EDUCATION: 14,000 British professors – but only 50 are black > The Guardian

14,000 British professors

– but only 50 are black

Higher Education Statistics Agency reveals number of black professors in UK universities has barely changed in eight years

Harry Goulbourne, professor of sociology at London South Bank University, says universities are still riddled with ‘passive racism’. Photograph: Eamonn McCabe for the Guardian

 

Leading black academics are calling for an urgent culture change at UK universities as figures show there are just 50 black British professors out of more than 14,000, and the number has barely changed in eight years, according to data from the Higher Education Statistics Agency.

Only the University of Birmingham has more than two black British professors, and six out of 133 have more than two black professors from the UK or abroad. The statistics, from 2009/10, define black as Black Caribbean or Black African.

Black academics are demanding urgent action and argue that they have to work twice as hard as their white peers and are passed over for promotion.

A study to be published in October found ethnic minorities at UK universities feel "isolated and marginalised".

Heidi Mirza, an emeritus professor at the Institute of Education, University of London, is demanding new legislation to require universities to tackle discrimination.

Laws brought in last month give employers, including universities, the option to hire someone from an ethnic minority if they are under-represented in their organisation and are as well-qualified for a post as other candidates. This is known as positive action. Mirza wants the law amended so that universities are compelled to use positive action in recruitment.

She said there were too many "soft options" for universities and there needed to be penalties for those that paid lip-service to the under-representation of minorities. Positive discrimination, where an employer can limit recruitment to someone of a particular race or ethnicity, is illegal.

The HESA figures show black British professors make up just 0.4% of all British professors – 50 out of 14,385.

This is despite the fact that 2.8% of the population of England and Wales is Black African or Black Caribbean, according to the Office for National Statistics. Only 10 of the 50 black British professors are women.

The figures reflect professors in post in December 2009. When black professors from overseas were included, the figure rose to 75. This is still 0.4%of all 17,375 professors at UK universities. The six universities with more than two black professors from the UK or overseas include London Metropolitan, Nottingham, and Brunel universities. Some 94.3% of British professors are white, and 3.7% are Asian. Some 1.2% of all academics – not just professors – are black. There are no black vice-chancellorsin the UK.

Harry Goulbourne, professor of sociology at London South Bank University, said that while the crude racism of the past had gone, universities were riddled with "passive racism". He said that, as a black man aspiring to be a professor, he had had to publish twice as many academic papers as his white peers. He said he had switched out of the field of politics, because it was not one that promoted minorities. He called for a "cultural shift" inside the most prestigious universities.

Mirza said UK universities were "nepotistic and cliquey". "It is all about who you know," she said.

Audrey Osler, a visiting professor of education at Leeds University, described the statistics as "a tragedy". "Not just for students, but because they show we are clearly losing some very, very able people from British academia."

Nelarine Cornelius, a professor and associate dean at Bradford University, said that while universities took discrimination very seriously when it came to students, they paid far less attention when it concerned staff.

Many of the brightest black students were seeking academic posts in the United States where promotion prospects were fairer, they said. Others said too little was being done to encourage clever black students to consider academia and that many were put off by the relatively low pay and short contracts.

Universities UK – the umbrella group for vice-chancellors – acknowledged that there was a problem. Nicola Dandridge, its chief executive, said: "We recognise that there is a serious issue about lack of black representation among senior staff in universities, though this is not a problem affecting universities alone, but one affecting wider society as a whole."

A study by the Equality Challenge Unit, which promotes equality in higher education, found universities had "informal practices" when it came to promoting staff and that this may be discriminating against ethnic minorities. Its findings, to be published this autumn, will call on universities' equality and diversity departments to be strengthened.

Mirza said she had chaired equality committees at three universities. "We get reports from human resources and say 'oh my goodness, we really need to do something about this'. But the committees are on the margins of the decision-making."

Nicola Rollock, an academic researcher in race and education at the Institute of Education, University of London, said there needed to be greater understanding of how decisions were made inside universities. Equality departments risked being "an appendage" or a monitoring form for people applying for jobs. "We are still far more comfortable talking about social class than race in universities," she said.

