PUB: Competition | Writers @ Work

Competition

Three Prizes for a memoir essay or personal story: $1000, $350 and $150

All winners will be considered for publication by Quarterly West

Judge: Teresa Jordan

Entry fee: $20 per submission

Deadline: March 20, 2011

Manuscripts of up to 7,500 words or 20 pages (double-spaced 12 point type) must be submitted electronically through the Writers @ Work web site.

Guidelines:

1. Writers who have not yet published a book-length volume of original work with a national press in the applicable genre may submit work for the competition.

2. Only unpublished work may be submitted. Work will be considered published if it has appeared in any print journal or literary magazine or has appeared in an electronic magazine or journal. Posting work on personal websites is not considered publishing. Please do not submit work from chapbooks or work published by a vanity press. Self-published work (such as a collection of stories, poems, essays, or novel that you print for limited distribution) is acceptable.

3. The competitions are designed to serve emerging writers. Writers who have been published in five or more print or electronic journals or literary magazines in any closely related genres may not submit work for the fellowship competition.

4. Current or former students who have studied with judges in an accredited degree-granting program or institution are not eligible for the competition.

5. Previous winners are not eligible in the genre in which they have won.

6. Board members are prohibited from submitting manuscripts during their tenure on the board.

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PUB: Writer Advice - Flash Prose Contest

SIXTH ANNUAL FLASH PROSE CONTEST

Sponsored by Writer Advice, www.writeradvice.com

WriterAdvice, www.writeradvice.com, is searching for flash fiction, memoir, and creative non-fiction that grabs, surprises, and mesmerizes readers in fewer than 750 words. If you have a story or memoir with a strong theme, sharp images, and a solid structure, please submit it to Writer Advice’s Sixth Annual Flash Prose Contest.

 

DEADLINE: April 15, 2011


JUDGES: Former prizewinners, Stephen Bakalyar, Mary Rudy, Denise Turner, and Francine Garson are this year’s judges. Read their pieces and biographies by clicking on the Archived Contest Entries button at www.writeradvice.com.

 

PRIZES: First Place earns $150; Second Place earns $75; Third Place earns $50; Fourth Place earns $25; Honorable Mentions will also be published.


All entries should be typed, double-spaced and submitted in hard copy, not e-mail. Entries must be postmarked by April 15, 2010. Send them to B. Lynn Goodwin, WriterAdvice, and P.O. BOX 2665, DANVILLE, CA 94526.

We accept previously published stories if you own the rights. You may enter UP TO THREE stories. Enclose a $10 check for EACH entry made payable to B. Lynn Goodwin. This will help defray the costs of the contest. If you send multiple submissions, please use one check for all three entries (3=$30). If no prizes are awarded, payment will be refunded.

Include a separate cover sheet with your name, address, phone number, current e-mail address, and each story title. Put your title on the top of each page of the manuscript. Finalists will be asked to submit a brief biography as well as an e-mail copy of the story. Names of all winners will be announced in the summer issue of WriterAdvice.

Want a detailed response? I’m happy to give detailed comments if you send an SASE, but I must charge an extra $10 per entry because of the time that goes into it. Please send all fees in one check and send one envelope (appropriately sized) for all responses. E-mail questions, but not submissions to editor B. Lynn Goodwin at Lgood67334@comcast.net.

 

Personal Standards Go Up

An interview with Tara L. Masih
by B. Lynn Goodwin

Tara L. Masih’s collection of 17 short stories, Where the Dog Star Never Glows, is a global tour viewed through a close-up lens. She captures vibrant characters at critical moments and shows you exactly how events change their lives. Her luscious settings will make you daydream about traveling. Each story offers something unique.

When Therese’s heart broke open at the end of “The Guide, the Tourist, and the Animal Doctor” so did mine. It was a pleasure to be a fly on the wall as Jill and Louis’s relationship shifted and went deeper in “Champagne Water.” Bridgitte’s life and the neediness it has wrought stirred my heart in “Say Bridgitte Please.”

Both “Catalpa” and “Suspended” tell complete stories in under two pages, making the reader look back to see just how the author accomplished so much so quickly. The tension in “Asylum” is both compelling and haunting. Something in the subject matter and the telling of almost every story haunts me.

Author Tara L. Masih is a wise and talented writer. The lyrical descriptions, the global settings, the concise language, and the superb storytelling all make this a rich collection.

Here is her story of discovering the form and sharing her stories with the world.

LG: When did you discover you were a writer?

TLM: It was discovering the joy of reading books, being immersed in them, escaping into them, that sparked my own imagination and made me want to write my own stories. I still have some imagined fairy tales written in pencil, on blue-lined paper, with crayon illustrations in the margins that I created when I was about 8 or 9. Although I didn’t think of myself as a writer yet, I knew I loved books and wanted to center my life around them.

When my grandmother, a book lover herself, told me that jobs existed where you read books and got paid, as a proofreader, I had my aha moment. Writing gradually developed as another goal, but I didn’t read short stories growing up, just novels.

LG: Why do you find short fiction appealing?

TLM: I didn’t start writing stories until high school where the workshop environment encouraged that form. Before that, I stored

away many unfinished novels, mostly handwritten or on onionskin paper in old typewriter font. Also with illustrations. Today, my favorite form is the short story.

LG: The stories in Where the Dog Star Never Glows were

 

 

 

 

 

 

OP-ED: DEATH OF THE WILLIE LYNCH SPEECH

DEATH  OF  THE WILLIE  LYNCH  SPEECH

(Part I)

 

 

by Prof. Manu Ampim

 

Since 1995 there has been much attention given to a speech claimed to be delivered by a “William Lynch” in 1712.  This speech has been promoted widely throughout African American and Black British circles.  It is re-printed on numerous websites, discussed in chat rooms, forwarded as a “did you know” email to friends and family members, assigned as required readings in college and high school courses, promoted at conferences, and there are several books published with the title of “Willie Lynch.”[1]  In addition, new terminology called the “Willie Lynch Syndrome” has been devised to explain the psychological problems and the disunity among Black people. 

 

Further, it is naively assumed by a large number of Willie Lynch believers that this single and isolated speech, allegedly given almost 300 years ago, completely explains the internal problems and divisions within the African American community.  They assume that the “Willie Lynch Syndrome” explains Black disunity and the psychological trauma of slavery. While some have questioned and even dismissed this speech from the outset, it is fair to say that most African Americans who are aware of the speech have not questioned its authenticity, and assume it to be a legitimate and very crucial historical document which explains what has happened to African Americans.

 

However, when we examine the details of the “Willie Lynch Speech” and its assumed influence, then it becomes clear that the belief in its authenticity and widespread adoption during the slavery era is nothing more than a modern myth.  In this brief examination, I will show that the only known “William Lynch” was born three decades after the alleged speech, that the only known “William Lynch” did not own a plantation in the West Indies, that the “speech” was not mentioned by anyone in the 18th or 19th centuries, and that the “speech” itself clearly indicates that it was composed in the late 20th century. 

                      

SILENCE ON  LYNCH  SPEECH

The “Willie Lynch Speech” is not mentioned by any 18th or 19th century slavemasters or anti-slavery activists.  There is a large body of written materials from the slavery era, yet there is not one reference to a William Lynch speech given in 1712. This is very curious because both free and enslaved African Americans  wrote and spoke about the tactics and practices of white slavemasters.  Frederick Douglass, Nat Turner, Olaudah Equino, David Walker, Maria Stewart, Martin Delaney, Henry Highland Garnet, Richard Allen, Absolom Jones, Frances Harper, William Wells Brown, and Robert Purvis were African Americans who initiated various efforts to rise up against the slave system, yet none cited the alleged Lynch speech.  Also, there is not a single reference to the Lynch speech by any white abolitionists, including John Brown, William Lloyd Garrison, and Wendell Phillips.  Similarly, there has been no evidence found of slavemasters or pro-slavery advocates referring to (not to mention utilizing) the specific divide and rule information given in the Lynch speech.  

