucky, for "Blackberries" (creative nonfiction)
    • Bev Olert, Paris, Kentucky, for "Unbroken Chain" (fiction)
    via uky.edu

     

    VIDEO: Wynton Marsalis Delivers Commencement Speech and Performance

    WYNTON MARSALIS DELIVERS

    COMMENCEMENT SPEECH

    AND PERFORMANCE

     on Jun 29, 2009

    Northwestern's 151st commencement looked to be a washout early in the day. But as the thunderstorms of June 19 passed and the skies finally brightened, graduates and guests enjoyed an abbreviated ceremony highlighted by internationally renowned musician Wynton Marsalis.

    After joking about being "appropriate to the situation" -- many portions of the event were shortened as an evening storm rolled in -- Marsalis read from just the first and last pages of his prepared remarks.

    Marsalis urged members of the class of 2009 to soak up the moment, reminding them of all they have accomplished in donning the cap and gown.

    "This evening, graduates, you fulfill the promise of this university's legacy, justify the optimism of your ancestors, reward the investment of your parents, deepen a kinship with your peers and provide inspiration for younger generations who will benefit from your example," he said.

    The Ryan Field crowd cheered loudest when Marsalis pulled out his trumpet and peformed The Second Line," a traditional New Orleans tune inviting everyone to dance at the end of a concert. Professor Victor Goines, director of jazz studies, accompanied on saxophone.

    Marsalis received an honorary Doctor of Arts degree. He was among seven distinguished individuals to receive an honorary degree.

    http://www.northwestern.edu/newscenter/stories/2009/06/speech.html

     

    PHOTO ESSAY: Fashion Cult : Congo's ''La Sape''> fashionjunkii.com

    Fashion Cult :

    Congo's ''La Sape''

    By Maryam M Sherif · May 24, 2011

    To be cool in Congo is to be a ''Sapeur.''

    In Congolese slang, ''la Sape'' is La Societe des Ambianceurs et Personnes Elegantes, or "The Society for the Advancement of People of Elegance." The movement really started back in 1922.

    For the Sapeur , the only religion to follow is fashion"Dandyism". Their manifesto is the society pages of glossy French-language publications like Africa Elite and Jeune Afrique.

    Members have their own code of honor, codes of professional conduct and strict notions of morality:

    1. A Congolese Sapeur is a happy man even if he does not eat, because wearing proper clothes feeds the soul and gives pleasure to the body.

    2. A real Sapeur needs to be cultivated and speak fluently, but also have a solid moral ethic: that means beyond the appearance and vanity of smart, expensive clothing there is the moral nobility of the individual.

    3. When the Sapeur expresses himself through the harmony of his clothes, he is returning his admiration to God.

    4. A Sapeur does not shed blood. Your clothes do all the fighting for you, otherwise you are not fit to be called a Sapeur.

    ''Yves Saint Laurent suits, Yamamoto jackets, Marcel Lassance suits, Gresson shoes, Cacharel pants,'' said one Sapeur said when running down a shopping list of designer clothes he and friends brought from Paris last fall. To ease the struggles of their daily lives, the Sapeurs of Congo look at their labels.


    It is obvious that there is an inconsistency between the way they live and the way they dress.The country is still in a fragile state. Hundreds die per day from easily preventable diseases and malnutrition. The environment has reached critical mass after years of war and poor treatment has devastated natural resources.

    In a recent album dedicated to La Sape, Papa Wemba, one of Zaire’s top singers, crooned: ”Don’t give up the clothes. It’s our religion.”

    Images by Hector Mediavilla

    Now that's what I'd call a FashionJunkii !!

    What do you think of the way they live ?  Is it wrong?