 

EDUCATION: 14,000 British professors – but only 50 are black > The Guardian

14,000 British professors – but only 50 are black

Higher Education Statistics Agency reveals number of black professors in UK universities has barely changed in eight years

Harry Goulbourne
Harry Goulbourne, professor of sociology at London South Bank University, says universities are still riddled with ‘passive racism’. Photograph: Eamonn McCabe for the Guardian

Leading black academics are calling for an urgent culture change at UK universities as figures show there are just 50 black British professors out of more than 14,000, and the number has barely changed in eight years, according to data from the Higher Education Statistics Agency.

Only the University of Birmingham has more than two black British professors, and six out of 133 have more than two black professors from the UK or abroad. The statistics, from 2009/10, define black as Black Caribbean or Black African.

Black academics are demanding urgent action and argue that they have to work twice as hard as their white peers and are passed over for promotion.

A study to be published in October found ethnic minorities at UK universities feel "isolated and marginalised".

Heidi Mirza, an emeritus professor at the Institute of Education, University of London, is demanding new legislation to require universities to tackle discrimination.

Laws brought in last month give employers, including universities, the option to hire someone from an ethnic minority if they are under-represented in their organisation and are as well-qualified for a post as other candidates. This is known as positive action. Mirza wants the law amended so that universities are compelled to use positive action in recruitment.

She said there were too many "soft options" for universities and there needed to be penalties for those that paid lip-service to the under-representation of minorities. Positive discrimination, where an employer can limit recruitment to someone of a particular race or ethnicity, is illegal.

The HESA figures show black British professors make up just 0.4% of all British professors – 50 out of 14,385.

This is despite the fact that 2.8% of the population of England and Wales is Black African or Black Caribbean, according to the Office for National Statistics. Only 10 of the 50 black British professors are women.

The figures reflect professors in post in December 2009. When black professors from overseas were included, the figure rose to 75. This is still 0.4%of all 17,375 professors at UK universities. The six universities with more than two black professors from the UK or overseas include London Metropolitan, Nottingham, and Brunel universities. Some 94.3% of British professors are white, and 3.7% are Asian. Some 1.2% of all academics – not just professors – are black. There are no black vice-chancellorsin the UK.

Harry Goulbourne, professor of sociology at London South Bank University, said that while the crude racism of the past had gone, universities were riddled with "passive racism". He said that, as a black man aspiring to be a professor, he had had to publish twice as many academic papers as his white peers. He said he had switched out of the field of politics, because it was not one that promoted minorities. He called for a "cultural shift" inside the most prestigious universities.

Mirza said UK universities were "nepotistic and cliquey". "It is all about who you know," she said.

Audrey Osler, a visiting professor of education at Leeds University, described the statistics as "a tragedy". "Not just for students, but because they show we are clearly losing some very, very able people from British academia."

Nelarine Cornelius, a professor and associate dean at Bradford University, said that while universities took discrimination very seriously when it came to students, they paid far less attention when it concerned staff.

Many of the brightest black students were seeking academic posts in the United States where promotion prospects were fairer, they said. Others said too little was being done to encourage clever black students to consider academia and that many were put off by the relatively low pay and short contracts.

Universities UK – the umbrella group for vice-chancellors – acknowledged that there was a problem. Nicola Dandridge, its chief executive, said: "We recognise that there is a serious issue about lack of black representation among senior staff in universities, though this is not a problem affecting universities alone, but one affecting wider society as a whole."

A study by the Equality Challenge Unit, which promotes equality in higher education, found universities had "informal practices" when it came to promoting staff and that this may be discriminating against ethnic minorities. Its findings, to be published this autumn, will call on universities' equality and diversity departments to be strengthened.

Mirza said she had chaired equality committees at three universities. "We get reports from human resources and say 'oh my goodness, we really need to do something about this'. But the committees are on the margins of the decision-making."

Nicola Rollock, an academic researcher in race and education at the Institute of Education, University of London, said there needed to be greater understanding of how decisions were made inside universities. Equality departments risked being "an appendage" or a monitoring form for people applying for jobs. "We are still far more comfortable talking about social class than race in universities," she said.