 

Likewise, none of the most credible historians on the enslavement of African Americans have ever mentioned the Lynch speech in any of their writings.  A reference to the Lynch speech and its alleged divide and rule tactics are completely missing in the works of Benjamin Quarles, John Hope Franklin, John Henrik Clarke, William E.B. Du Bois, Herbert Aptheker, Kenneth Stampp, John Blassingame, Rosalyn Terborg-Penn, Darlene Clark-Hine, and Lerone Bennett. These authors have studied the details and dynamics of Black social life and relations during slavery, as well as the “machinery of control” by the slavemasters, yet none made a single reference to a Lynch speech. 

 

Since the Willie Lynch speech was not mentioned by any slavemasters, pro-slavery advocates, abolitionists, or historians studying the slavery era, the question of course is when did it appear?  

 

FIRST REFERENCE TO LYNCH  SPEECH

The first reference to the Willie Lynch speech was in a late 1993 on-line listing of sources, posted by Anne Taylor, who was then the reference librarian at the University of Missouri at St. Louis (UMSL).[2]  She posted ten sources to the UMSL library database and the Lynch speech was the last item in the listing.  Taylor in her 1995 email exchanges with the late Dr. William Piersen (Professor of History, Fisk University) and others interested in the origin of the Lynch speech indicated that she keep the source from where she received the  speech anonymous upon request, because he was unable to establish the authenticity of the document.  On October 31, 1995, Taylor wrote:

 

“Enough butt-covering, now it’s time to talk about where I got it.  The publisher who gave me this [speech] wanted to remain anonymous…because he couldn’t trace it, either, and until now I’ve honored his wishes.  It was printed in a local, widely-distributed, free publication called The St. Louis Black Pages, 9th anniversary edition, 1994*, page 8.”

 

[*Taylor notes: “At risk of talking down to you, it’s not unusual for printed materials to be ‘post-dated’ – the 1994 edition came out in 1993].[3]

 

The Lynch speech was distributed in the Black community in 1993 and 1994, and in fact I came across it during this time period, but as an historian trained in Africana Studies and primary research I never took it serious.  I simply read it and put it in a file somewhere.

 

However, the Lynch speech was popularized at the Million Man March (held in Washington, DC) on October 16, 1995, when it was referred to by Min. Louis Farrakhan.  He stated:

 

We, as a people who have been fractured, divided and destroyed because of our division, now must move toward a perfect union.  Let's look at a speech, delivered by a white slave holder on the banks of the James River in 1712...  Listen to what he said.  He said, 'In my bag, I have a foolproof method of controlling Black slaves.  I guarantee everyone of you, if installed correctly, it will control the slaves for at least 300 years’…So spoke Willie Lynch 283 years ago.”  

 

The 1995 Million Man March was broadcast live on C-Span television and thus millions of people throughout the U.S. and the world heard about the alleged Willie Lynch speech for the first time.  Now, ten years later, the speech has become extremely popular, although many historians and critical thinkers questioned this strange and unique document from the outset.

 

 

Full Text of the alleged Willie Lynch Speech, 1712:

 

"Gentlemen, I greet you here on the bank of the James River in the year of our Lord one thousand seven hundred and twelve. First, I shall thank you, the gentlemen of the Colony of Virginia, for bringing me here. I am here to help you solve some of your problems with slaves. Your invitation reached me on my modest plantation in the West Indies where I have experimented with some of the newest and still the oldest methods of control of slaves.

Ancient Rome would envy us if my program were implemented. As our boat sailed south on the James River, named for our illustrious King, whose version of the Bible we cherish. I saw enough to know that your problem is not unique. While Rome used cords of woods as crosses for standing human bodies along its highways in great numbers you are here using the tree and the rope on occasion.

I caught the whiff of a dead slave hanging from a tree a couple of miles back. You are not only losing a valuable stock by hangings, you are having uprisings, slaves are running away, your crops are sometimes left in the fields too long for maximum profit, you suffer occasional fires, your animals are killed.

Gentlemen, you know what your problems are: I do not need to elaborate. I am not here to enumerate your problems, I am here to introduce you to a method of solving them. In my bag here, I have a fool proof method for controlling your Black slaves. I guarantee everyone of you that if installed correctly it will control the slaves for at least 300 hundred years [sic]. My method is simple. Any member of your family or your overseer can use it.

I have outlined a number of differences among the slaves: and I take these differences and make them bigger. I use fear, distrust, and envy for control purposes. These methods have worked on my modest plantation in the West Indies and it will work throughout the South. Take this simple little list of differences, and think about them. 

On top of my list is ‘Age’, but it is there only because it starts with an ‘A’: the second is ‘Color’ or shade, there is intelligence, size, sex, size of plantations, status on plantation, attitude of owners, whether the slave live in the valley, on hill, East, West, North, South, have fine hair, coarse hair, or is tall or short. Now that you have a list of differences. I shall give you an outline of action-but before that I shall assure you that distrust is stronger than trust and envy is stronger than adulation, respect, or admiration.

The Black slave after receiving this indoctrination shall carry on and will become self re-fueling and self generating for hundreds of years, maybe thousands. Don't forget you must pitch the old Black male vs. the young Black male, and the young Black male against the old Black male. You must use the dark skin slaves vs. the light skin slaves and the light skin slaves vs. the dark skin slaves. You must use the female vs. the male, and the male vs. the female. You must also have your white servants and overseers distrust all Blacks, but it is necessary that your slaves trust and depend on us. They must love, respect and trust only us. 

 

Gentlemen, these kits are your keys to control. Use them. Have your wives and children use them, never miss an opportunity. If used intensely for one year, the slaves themselves will remain perpetually distrustful.  Thank you, gentlemen."

 

 

WHO  WAS  WILLIE  LYNCH ?

The only known “William Lynch” who could have authorized a 1712 speech in Virginia was born 30 years after the alleged speech was given.  The only known “William Lynch” lived from 1742-1820 and was from Pittsylvania, Virginia. It is obvious that “William Lynch” could not have authored a document 30 years before he was born!  This “William Lynch” never owned a plantation in the West Indies, and he did not own a slave plantation in Virginia. 

 

DIVIDE & RULE 

The Lynch speech lists a number of divide and rule tactics that were not important concerns to slaveholders in the early 1700s, and they certainly were not adopted.  The anonymous writer of the Lynch speech states, “I have outlined a number of differences among the slaves: and I take these differences and make them bigger.”  Here is the list provided in the Lynch speech: age, color, intelligence, fine hair vs. coarse hair, tall vs. short, male vs. female.

 

However, none of these “tactics” were concerns to slaveholders in the early 1700s in the West Indies or colonial America.  No credible historian has indicated that any of the items on the Lynch list were a part of a divide and rule strategy in the early 18th century.  These are current 20th century divisions and concerns.   Here are the Lynch speech tactics versus the real divide and rule tactics that were actually used in the early 18th century:

                         

DIVIDE  &  RULE  TACTICS

 

   LYNCH  SPEECH   vs.    HISTORICAL  FACTS

 

Age                                         Ethnic origin & language

Color (light vs. dark skin)       African born vs. American born

Intelligence                             Occupation (house vs. field slave)

Fine hair vs. coarse hair           Reward system for “good” behavior

Tall vs. short                            Class status

Male vs. female                       Outlawed social gatherings

 

It is certain that “Willie Lynch” did not use his divide and rule tactics on his “modest plantation in the West Indies.”

 

 

20th CENTURY  TERMS IN LYNCH  SPEECH

There are a number of terms in the alleged 1712 Lynch speech that are undoubtedly anachronisms (i.e. words that are out of their proper historical time period).  Here are a few of the words in the speech that were not used until the 20th century:

 

Lynch speech: “In my bag here, I have a fool proof method for controlling your Black slaves.”