SWEDEN: Black people in Sweden demonstrated for recognition Swedish transatlantic slave trade > AFRO-EUROPE

Tuesday, May 31, 2011

Black people in Sweden

demonstrated for recognition

Swedish transatlantic slave trade

 


Black people in Sweden (‘Afro-Swedes’) demonstrated in the main capital Stockholm to support a bill to recognize Sweden’s role in the transatlantic slave trade. The demonstration was held on May 12th 2011.

But Sweden, slave trade and the Caribbean doesn't sound natural when you think of Sweden. But long after most colonial powers abolished slavery, Sweden was still trafficking slaves. In 1847 Sweden proclaimed slavery illegal. Only then were the last slaves in the Swedish slave plantation island St Barthélemey in the West Indies set free.

The demonstration in Stockholm was not only about slavery, but also against racism in general. Urbanlife.se was at the demonstration and made the following impression.

"A lot has happened in Sweden recently to believe that change is on the way. Although the change I describe is perhaps not in line with Rosa Parks refusing to sit at the back of the bus on December 1, 1955 in Montgomery, Alabama, it is however, the first time in Sweden's history where ‘Afro-Swedes’ – a term people of African and Caribbean descent fight to be addressed as - have joined together in protest.

The demonstration in Stockholm held on May 12th draws attention to the bill initiated by Gustav Fridolin (Miljöpartiet) regarding the transatlantic slave trade that Sweden was a part of, but which has not yet been recognized by the Swedish government. This is something that Gustav now wants to change and therefore has written this bill. There was a chorus of dissatisfaction amongst the crowd with the announcement that the bill had been dismissed earlier that afternoon. "

Read the full story at Urbanlife.se

Some links and a video:
EU network: Sweden passive on 'slave auction'

Sweden’s slave trade

Swedish slave trade in Ghana

 

 

 

OP-ED + VIDEO: Dear Beyonce: Girls Do NOT Run the World « Clutch Magazine

Dear Beyonce:

Girls Do NOT Run the World

Monday May 30, 2011 – by Britni Danielle

NineteenPercent

Much has been made about Beyonce’s latest single, “Run the World (Girls).” From Bey stans loving the video and choreography, to others complaining about the busyness of the track, Beyonce’s “Girls” hasn’t quite had the impact she, or her label, might have liked.

An interesting thing that has grown out of the single and Beyonce’s reemergence on the music scene, however, has been a discussion of feminism. Clutch’s Arielle Loren and Jezebel’s Dodai Stewart both wondered if Beyonce’s brand of girl power was just another side of contemporary feminism or a ploy to make money. Although both writers came to different conclusions, their articles sparked an interesting conversation—is Beyonce really a feminist or just a woman who knows that empowerment anthems (usually) sell?

Last week, video blogger and self-described “thinker,” NineteenPercent, posted a response to Beyonce’s “Girls” video. In her video response, NineteenPercent wonders how girls or women can really run the world when we are constantly discriminated against.

Although NineteenPercent says the “video is not about Beyonce” specifically, using the song to spark a discussion about the standing of women—who are the majority of the population—seems like the perfect tie-in.

Check out NineteenPercent’s video, “Beyonce-Run the Worl (Lies)” and let us know what you think!

 

VIDEO: Straight, No Chaser - Thelonious Monk Documentary > jazz (& scrap) pages

jazz (& scrap) pages

selected jazzgoodies & off the record scrap

Thelonious Monk documentary: ‘Straight, No Chaser’

Every now and then I get the opportunity to upload more than fifteen minutes to my YouTube channel, so from the jazzpages personal archives, I can now finally bring you the full length documentary ‘Straight, No Chaser’, a film by director Charlotte Zwerin and cinematographer Christian Blackwood.

The story behind ’Straight, No Chaser’ began in West Germany in 1967 and ended more than two decades later in Kansas City, Hollywood and New York. It had its beginnings in 1967, when the film-maker Michael Blackwood was commissioned by West German Television to make a film about Thelonious Monk. Over a six-month period of time that stretched into 1968, Michael and his brother Christian Blackwood, acting as cinematographer and co-director, followed Monk around, capturing him on and offstage, in the studio and on the road, at work and at rest in New York, Atlanta and several European cities.

In total, fourteen hours of film was shot and edited by the Blackwoods down to a film that was broadcast only once in Germany and never again anywhere else. From time to time, talk would surface in the jazz community about the existence of this precious footage, often described as ‘the Dead Sea Scrolls of Jazz’.

In 1981 the Blackwoods, joined with director Zwerin and producer Ricker, planned on turning all this material into a film. But they had to wait until 1987 for their (financial) breakthrough. Clint Eastwood, a lifelong jazz fan, was producing and directing the movie ‘Bird’ about Charlie Parker and heard about this project.
After viewing the samples, he was prepared to step in as executive producer, arranging for the financing to complete and for its eventual release through Warner Bros in the summer of 1988.

Charlotte Zwerin - Director
Clint Eastwood - Producer 
Dick Hyman - Composer (Music Score) 
Christian Blackwood - Cinematographer 
Rudy Van Gelder - Sound Design

++++++++++++++++

about

rick, 41, the netherlands

photographer, jazz devotee

photographical portfolio can be found here

mail at rickstolk dot com

 

AUDIO: Gil Scott-Heron & Mos Def – Live @ Carnegie Hall, NYC 6-28-08 > All The Way Live

Back in 2008, I was lucky enough to see Mos Def perform with his big band and orchestra at Carnegie Hall with his very special guest Gil Scott-Heron.  This was my first time seeing Gil live and will be my last as sadly, he passed away earlier today at the age of 62.  Its bittersweet to listen to these recordings today, but his spirit will live on through his music and legacy forever.  Here is Mos Def and Gil Scott-Heron performing New York City and A Song For Bobby Smith at Carnegie Hall.  Rest In Peace.

 

Gil Scott-Heron & Mos Def – New York City (Live @ Carnegie Hall, NYC 6-28-08) [Download

Gil Scott-Heron & Mos Def – A Song For Bobby Smith (Live @ Carnegie Hall, NYC 6-28-08) [Download

 

 

PUB: Call for Short Stodies/ Plays: Exiles of Conscience (in honor of Professor Esiaba Irobi) - Nigeria|Writers Afrika

Call for Short Stodies/ Plays: Exiles of Conscience (in honor of Professor Esiaba Irobi) - Nigeria

 

Deadline: 31 July 2011

As part of events to mark the one year remembrance of the tragic death of Professor Esiaba Irobi, Loneranger Comprehensive Theater Services, Owerri, Imo State, has undertaken to sponsor the publication of Exiles of conscience – a collection of stories and plays. The anthology will be dedicated to Esiaba Irobi.

Interested writers are therefore invited to send in their entries through e-mail to lonerangerfilms@yahoo.com

GUIDELINES:

  • The subject column of the mail should be addressed (2011 Anthology: Play/story)
  • Entries must not exceed 3 works.
  • Entries must be sent in a Microsoft Word attachment with a biography of not more than sixty words pasted on the body of mail.
  • The deadline for receiving entries is 31st July, 2011. Any work sent in after the deadline will not be considered
 ABOUT THE COLLECTION OF STORIES AND PLAYS

• The Title is Exiles of Conscience - a collection of stories and plays
• Stories and plays are expected to reflect serious psychological depth.
• Writers are encouraged to be experimental. The works we shall accept must have something beyond the ordinary
• Works should be futuristic and preferably utopian.
• The anthology shall have three editors comprising editor of stories, editors of plays a coordinating editor.
• Stories should not exceed 1500 words
• Plays should not exceed four A4 pages of font point 14 typed with Times New Roman in 1.5 line spacing

NOTE:

The editors reserve the right to either include or reject any work as they deem appropriate.

Contributors still reserve the copyright of their individual works and are free to use them for any other personal reason.

Rejected works will not be returned to their owners but deleted from the e-mail inbox.

The owners of works accepted for the anthologies will be notified.