 

Anachronisms: “Fool proof” and “Black” with an upper-case “B” to refer to people of African descent are of 20th century origin.  Capitalizing “Black” did not become a standard from of writing until the late 1960s.

 

Lynch speech: “The Black slave after receiving this indoctrination shall carry on and will become self re-fueling and self generating for hundreds of years.”

 

Anachronism:  “Re-fueling” is a 20th century term which refers to transportation.

 

 

OTHER  STRANGE  FEATURES

  • William Lynch is invited from the “West Indies” (with no specific country indicated) to give only a short eight-paragraph speech.  The cost of such a trip would have been considerable, and for the invited speaker to give only general remarks would have been highly unlikely.

 

  • Lynch never thanked the specific host of his speech, he only thanked “the gentlemen of the Colony of Virginia, for bringing me here.”  Here, he is rude and shows a lack of etiquette.  Also, no specific location for the speech was stated, only that he was speaking “on the bank [sic] of the James River.”

 

  • Lynch claims that on his journey to give the speech he saw “a dead slave hanging from a tree.”  This is highly unlikely because lynching African Americans from trees did not become common until the late 19th century.

 

  • Lynch claims that his method of control will work for “at least 300 hundred years [sic].”   First, it has gone unnoticed that the modern writer of the “speech” wrote three hundred twice (“300 hundred years”), which makes no grammatical sense.  It should be “300 years” or “three hundred years.”  Second, the arbitrary choice of 300 years is interesting because it happens to conveniently bring us to the present time.

 

  • Lynch claims that his method of control “will work throughout the South.”  This statement clearly shows the modern writer’s historical ignorance.  In 1712, there was no region in the current-day U.S. identified as the “South.” The geographical region of the “South” did not become distinct until a century after the alleged speech.  Before the American Revolutionary War vs. Britain (1775-1783) the 13 original U.S. colonies were all slaveholding regions, and most of these colonies were in what later became the North, not the “South.”  In fact, the region with the second largest slave population during the time of the alleged William Lynch speech was the northern city of  New York, where there were a significant number of slave revolts including the rebellion in 1712.

 

  • Lynch fails to give “an outline of action” for control as he promised in his speech.  He only gives a “simple little list of differences” among “Black slaves.”

 

  • Lynch lists his differences by alphabetical order, he states: “On top of my list is ‘Age’, but it is there only because it starts with an ‘A’. “  Yet, after the first two differences (“age” and “color”), Lynch’s list is anything but alphabetical.

 

  • Lynch spells “color” in the American form instead of the British form (“colour”).  We are led to believe that Lynch was a British slaveowner in the “West Indies,” yet he does not write in British style.

 

  • Lastly, the name Willie Lynch is interesting, as it may be a simple play on words: “Will Lynch,” or “Will he Lynch.”  This may be a modern psychological game being played on unsuspecting believers?

 

WHO WROTE THE LYNCH SPEECH?

It is clear that the “Willie Lynch Speech” is a late 20th century invention because of the numerous reasons outlined in this essay.  I would advance that the likely candidate for such a superficial speech is an African American male in the 20s-30s age range, who probably minored in Black Studies in college. He had a limited knowledge of 18th century America, but unfortunately he fooled many uncritical Black people. 

 

Some people argue that it doesn’t matter if the speech is fact or fiction, because white people did use tactics to divide us.  Of course tactics were used but what advocates of this argument don’t understand is that African people will not solve our problems and address the real issues confronting us by adopting half-baked urban myths.  If there are people who know that the Lynch speech is fictional, yet continue to promote it in order to “wake us up,” then we should be very suspicious of these people, who lack integrity and will openly violate trust and willingly lie to our community. 

 

Even if the Willie Lynch mythology were true, the speech is focused on what white slaveholders were doing, and there is no plan, program, or any agenda items for Black people to implement.  It is ludicrous to give god-like powers to one white man who allegedly gave a single speech almost 300 years ago, and claim that this is the main reason why Black people have problems among ourselves today!  Unfortunately, too often Black people would rather believe a simple and convenient myth, rather than spend the time studying and understanding a situation.  Too many of our people want a one-page, simplified Ripley’s Believe It or Not explanation of “what happened.”

 

WILLIE  LYNCH  DISTRACTION

While we are distracted by the Willie Lynch urban mythology, the real issues go ignored.  There are a number of authentic first-hand written accounts by enslaved Africans, who wrote specifically about the slave conditions and the slavemasters’ system of control.  For example, writers such as Olaudah Equiano, Mahommah Baquaqua, and Frederick Douglass wrote penetrating accounts about the tactics of slave control. 

 

Frederick Douglass, for instance, wrote in his autobiography, Narrative of the life of Frederick Douglass, that one of the most diabolical tactics of the American slaveholders was to force the slave workers during their six days off for the Christmas holiday to drink themselves into a drunken stupor and forget about the pain of slavery. Douglass wrote, “It was deemed a disgrace not to get drunk at Christmas; and he was regarded as lazy indeed, who had not provided himself with the necessary means, during the year, to get whiskey enough to last him through Christmas.  From what I know of the effects of these holidays upon the slave, I believe them to be the most effective means in the hands of the slaveholder in keeping down the spirit of insurrection.  Were the slaveholders at once to abandon this practice, I have not the slightest doubt it would lead to an immediate insurrection among the slaves…. The holidays are part and parcel of the gross fraud, wrong, and inhumanity of slavery.”[4]

 

Also, many nineteenth century Black writers discussed the specific tactics of the white slaveowners and how they used Christianity to teach the enslaved Africans how to be docile and accept their slave status.  The problem with African American and Black British revelry during the Christmas holidays and the blind acceptance of the master’s version of Christianity are no doubt major issues among Black people today.  It is certain that both of these problems were initiated and perpetuated during slavery, and they require our immediate attention.

          

Many people who embrace the Willie Lynch myth have not studied the period of slavery, and have not read the major works or first-hand documents on this issue of African American slavery.  Further, as indicated above, the Lynch hoax is so widespread that this fictional speech is amazingly used as required reading by some college instructors.  While we are being misled by this fantasy, the real historical data is being ignored. For example, Kenneth Stampp in his important work on slavery in the American South, The Peculiar Institution (1956), uses the historical records to outline the 5 rules for making a slave:

 

  1. Maintain strict discipline.
  2. Instill belief of personal inferiority.
  3. Develop awe of master’s power ( instill fear).
  4. Accept master’s standards of “good conduct.”
  5. Develop a habit of perfect dependence.[5]

 

Primary (first-hand) research is the most effective weapon against the distortion of African history and culture.  Primary research training is the best defense against urban legends and modern myths.  It is now time for critical thinkers to bury the decade-old mythology of “William Lynch.”

======================================================

 

NOTES

 

1.   For example, see: Lawanda Staten, How to Kill Your Willie Lynch (1997); Kashif Malik Hassan-el, The Willie Lynch Letter and the Making of a Slave (1999); Marc Sims, Willie Lynch: Why African-Americans Have So Many Issues! (2002); Alvin Morrow, Breaking the Curse of Willie Lynch (2003); and Slave Chronicles, The Willie Lynch Letter and the Destruction of Black Unity (2004).

 

2.   See: www.umsl.edu/services/library/blackstudies/narrate.htm

 

3.   For this quote and the general Anne Taylor email exchanges regarding the authenticity of the Willie Lynch speech, see: www.umsl.edu/services/library/blackstudies/winbail.htm

 

4.   Frederick Douglass, Narrative of the Life of Frederick Douglass (1845), p. 84.

 

5.   Kenneth Stampp, The Peculiar Institution: Slavery in the Ante-Bellum South  (1956), pp. 144-48.

 

 

*Prof. Manu Ampim is an Historian and Primary (first-hand) Researcher specializing in African & African American history and culture.  He is also a professor of Africana Studies.  He can be reached at:

PO Box 18623, Oakland, CA (USA).  Tel. 510-482-5791.  Email: Profmanu@acninc.net.

 

(Full essay is published in the December 2005 issue of Nex Generation Magazine.)

DEATH  OF  THE  WILLIE  LYNCH  SPEECH, Part II*

 

By Prof. Manu Ampim

 

 

RESPONSES  TO  PART  I

Since my first essay on the fictional “Willie Lynch” speech in the previous issue of Nex Generation, there has been an overwhelming response to my analysis of this prevailing myth among Black people in the Western hemisphere. 

 

There have been three main responses to my “Willie Lynch” essay, and 90% of these responses fall into the first two groups. 

 

The first group of responses are from those people who were very thankful to read my work because they knew the "Willie Lynch" speech was fake, but they had no real proof.  Before reading the evidence presented in my essay, this group either ignored this fake speech, or they argued against its authenticity without the ammunition that my critique provides.

 

The second group of people also responded to my essay very favorably.  However, this group initially assumed that the alleged speech was authentic and thus shared it with many people in their network.  They simply never thought to ask themselves whether or not the speech was legitimate.  Since reading my analysis of the Lynch speech, this group now sees it as a modern hoax and haveindicated that they are going back to their networks to announce that the Will Lynch speech is a modern fake.  I have the utmost respect for this group, because they have a high degree of integrity to admit that they had made a mistake and was now going back to make corrections.

 

The final group represents about 10% of the responses to my Lynch essay, and most of these people suffer from a complete lack of critical thinking skills.  Many of them claim that "even if the speech is fake it is still true!"  Their position is essentially that "the speech is important to me, and I don't care that it is probably fake, I still believe it is true."  Some of these people have stated that they go so far as to meditate on the speech every day or every week!  This group vows to continue using the Willie Lynch speech because they believe it to be an important "wake up" call for Black people.  However, they fail to realize that the fake speech is only concerned with what a white slave-owner supposedly said, and there is no agenda or program for Black people to act upon. Also, they fail to understand that few people would consider trusting someone who they know will openly lie when it serves their interests. 

 

In fact, a more dramatic “wake-up” call for Black people than the fake Lynch speech was the 1977 TV miniseries "Roots."  Roots graphically introduced millions of viewers throughout the world to the brutality of American slavery, and yet this powerful "wake up" call didn't help us to solve any of our major problems.  In fact, today 1/3 of Black children in America still live in poverty, and since the Roots miniseries there are now more African American men in prison than there is in college.   Lastly, there are some people in this 10% group who have a particular interest in promoting the Lynch myth, because they want an excuse to continue sitting on their behind and do nothing to help solve problems in our communities.  They claim that Willie Lynch (who they promote as a powerful white god) gave a single speech 300 years ago and this is why Black people can’t come together to solve our problems today!

 

If the Willie Lynch speech supporters are sincere and want to learn about influential and prominent pro-slavery advocates in the 1700s and 1800s, then they should read the recent book by Paul Finkelman, Defending Slavery: Proslavery Thought in the Old South (A Brief History with Documents) (2003).  Of course, of all the most influential people noted in this study neither "WillieLynch” nor his alleged speech are mentioned in this work.

 

NEGATIVE  EFFECTS  OF THE 20TH CENTURY

As I indicated in Part I, there is absolutely no record of a 1712 Willie Lynch speech or any of the Lynch tactics being used in the 18th century, or referred to by any historians, pro-slavery advocates, or anti-slavery abolitionists in the 18th or 19th century.  There is no doubt that the fake Lynch document is of late 20th century origin, and thus far it cannot be traced back before 1993.  The problem with believing silly internet fairy tales is that if we don't know the origin of a problem then it is impossible to create a solution, because the ideas are based on false information.  Black people will never be respected as an intelligent people or solve any of our major problems by believing in kindergarten internet myths.  

 

Many of the problems that Black people are facing today developed in the 20th century during and after the great African American migrations around World War I and World War II.  When we actually look at the negative effects of these migrationsurbanization, and later integration, then it becomes clear that many of the problems that we are faced with today have no direct connection to slavery (eventhough slavery was a vicious institution).  Rather, these problems arose as Black people migrated from the southern region of the U.S. in the 20th century and loss the connection to our cultural values.  It is well known that the social harmony within the African American community still existed well into the 20th century.  In fact, all older Black people from the South know this from their own experience, and the experience or their parents and grandparents, as there were largely positive marriage and family relations, respect for eldership, and general social harmony.  Yet, many people ignore this fact of Black social harmony in the early- to mid-20th century in order to believe the Willie Lynch fairy tale.  This fake speech is a serious distraction because rather than addressing the real sources of our problems, many people continue to falsely believe that "everything" comes from slavery and that "Willie Lynch" was a white god who gave a single speech that somehow controls 40 million Black people 300 years later!

 

As I indicated in my first essay, there are many first-hand slavery accounts that give more important insight as to what happened to Black people than the fake Will Lynch speech. In order to gain correct knowledge of our historical experience, we have to study our history from the primary sources, and study the works of professional sociologists and historians such as Benjamin Quarles, Carter G. Woodson, W.E.B. Du Bois, John Blassingame, Eugene Genovese, Herbert Gutman, and Robert Staples. These authors clearly demonstrate that African American social harmony survived throughout slavery and into the 20th century.  The Black political and cultural resistance to enslavement never ceased and indeed prevented the forces of slavery from destroying the Black sense of community sharing and caring, as is falsely asserted by the dwindling number of Lynch speech supporters.

 

In the early 20th century, there was a fundamental shift that occurred in the situation of African Americans when for the first time there was a major migration of Black people away from the southern U.S., during and after World War I (1914-1918).  Before this great migration, 90% of African Americans lived in the South.  According to the U.S. census figures between 1910-1920, there were several hundred thousand Black people who left the South searching for a better way of life, and migrated to northern cities such as New York, Chicago, Philadelphia, Detroit, St. Louis, Cleveland, Pittsburgh, Gary, and Columbus and Akron, Ohio. These northern cities were dramatically transformed within one to two generations into areas which housed growing impoverished Black populations. These Black migrants had to squeeze into low-rent districts in the inner-cities, which eventually turned into black slums. The Black migrants left their southern rural problems only to be met with a new set of urban problems in northern (and southern) cities, which were anything but “a land of promise,” as many of them had hoped.  There were racial tensions with white citizens in these cities, who did not welcome this wave of Black immigrants.  Whites feared that this new Black presence would ruin their neighborhoods and take their jobs.  As a result, white mobs instigated race riots in numerous cities during this era, most notably East St. Louis (1917), Houston (1917), Chicago (1919), Elaine, Arkansas (1919), Tulsa, Oklahoma (1921), and Rosewood, Florida (1923).

 

The second major 20th century migration was during and after World War II (1939-1945).  There was a massive wave of African Americans who again left the southern U.S., but this time they migrated to the western U.S. cities in California and elsewhere. Thus in 1910, African Americans were predominantly rural and southern; approximately 75% lived in rural areas and 90% lived in the South.  A half-century later African Americans were mainly an urban population, as almost three-fourths of them lived in cities.  Within a few decades after the first migration many northern cities area were transformed into black slum areas.  In addition, the introduction of drugs into inner-city urban communities by U.S. government forces has also had a devastating impact on Black life.

 

Although both the migrations and the urbanization had a negative impact on black life and social harmony which existed in the southern rural communities, it was the third major factor ofintegration that caused the greatest rift among African Americans.  After the pivotal 1954 Brown vs. Board of Education decision, which outlawed the Jim Crow racial segregation in U.S. public schools, Black people began to attend all-white schools, learn white values, live in white neighborhoods, and spend money in white stores.  Integration dealt a devastating blow to Black unity and sense of community.  Dr. Oba T’Shaka at a recent February 15, 2006 presentation at Merritt College (Oakland, Calif.) mentioned the main premise of his book, Integration Trap, Generation Gap, that there are now more divisions among Black people since 1968, than there was during the entire period of more than three hundred years between 1619 to 1968.  He argues that integration has been nothing more than a trap to destroy Black unity. 