Every contributor whose work(s) appears in the anthology is entitled to a complimentary copy.

The anthology is billed to be presented on 1 October, 2011 at a special occasion to mark one year remembrance of the tragic death of Prof. Esiaba Irobi.

Contact Information:

For inquiries: lonerangerfilms@yahoo.com or call 08063591311, 08037262774

For submissions: lonerangerfilms@yahoo.com

 

 

 

 

PUB: Sport Literate: Honest Reflections on Life’s Leisurely Diversions

Drop 15 and make 200!

You need not risk dumb luck in Vegas to try to win a cool $100 for your best sports poem or double down on that for your best essay. Sport Literate is offering two top prizes for the poetry and creative nonfiction prose that will fill our next issue near the end of 2011.

Try your hand with your finest essay or poem: $200 for the best essay, $100 for the winning poem. All entries will be considered for publication, and all entrants will be mailed a copy of the issue. No fiction, please.

 

2011 Contest Details

Submissions
It’s easy to enter. Simply email your essay or poem as an attachment to bill@sportliterate.org. Poets can send up to three poems for their $15 entry fee.

If you have a PayPal account, you can send the $15 reading fee to bill@sportliterate.org. If you must, snail mail may be sent to our post office box with a check for $15 (Sport Literate 2248 W. Belmont #20 Chicago, IL 60618).
 
Selections
Editors will read all entries and select up to five finalists to be sent anonymously to our two judges: Mark Wukas will choose the best essay and Frank Van Zant will judge the poetry. Winners will be announced in September 2011.
 
Your deadline
Postmark deadline is June 30, 2011!

Our judges
Mark Wukas is a longtime mentor and friend of Sport Literate. His essay “Running with Ghosts,” which appeared within in our pages in 1997, was noted in The Best American Sports Writing 1998. The essay recently was reprinted in Runners on Running, edited by Rich Elliott. He teaches English and coaches track at New Trier Township High School in Winnetka, Illinois.  

Frank Van Zant is the longtime poetry editor of Sport Literate. He has published more than 400 poems in numerous literary journals. He is the author of two books of poetry: Climbing Daddy Mountain and The Lives of the Two Headed Baseball Siren. He is director of one of the oldest alternative schools in the country, The Greenhouse, in Rockville Centre, New York.

Submit

 

PUB: The Raiftearaí Award 2011

The Raiftearaí Award 2011

This year, the festival is pleased to announce the introduction of a new poetry competition to be held during the festival in November 2011.

The Prizes:

1st Prize € 750
2nd Prize € 500
3rd Prize € 250

Entries are invited in the Irish and English languages. There will be 12 shortlisted entrants – six from each language – who will be notified by the end of September 2011. Shortlisted entrants will receive free accommodation plus € 50 expenses.

N.B. It is a condition of entry that all finalists will be available to read their work in Kiltimagh, Co. Mayo, on the night of Friday, November 11th, 2011, during which the winners will be announced. In certain circumstances, the Coordinator and judges may consider an alternate reader.

Details:

Theme:

Journeying

Maximum 80 lines

Each poem should be 1.5 or double spaced on one side of the paper only.

All poems should be original work, not published previously in any form/format.

Entry Fee: € 5 per poem

Your name and contact details should be on a separate sheet and must not appear on the same page as the poems.

Alterations to poems, once submitted, will not be accepted.

The judges decisions are final and no correspondence can be entered into regarding same.

3 copies of each poem must be provided by post to

Ms. Louise Lawrence,
33, Rathcluain Village,
Kiltimagh
Co. Mayo

If you wish your work returned to you, please provide a S.A.E.