 

There is no question that since the late 1960s and early 1970s Black people have suffered from the loss of independent schools and businesses, and have faced the onslaught of street gangs, crack-cocaine, homicides, the incarceration of young black men, a high divorce rate and single-parent households, the rape of women, and the disrespect of elders, etc.  None of these problems were significant issues before the 20th century migrationsurbanization, and the integration trap.  In the early 20th century, Black social harmony was a basic reality and caring and sharing was a fundamental characteristic of virtually every Black community.  The greatest issue for Black people has been the loss of the African-centered system of ethics and values, which linked Black people together and allowed us to survive the vicious system of slavery and later Jim Crow (characterized by racial segregation and anti-Black violence).  

 

FUTURE  OF THE  “LYNCH  SPEECH”

If we study the origins of the negative factors of migrationsurbanization, and integration, then we will not only understand how problems developed among African Americans in the 20thcentury, but of course there would be no need for misinformed people to continue promoting a fake speech given by a mythical slave-owner.

 

The death of the “Willie Lynch speech” is imminent as more people see through the superficial attempt to “wake up“ Black people with a fake document, while ignoring the real sources of Black problems.  The internet has undoubtedly been the main avenue to spread false information, and some have made money by promoting their Lynch books and speeches, but it is the minority of college instructors who should also be questioned for misleading students with the bogus Lynch “document.” Rather than introducing students to first-hand sources and teaching them critical thinking skills, these instructors are contributing to the spread of ignorance.  However, these instructors should be on notice that many of their students now doubt what they have learned in their classes, because they realize that they have already been misled to believe in a modern internet hoax. 

 

In the arena of serious scholarship and primary (first-hand) research, the standing rule is that “documentation beats conversation.”  There is a fundamental difference between proof and propaganda, between evidence and ideology, and between knowledge and mere belief.  In the next five years the Lynch speech will likely be a forgotten myth of the past.

-------------------------------------------------------------------

Prof. Manu Ampim is an Historian and Primary (first-hand) Researcher specializing in African & African American history and culture.  He is also a professor of Africana Studies.  He can be reached at: PO Box 18623, Oakland, CA (USA).  Tel. 510-482-5791.  Email: Profmanu@acninc.net.

www.ManuAmpim.com

 

*See Nex Generation Magazine (Spring 2006) for the publication of this essay with images.

 

>via: http://manuampim.com/lynch_hoax2.html

 

 

A LUTA CONTINUA: Libya Is A Special Corner Of Hell

Veering From Peaceful Models, Libya’s Youth Revolt Turns Toward Chaos

Lynsey Addario for The New York Times

Opposition fighters fired from a truck on Saturday before abandoning a checkpoint in Brega, Libya, as Col. Muammar el-Qaddafi’s forces advanced.

RAS LANUF, Libya — It is a bromide of dictators like Col. Muammar el-Qaddafi that they stand as the only bulwark against forces of chaos and religious militancy. The tragedy of Libya’s uprising, its genesis in peaceful protests over a government’s disdain for its people, is that Colonel Qaddafi’s own brutal repression from Tripoli east to Ras Lanuf and beyond may make the platitudes reality.

 

Multimedia

 

Lynsey Addario for The New York Times

Relatives of a man killed while fighting government forces in Ras Lanuf were overcome with grief Saturday at his funeral.

The protests upending the Arab world have ranged from the climactic success of protesters in Tunisia and Egypt, to the brutal crackdowns in Syria, whose government forced just a handful of demonstrators to sign pledges never to protest again, and to the uneasy standoff in Bahrain between Shiite protesters and a Sunni royal family. Libya has begun to emerge as its own model — the darker side of the forces unleashed this year by the immolation of a young man in the Tunisian hinterland.

Everyone here seems to have a gun these days, in a lawlessness tempered only by revolutionary ebullience. Young men at the front parade with the swagger that a rocket-propelled grenade launcher grants but hint privately that they will try to emigrate if they fail. Anti-American sentiments build, as rebels complain of Western inaction. And the hint of radicalization — religious or something more nihilist — gathers as the momentum in the three-week conflict clearly shifts to the forces of one of the world’s most bizarre leaders.

“This better not go on any longer,” said Dr. Salem Langhi, a surgeon who was working around the clock at a hospital that was abandoned as Colonel Qaddafi’s forces rushed in. “It will only bring misery and hard feelings among people. Losing lives and limbs doesn’t make anyone optimistic.”

No one seems to know what to call this conflict — a revolution, a civil war or, in a translation of what some call it in Arabic, “the events,” a shorthand for confusing violence. It certainly looks like a war — the thud of shelling in the distance offers a cadence to occasional airstrikes, their targets smoking like oil fires that turn afternoon to dusk. The dead and dismembered are ferried in ambulances driven by medical students.

But especially for the rebels, there is an amateurishness to the fighting that began as a protest and became an armed uprising.

“We’re here because we want to be,” said one of the fighters, Mohammed Fawzi.

His sense of a spontaneous gathering offers a prism through which to understand the war: the front at Ras Lanuf is the most militarized version of Tahrir Square in Cairo, where hundreds of thousands wrote a script of opposition and street theater that brought down a strongman everyone thought would die in office. The fighting here feels less like combat in the conventional sense and more like another form of frustrated protest.

Some vehicles bear the inscription Joint Security Committee, but nothing is all that coordinated across a landscape that seems anarchic and lacking in leadership. Fighters don leather jackets from Turkey, Desert Fox-style goggles, ski masks, cowboy hats and World War II-era British waistcoats.

Slogans are scrawled in the street just miles from the fighting. “Muammar is a dog,” one reads. A man who bicycled for three days from Darnah, far to the east, became a local celebrity at the front. Free food is offered, as it was in the canteens in Tahrir, and fighters rummaged through donated clothes. “These are American jeans!” one shouted.

Young men revel in the novelty of having no one to tell them not to play with guns. “God is great!” rings out whenever a volley of bullets is fired into the air.

“Some guys consider this a lot of fun, and they’re hoping the war lasts a lot longer,” said Marwan Buhidma, a 21-year-old computer student who credited video games with helping him figure out how to operate a 14.5-millimeter antiaircraft battery.

An hour or so before Friday’s headlong retreat, a gaggle of young men in aviator sunglasses and knit caps danced on military hardware, thrusting weapons into the air.

“Where is the house of the guy with really bad hair?” they chanted, referring to Colonel Qaddafi, jumping on spent cartridges and empty milk cartons. “Let’s go down the road and see it!”

 

Lynsey Addario for The New York Times

The body of the man killed in Ras Lanuf, Emad al-Giryani, was prepared for burial on Saturday. Rebel lines have been crumbling under the onslaught by Col. Muammar el-Qaddafi's forces.

 

Nearly 70 percent of Libya’s population is under the age of 34, virtually identical to Egypt’s, and a refrain at the front or faraway in the mountain town of Bayda is that a country blessed with the largest oil reserves in Africa should have better schools, hospitals, roads and housing across a land dominated by Soviet-era monotony.

“People here didn’t revolt because they were hungry, because they wanted power or for religious reasons or something,” said Abdel-Rahman al-Dihami, a young man from Benghazi who had spent days at the front. “They revolted because they deserve better.”

The seeming justice of that revolt has prompted moments of naïveté — time and again, young people express amazement that Colonel Qaddafi’s forces would deploy tanks and warplanes against them — with an incipient and unpredictable frustration over demands unmet.

The revolt remains amorphous, but already, religion has emerged as an axis around which to focus opposition to Colonel Qaddafi’s government, especially across a terrain where little unites it otherwise. The sermon at the front on Friday framed the revolt as a crusade against an infidel leader. “This guy is not a Muslim,” said Jawdeh al-Fakri, the prayer leader. “He has no faith.”

Deserting officers have offered what leadership there is, along with some men who call themselves veterans of fighting in Afghanistan or an Islamist insurgency in eastern Libya in the 1990s. The shift remains tentative — and far short of the accusations made by Colonel Qaddafi that he faces an insurgency led by Al Qaeda — but even the opposition acknowledges the threat of radicalization in a drawn-out conflict.

Dr. Langhi, the surgeon, said he scolded rebels who called themselves mujahedeen — a religious term for pious fighters. “This isn’t our situation,” he pleaded. “This is a revolution.”

Sitting on ammunition boxes, four young men from Benghazi debated the war, as they watched occasional volleys of antiaircraft guns fired at nothing. They promised victory but echoed the anger heard often these days at the United States and the West for failing to impose a no-flight zone, swelling a sense of abandonment. Salah Mughrabi, a 24-year-old chemical engineer without a job, pondered what might follow their defeat.

“You can’t imagine the fire that’s going to come,” he said. “Fire.”

The sense of citizenship and empowerment was one of the most remarkable legacies of Egypt’s uprising. Young people there often made the point that they no longer thought about emigration to Persian Gulf states or the West now that they had a country to build.

None of the four men here wanted to stay in Libya. Mr. Mughrabi and a friend planned to go to America, another to Italy. The last said Afghanistan. Each described the litany of woes of their parents — 40 years of work and they were consigned to hovels.

“My father has nothing,” Mr. Mughrabi said. “And I ask you: Why?”

Across the street was the antiaircraft battery of Mr. Buhidma, the video gamer.

His features were too soft for the street’s martial cast, and his eyes welled up as he recalled two friends killed in Benghazi at the start of the uprising. He said he missed television and complained of the hooligans at the front who had stolen guns and cars.

“Some of them are cowards,” he said. “Let’s say traitors.”

A week before, he and a friend had caught a ride to the front, picking up a deserting officer along the way in Adjadbiya to lead them. Patriotism, he said, was his motivation, but he wondered whether he was willing to die in a war.

“I really haven’t made my decision yet,” he said. “I’ll let fate decide.”

Men piled ammunition into pickups that advanced to the front and retreated from it. “God is great and to him praise,” shouted some as they caught rides. Cars careered past that read variously “Popular Army,” “Free Libyan Army” and “The Army of Feb. 17.” As on past days, hours more awaited before fighting began in the afternoon.

“I don’t know what to call this,” Mr. Buhidma said, his voice earnest. “Do you consider this war, or civil war, or religious war? It’s confusing to me, very confusing. I don’t know.

 

__________________________

 

By Al Jazeera Staff in on March 13th, 2011.

[AFP Picture]

As the uprising in Libya continues, we update you with the latest developments from our correspondents, news agencies and citizens across the globe. Al Jazeera is not responsible for content derived from external sites.

Blog: Feb17 - Feb18 - Feb19 Feb20 Feb21 - Feb22 Feb23 Feb24 Feb25 - Feb26 - Feb27 - Feb28  - Mar1 - Mar2 -Mar 3 - Mar4 Mar5  - Mar6 - Mar 7 - Mar8 - Mar9 - Mar10 - Mar 11 -   Mar12 -Mar13

AJE Live Stream - Special Coverage: Libya Uprising - Twitter Audio - Tweeting revolutions

(All times are local in Libya GMT+2)

  • 3:40am

    As the uprising in Libya continuous many refugees await an uncertain future while staying at UN Choucha transit camp, near the Tunisian border town of Ras Jdir.

    File 14146AFP picture
  • 3:15am

    Al Jazeera's Tony Birtley reports on the battle for Libya from the rebel stronghold, Benghazi. 

  • 2:34am

    Reuters news agency has reported that government troops advancing east along the coast road took Brega early on Sunday in what looked like an increasingly confident drive towards the rebel stronghold of Benghazi.

    But the rebels, said they had re-taken Brega on Sunday night. There was no way of verifying the rival claims.
  • 2:06am

    The body of murdered Al Jazeera cameraman Ali Hassan Al-Jaber has returned to Qatar. 

  • 01:51am

    Chuck Schumer, a US democratic senator, has said that imposing a no fly zone on Libya "is more likely" because the Arab League supports the move. 

  • 0:59am

    The AFP news agency has reported that the Libyan armed forces loyal to Muammar Gaddafi have cleared "armed gangs" from the oil-rich town of Brega in the east, an army source told state television on Sunday.

    "Brega has been cleansed of armed gangs," the military source was quoted as saying. The report could not immediately be verified. State television has in the past issued false reports claiming territory.

    >via: http://blogs.aljazeera.net/live/africa/libya-live-blog-march-14

     

 

 

WIKILEAKS: Is Bradley Manning Being Tortured? There Are A Lot Of Questions But No Easy Answers

Wikileaks row:

US spokesman Crowley quits over gaffe

Mr Crowley later added that his remarks were his own opinion

Related Stories

 

US state department spokesman PJ Crowley has resigned after calling the treatment of the man accused of leaking secret cables to Wikileaks "stupid".

He said he was taking responsibility for the impact of his remarks about Bradley Manning.

Private Manning is being held in solitary confinement at a maximum security US military jail.

He has been on suicide watch at the Quantico marine base in Virginia and is shackled at all times.

He faces 34 charges relating to the leaking of 720,000 diplomatic and military documents.

Secretary of State Hillary Clinton said she accepted Mr Crowley's resignation "with regret".

She said he had served his nation "with distinction", "motivated by a deep devotion to public policy and public diplomacy".

'Ridiculous'

Bradley Manning, US military handoutIntelligence analyst Bradley Manning served in Iraq

 

 

Mr Crowley was speaking to an audience at the Massachusetts Institute of Technology about new media and foreign policy when he made the controversial remarks.

He was asked by a participant about the "the elephant in the room" - Wikileaks - and, in the questioner's words, "torturing a prisoner in a military brig".

"I spent 26 years in the air force," Mr Crowley reportedly replied.

"What is happening to Manning is ridiculous, counterproductive and stupid, and I don't know why the DoD [Department of Defense] is doing it. Nevertheless, Manning is in the right place."

He said his comments were on the record, though he later added that they were his own opinion.

In his resignation letter he said: "Given the impact of my remarks, for which I take full responsibility, I have submitted my resignation."

His remarks were revealed in a blog by the BBC's Philippa Thomas, who attended the event.

President Barack Obama later insisted he had received assurances that the terms of Pte Manning's confinement were "appropriate".

Earlier this year, rights organisation Amnesty International expressed concern about the conditions in which Mr Manning was being held.

It said he had been held "for 23 hours a day in a sparsely furnished solitary cell and deprived of a pillow, sheets, and personal possessions since July 2010".

He was also reportedly forced to disrobe on a daily basis.

 

__________________________

Manning’s Father Condemns Treatment of Imprisoned Son

<p style="font-size:11px; font-family:Arial, Helvetica, sans-serif; color: #808080; margin-top: 5px; background: transparent; text-align: center; width: 512px;">Watch the full episode. See more FRONTLINE.</p>

Watch the full episode. See more FRONTLINE.

The father of suspected WikiLeaks leaker Bradley Manning says the military has crossed a line in its treatment of his son and called the conditions under which he was being imprisoned “shocking.”

Brian Manning broke his silence to a PBS Frontline correspondent this week after the U.S. Marine Corps brig at Quantico, Virginia, where his 23-year-old son is being held, stripped the soldier of his clothingand forced him to stand at attention in the nude and sleep naked. Manning’s defense attorney has called the brig’s move “inexcusable” and “degrading treatment.”