 

Deadline: August 31, 2011

 

VIDEO: Langston Hughes(February 1, 1902 – May 22, 1967) Prolific Wordsmith- Rest In Power « Global Fusion Productions Inc

Langston Hughes

(February 1, 1902 – May 22, 1967)

Prolific Wordsmith - Rest In Power

There can be no celebration of Black History, the Harlem Renaissance or the global literary world without the mention of James Mercer Langston Hughes. Today we not only honor the birth of Langston Hughes, but  also the start of Black History Month in America, which he is the epitome of its definition. As our world borders on the brink of explosion, one can not help but to think of the significance of  one of Langston Hughes’s most quoted verses:

What happens to a dream deferred? Does it dry up Like a raisin in the sun?… Or does it explode?…”

 

“James Mercer Langston Hughes (February 1, 1902 – May 22, 1967) was an American novelist, playwright, short story writer, and columnist. He was one of the earliest innovators of the new literary art form jazz poetry. Hughes is best-known for his work during the Harlem Renaissance. He famously wrote about the period that “Harlem was in vogue”. Langston Hughes was born in Joplin, Missouri,Both parents were mixed race, and Langston Hughes was of African American, European American and Native American descent. He grew up in a series of Midwestern small towns. Both his paternal and maternal great-grandmothers were African American, and both his paternal and maternal great-grandfathers were white: one of Scottish and one of Jewish descent. Hughes was named after both his father and his grand-uncle, John Mercer Langston who, in 1888, became the first African American to be elected to the United States Congress from Virginia. Hughes’ maternal grandmother Mary Patterson was of African American, French, English and Native American descent. One of the first women to attend Oberlin College, she first married Lewis Sheridan Leary, also of mixed race. He joined the men in John Brown’s Raid onHarper’s Ferry in 1859 and died from his wounds….First published in The Crisis in 1921, “The Negro Speaks of Rivers”, which became Hughes’ signature poem, was collected in his first book of poetry The Weary Blues (1926).[30] Hughes’ life and work were enormously influential during the Harlem Renaissance of the 1920s, alongside those of his contemporaries, Zora Neale Hurston, Wallace Thurman, Claude McKay, Countee Cullen, Richard Bruce Nugent, andAaron Douglas. Except for McKay, they worked together also to create the short-lived magazine Fire!! Devoted to Younger Negro Artists. Hughes and his contemporaries had different goals and aspirations than the black middle class. They criticized men who were known as the midwives of the Harlem Renaissance: W. E. B. Du Bois, Jessie Redmon Fauset, and Alain LeRoy Locke, as being overly accommodating and assimilating eurocentric values and culture for social equality. On May 22, 1967, Hughes died from complications after abdominal surgery, related to prostate cancer, at the age of 65. His ashes are interred beneath a floor medallion in the middle of the foyer leading to the auditorium named for him within the Arthur Schomburg Center for Research in Black Culture in Harlem.“READ MORE

 

“In the backyard at 20 East 127th Street, (Mr. Langston’s home) where the lawn in the summer of 1954 was dense and green, a gardener named Mr. Sacred Heart, a follower of the evangelist Father Divine, planted some flowering shrubs. In front of the house, at Langston’s request, someone planted Boston Ivy that crept up the walls and eventually luxuriated, so that everyone knew in which house on the street had lived the poet Langston Hughes. But most of the patch of earth beside the front steps, about six feet square, was barren from years of trampling by neighbourhood children, who had little time for flowers. Langston decided to rescue it, and teach the children a tender lesson at the same time. He named the plot their garden…”READ MORE

Let America Be America Again

by Langston Hughes

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed–
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There’s never been equality for me,
Nor freedom in this “homeland of the free.”)

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery’s scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek–
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one’s own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean–
Hungry yet today despite the dream.
Beaten yet today–O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I’m the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That’s made America the land it has become.
O, I’m the man who sailed those early seas
In search of what I meant to be my home–
For I’m the one who left dark Ireland’s shore,
And Poland’s plain, and England’s grassy lea,
And torn from Black Africa’s strand I came
To build a “homeland of the free.”

The free?

Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we’ve dreamed
And all the songs we’ve sung
And all the hopes we’ve held
And all the flags we’ve hung,
The millions who have nothing for our pay–
Except the dream that’s almost dead today.

O, let America be America again–
The land that never has been yet–
And yet must be–the land where every man is free.
The land that’s mine–the poor man’s, Indian’s, Negro’s, ME–
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose–
The steel of freedom does not stain.
From those who live like leeches on the people’s lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath–
America will be!


SOURCE:READ MORE