“This is someone who has not gone to trial or been convicted of anything,” Brian Manning told Frontline. “They worry about people down in a base in Cuba, but here they are, have someone on our own soil, under their own control, and they’re treating him this way…. It’s shocking enough that I would come out of our silence as a family and say … you’ve crossed a line. This is wrong.”

His exclusive interview with Frontline marks the first time the elder Manning has publicly spoken since his son was incarcerated at the brig last July after being charged with eight counts related to illegally downloading classified information and passing it to an unauthorized party. Last week the Army filed 22 additional charges against the young soldier, including a capital offense that makes him eligible for the death penalty.

Frontline is preparing a profile on Bradley Manning to be aired March 29 on PBS as well as an hour-long documentary on WikiLeaks to air in May. Producers decided to release these clips early after Brian Manning said he wanted to go on record protesting the military’s treatment of his son.

His statements were released on the same day that his son’s attorney published an 11-page document from the soldier addressing the military’s “improper” treatment of him.

In a statement released to PBS, the Defense Department disputed that Manning was made to stand at attention in the nude.

“In recent days, as the result of concerns for PFC Manning’s personal safety, his undergarments were taken from him during sleeping hours,” the statement reads. “PFC Manning at all times had a bed and a blanket to cover himself. He was not made to stand naked for morning count but, but on one day, he chose to do so. There were no female personnel present at the time. PFC Manning has since been issued a garment to sleep in at night. He is clothed in a standard jumpsuit during the day.”

Manning was arrested last May in Iraq after telling a former hacker that he had leaked vast amounts of classified material to the secret-spilling site WikiLeaks. He was subsequently transferred to Kuwait, where he was detained for about two months before being moved to the brig in Virginia.

For most of his time at the brig, Manning has been held in highly restrictive pretrial confinement while awaiting a mental-health hearing to determine if the court-martial case against him will proceed to the next step. Designated a maximum-custody detainee under prevention-of-injury watch, or POI, he is confined to his cell for all but an hour a day and has a number of other restrictions placed on him.

Until recently he was allowed to sleep only in boxer shorts and was told the restrictions were meant to prevent him from harming himself. But last week, that changed.

After authorities denied an appeal from the soldier to ease up on his conditions and cited risk of self-harm as justification, Manning quipped to prison personnel that he could just as easily harm himself with the elastic waistband in his boxer shorts. That’s when a chief warrant officer at the brig ordered Manning stripped him of his undershorts as well, according to Manning’s civilian defense attorney David Coombs, who recounted the incident on his blog.

Coombs called the move “clearly punitive in nature.”

In January, Coombs filed a formal complaint after his client was abruptly placed on suicide watch by the commander of the brig. During the suicide watch, Manning was confined to his cell around the clock, while a guard sat outside watching him. He was also stripped to his underwear, and his prescription eyeglasses were taken from him and returned only during the one hour a day when he was permitted to watch television and read.

Despite all of these conditions, and his opposition to them, Manning’s father told Frontline that his son didn’t seem to be suffering from his confinement at the brig. He said he had visited his son eight or nine times and had been assured by his son that he was fine.

“He doesn’t complain at all about anything,” Manning said. “He comes across to me as doing well. … I’m happy that he’s doing as well as he is.”

He added that there was no reason his son would hide feelings from his father if he were suffering.

Asked to comment in general on the leaking of classified information to WikiLeaks, Manning replied that “whomever released these documents, … I believe that it was the wrong thing to do.”

Manning, a former U.S. serviceman who once held a security clearance himself, said it was “black and white” that soldiers entrusted with classified information don’t leak it. “You just don’t go there,” he told Frontline.

Manning, in his only previous interview, told Wired.com last May that he was shocked by his son’s arrest.

“I was in the military for five years,” he said at the time. “I had a Secret clearance, and I never divulged any information in 30 years since I got out about what I did. And Brad has always been very, very tight at adhering to the rules. Even talking to him after boot camp and stuff, he kept everything so close that he didn’t open up to anything.”

Asked by Frontline what he would say if it turned out his son did leak the documents he replied, “I’m not even letting those thoughts come into my head. … I don’t know why he would do that. I really don’t.”

He disclosed to Frontline that his son had never wanted to join the military and only signed up after his father pushed him to do so.

“I didn’t make him,” Manning told Frontline. “I twisted his arm and urged him as much as a father can possibly urge somebody. … because he needed structure in his life. He was aimless.”

 >via: http://www.wired.com/threatlevel/2011/03/brian-manning

 

 

 

 

VIDEO: Pierre Dorge Presents New Jungle Orchestra > Ird News

Pierre Dorge

Pierre Dorge Presents

New Jungle Orchestra

 

Domenica 13 Marzo la New Jungle Orchestra sara' Diretta dal maestro JOHN TCHICAI in occasione della rassegna musicale Aperitivo in concerto al Teatro Manzoni di Milano

 


Pierre Dørge è una figuria ormai entrata nella storia della scena jazzistica danese. Innamoratesi del jazz moderno quasi fin dall'inizio della sua carriera, nel 1960, nel corso degli anni ha anche mostrato curiosità per altre culture musicali che hanno influito nella propria musicalita' incorporando elementi europei, asiatici, africani e tradizioni musicali afro-americane che sono stati assemblati da questo geniale chitarrista danese in una sintesi originale. Ad accompagnarlo in questo cd e nel concerto che il 13 Marzo si terra' al Manzoni di Milano in occasione dell'Aperitivo in concerto ci sara' la New Jungle Orchestra, nata nel 1980. Prende il nome dal leggendario approccio "giungla" della Duke Ellington Orchestra negli anni Trenta e di cui alcune composizioni vengono ricreate con sprito dadaista e con intelligente capacità di riadattamento e di idiomaticità. Le influenze di Carla Bley, Charlie Mingus e Gil Evans sono facilmente avvertibili nelle pagine della New Jungle Orchestra, e vengono rielaborate attraverso sofisticati arrangiamenti e il contributo di alcuni eccellenti solisti. Un cd e un concerto unici per gli amanti di questo genere.

Pierre Dørge and New Jungle Orchestra are celebrating a generation of international music- making. That longevity, allied with their perennial freshness of sound, places them right up there with great enduring bands of the past - Basie, Herman, Kenton, Ellington. Ensembles that reinvigourated themselves over the decades, while remaining true to their original purpose. The comparison between Dørge’s N.J.O. and the Ellington orchestra is pertinent since Duke was and is a constant inspiration to Pierre. And both men provided most of the material for their aggregations, always
composing with specific soloists in mind.

Thirty years, three decades, is a wide wedge of a lifetime for any group of creative artists to stay together. To remain as a unit for so long, the stimulation and demands of the repertoire have to be exceptional. And every member must feel satisfied that he/she is making a full contribution to the evolution and development
of the whole. A player who feels marginalised will soon seek opportunities elsewhere. A vital core of four musicians have been with the N.J.O. from the start. Of course there were personnel changes along the way, so that now the ensemble is truly multi-generational. But there is an ongoing stable foundation that can accommodate an occasional infusion of new voices. The present line-up is virtually unchanged since Pierre returned to the SteepleChase fold in 2007 with the orchestra’s brilliant CD “Jazz Is Like A Banana” (SCCD
31636).

While the NJO’s continued existence is now assured, it was not always so. The first 13 years were a struggle. Often a gig would pay quartet wages to a group of ten. In those circumstances it was love of the music that sustained the ensemble. As Pierre observes, the turning point came in 1993 when the orchestra was chosen as a state ensemble, representing Denmark on royal visits at home and around the world. For instance when Danish royalty went to South Africa at the invitation of Nelson Mandela, the N.J.O. was there too.

Suddenly Pierre and his colleagues were in terrific demand, playing 80 concerts a year, and a growing audience was attracted to the band’s unique blend of jazz, folk and classical elements merged into a vibrantly exciting, international whole. “I never set out to be a bandleader,” says Pierre. “I was interested in composing and arranging and I obviously wanted to hear my music performed. But then I found out you had to negotiate fees, make travel arrangements and deal with a whole lot of administrative stuff. In the first year none of us talked about money, but finance has to be a factor if musicians are turning down other jobs to play with you.”

Then there were the social and musical problems that inevitably arise in every band.
“One guy doesn’t want to play Ellington tunes, another wants to play only Ellington material. Someone else demands that we should concentrate on free jazz. So, as a leader, you have to try to keep everyone happy. My philosophy was that we should use all the best elements from the many different styles of music, combining them in our own way". “When writing, I have tried to employ the most powerful side of each musician’s character, and to set them a challenge. I also try to put myself in the place of the audience and think about what would be interesting and pleasing to their ear. When we have added new players, it has provided fresh inspiration, stimulating different ideas and possibilities which are reflected in the writing. It is important to stay open-minded in music.”

The N.J.O. made its debut at the Music Cafe, Copenhagen, on 24 September, 1980, so in September 2010 that 30-year milestone was being marked by a week’s celebratory tour of Denmark, and release of this outstanding anniversary CD, the orchestra’s 22nd recording. The band was due to play a number of these pieces during their September progress. For this collection, Pierre decided to structure each composition to focus on a particular member of the orchestra. “I spoke to each musician and asked if they had any special preferences or wishes about which side of their style they would like me to portray. They approved of the idea and I
received very positive feedback". “My concept was to create 10 pieces of music, as 10 abstract pictures, each of them as an image of an individual, creative, New
Jungle musician. They responded with their special wishes for the individual piece.

I knew that the music would not shine unless the composition inspired and challenged each individual’s creativity. I can write the music, ut it is the musician who is the true creator of the spontaneous expression in the music - the here and now.”

 

 

VIDEO: DIVERSIDAD - European Urban Experience > AFRO-EUROPE

Video: DIVERSIDAD - European Urban Experience

 

A group of European Hip Hop artists came together and created the Experience Album. The Album has been released through a worldwide online distribution and it includes 14 tracks representing the highest level of contemporary European Hip Hop.

Diversidad is a group of famous European MC's, DJ's and beat-makers. 20 artists from 12 different countries speaking 9 different languages came together to create a unique album.



Launched by the European Music Office and supported by the European Commission, a first edition of Diversidad took place in 2008 when a single track was recorded with a dozen of European artists including Akhenaton (FR), Curse (DE), Promoe from Looptroop (SE), Abd Al Malik (FR), Sam The Kid (PT) among others.

Diversidad is back with a full LP created from scratch by a new selection of artists and recorded in just 10 days at the ICP studio in Brussels. The first single “The eXperience” gathers all the MCs on a track produced by Spike Miller.

Since its release in June it has received airplay on many European radio stations. The rest of the songs are combinations of 3 to 6 artists rhyming on different languages about a common theme. From the typical ego-trip track (Go Hard) to the classic love song (Amore Criminale) or from the “jungle” of their European hometowns (Concrete Jungle) to a nostalgic ballad (On My Way), each topic on the album tells the story of young adults living in today’s Europe.

No matter where they’re from, the artists share the same passion for the urban culture and connected around that common love for hip hop. More than a big reunion of nationalities, the Diversidad album is first and foremost a classic hip hop album featuring skilled and talented artists.

Diversidad is not only an album but also a show that will tour across Europe in spring and summer 2011, a graphic art exhibition and a movie series available on www.diversidad-experience.com. The album’s lyrics are available on Diversidad’s website.

 

 

 

 

PUB: Ridge To River Contest

Adventum /Ad  vaynt  oom/ Latin: Adventure

 

Adventum welcomes the finest contemporary outdoor adventure writing from
new and established writers. It also accepts seasonal haiku and high quality digital photography.

 

 


 

Enter to win the 1st annual
 
  
Ridge to River Contest
 
 

1st Prize: $100 and an Osprey Pack + publication
 2nd Prize: La Sportiva Mountain Running Shoes + publication
 

 


 


 This biannual online magazine accepts creative nonfiction, essays, and memoir pieces that explore some aspect of personal experience in the outdoors. This includes but is not limited to human-powered adventure in extreme wilderness landscapes as well as urban, whether it is about climbing trees, mountains or buildings, kayaking rivers or oceans, walking in pursuit of rare insects, pursuing the art of parkour, oceanic living, or mountain culture. Any latitude and longitude is game, so long as it is your best original writing, takes readers beyond the mundane and seeks to discover deeper meaning.

 

Submit by MAY 30th to be considered for the inaugural issue of the literary magazine of Adventure Writing.

 

 

PUB: River Styx

Contests

River Styx Founders Award
High School Poetry Contest

$150 First Prize

 

  • No entry fee!
  • Must be a high school student in the St. Louis bi-state metro area.
  • Include student’s name, address, and name of school on cover letter only.
  • Enclose a self-addressed, stamped envelope—we will use it to notify you of results.
  • Send up to five poems, each on a separate page.
  • Winner invited to read at May River Styx Lit Feast.
  • Entries must be postmarked by April 22.

 

  • Judged by the River Styx editors.
  • Send poems, postmarked no later than April 22, to:

    River Styx Founders Award
    3547 Olive Street, Suite 107
    St. Louis, MO 63103-1014

  •  

    River Styx
    2011 International Poetry Contest

    $1500 First Prize

    Send up to three poems, not more than 14 pages.
    All entrants will be notified by S.A.S.E.
    $20 reading fee includes a one-year subscription (3 issues).
    Include name and address on cover letter only.

    2011 judge: B. H. Fairchild.
    Winner published in Fall issue.
    All poems will be considered for publication.

    Postmark poems by May 31st to:

    River Styx Poetry Contest
    3547 Olive Street, Suite 107
    St. Louis, MO 63103-1014

    River Styx
    2012 Schlafly Beer Micro-Fiction Contest

     

    $1500 First Prize plus one case of micro-brewed Schlafly Beer

    500 words maximum per story, up to three stories per entry.
    $20 reading fee includes a one-year subscription
    (3 issues).
    Include name and address on cover letter only.
    Entrants will be notified by S.A.S.E.
    Winner published in Spring issue.
    All stories will be considered for publication.

    Postmark entries by December 31, 2011 to:

    River Styx's Schlafly Beer Micro-Fiction Contest
    3547 Olive Street, Suite 107
    St. Louis MO 63103

     

    PUB: Contest - Poetica Publishing Company

    Annual Chapbook Contest Rules

    "The Spirit of Nature" 

     


    Awards:

    1st place - 50 copies and $100.00 check
    Up-to five Honorable Mention 

    (each chapbook is priced at $13.00
    total award $750.00)


    Final Judge:
    Michal Mahgerefteh
    http://www.michalmahgerefteh.com/

     

    Official Rules: 

    - Submit 16-24 pages of poetry.

    - Submit manuscripts between January 1st - June 1st

    - No name should appear on poems.

    - Send two cover pages:

           ~ One cover page clipped to poems, with title only, no identifying information.

           ~ One separate cover page to contain title, name, address, phone and e-mail.

           ~ You may include biographical information.

    - Include contents page/acknowledgments of any previously published poems

    - Please do not submit a manuscript that has been previously published.

    - Include $15.00 reading fee (PayPal or check/money order)

    - Include SASE for results / or we will notify by email.

    - Authors retain all rights to their work—authors must own all rights to their work.

    - No manuscripts will be returned. We shred and recycle all unused work. 

    - All entrants will receive one copy of the winning manuscript.

     

    michalih@aol.com" type="hidden" />

     


    Please mail to:

    Poetica Publishing
    2011 Chapbook Contest
    P.O. Box 11014
    Norfolk, VA 23517