PUB: 10 Minute Play Festival

The Weathervane Playhouse 10 Minute Play Festival -- July 15 to 17, 2011
The Weathervane Playhouse
10 Minute Play Festival

July 15 to 17, 2011

10 MINUTE PLAY COMPETITION & FESTIVAL
RULES AND GUIDELINES

Play length maximum is 10 pages with a running time of 10 minutes. Less is fine.

Cast maximum is 2 women and 2 men. Less is fine.

The set must be very simple and utilize easily moved furniture and set pieces rather than drops or walls. (CLICK HERE to see the exact stage dimensions.)

Similarly, costumes and "tech" must be uncomplicated and easily done. No period pieces, please!

Playwrights must be U.S. citizens and at least 18 years old.

Submitted plays must be unproduced and unperformed, outside of readings and workshops.

Deadline for submissions is May 20, 2011. The eight finalists will be announced by June 1, 2011.

There is a $15 administrative fee per playwright. (An explanation of the fee can be found HERE.)

Playwrights may submit a maximum of two entries.

Employees of Weathervane Community Playhouse and their immediate families are ineligible to enter.

By submitting an entry, you are affirming that you are the sole creator of the play, and entitled to confer performance rights. You further affirm that, if chosen as a finalist, you grant performance rights, royalty-free, to Weathervane Playhouse for three performances during the Playhouse's 10 Minute Play Festival in July 2011. The play remains the property of the playwright and full credit will be given in all promotional materials.

STAGE DIMENSIONS: The eight plays will be performed on a portion of the Weathervane Playhouse Founders Theater stage. Playing area measures 16'-0" deep by 30'-0" wide, with available entrances either upstage right or left. These are approximately 9'-0" upstage of the edge of the apron. Plays will be performed in front of a full black curtain and will allow crossover room but not entrances from upstage center.

HOW TO ENTER

All entries must be sent — as attachments via e-mail only — to 10minuteplay@weathervaneplayhouse.com by May 20, 2011.

The e-mailed attachment must be in Word, pdf, or txt format.

A cover page should include the following information:

Name
Mailing address
Day and evening telephone number(s)
E-mail address
A brief biography

An administrative fee of $15 per playwright may be paid by credit card HERE or via check (payable to Weathervane Playhouse). The check may be sent to:

Weathervane Playhouse
ATTN: 10 Minutes
1301 Weathervane Lane
Akron, Ohio 44313-5186

 

INFO: 24 Beautiful Mosques Around The World (PHOTOS)

24 Beautiful Mosques Around The World (PHOTOS)

First Posted: 10-17-10 01:12 PM   |   Updated: 10-17-10 03:00 PM

We love places of worship - their grandeur, their peacefulness, their architectural beauty.

We especially admire mosques. Here's our pick of 24 beautiful mosques, from Morocco to Malaysia, which reflect the great cultural diversity of the Muslim world.

There are countless more, of course, that we could not include - your contributions are welcome!

Jama Masjid - Delhi, India

 

 

Lotf Allah Mosque - Isfahan, Iran

 

 

Badshahi Mosque - Lahore, Pakistan

 

 

The Prophet's Mosque - Medina, Saudi Arabia

 

 

Great Mosque of Córdoba - Córdoba, Spain

 

 

Al-Aqsa Mosque Compound - Jerusalem

 

 

Sultan Ahmed / Blue Mosque - Istanbul, Turkey

 

 

Wazir Khan Mosque - Lahore, Pakistan

 

 

Umayyad Mosque - Damascus, Syria

 

 

Shah / Imam Mosque - Isfahan, Iran

 

 

Id Kah Mosque - Kashgar, China

 

 

Al-Azhar Mosque - Cairo, Egypt

 

 

Putra Mosque - Putrajaya, Malaysia

 

 

Qol Sharif Mosque - Kazan Kremlin, Russia

 

 

NiuJie Mosque - Beijing, China

 

 

Hassan II Mosque - Casablanca, Morocco

 

 

Sultan Mosque - Singapore

 

 

Bibi Khanum Mosque - Samarkand, Uzbekistan

 

 

Selimiye Mosque - Edirne, Turkey

 

 

Asfi Mosque - Lucknow, India

 

 

Sultan Hassan Mosque - Cairo, Egypt

 

 

Baiturrahman Mosque - Banda Aceh, Indonesia

 

 

Grand Mosque of Djenné - Djenné, Mali

 

 

Sheikh Zayed Mosque - Abu Dhabi, U.A.E.

 

 

 

 

INTERVIEW: Sex Sells, Even If The Subject Matter Is Serious Says Ghanaian Writer Director Leila Djansi > The MIMI Magazine Blog:

Leila Djansi
Written By: MIM!Africa Academy-nominated writer/director Leila Djansi is pushing the envelope in her upcoming film Sinking Sands, which is slated to premier in Ghana on November 13, 2010 at the National Theater. The film staring Jimmy Jean-Louis and Ama K. Abebrese deals with the subject of abuse, but also contains nudity—an undoubtedly taboo issue in African film. Indeed, as Ghanian writers and directors continue to seek to distinguish their films from Nollywood films by including sex scenes in their movies, the frenzy around the polarizing subject of the portrayal of sex in African films only increases as noted in MIMI's Summer 2010 article, Cut! Censoring Sex In Ghanaian Movies. In anticipation of the premier of Sinking Sands, Leila released a press release sharing her views about how she handles sex in films. Read Leila's Q&A below.

 

. . .

 

Q. Nudity and sex are new to movies that are filmed and distributed in Ghana. Why do you think both are new to movies in Ghana? What has taken Ghanaian filmmakers so long to incorporate it in their films?
Leila Djansi. Just like Hollywood, it is a phase each industry has to pass through. Hollywood went through it with the Catholic Church and other elements driving them out of the East to what we now call Hollywood. Same way censorship boards in Ghana are getting drastic and same way it was in the early years of the American film industry, it is a phase ... a time to evolve. When I was growing up in my church, if you wear trousers you are a wayward girl. Today, female ministers preach in trousers. When I wrote the first script for GAMA, I was told the violence was too graphic; today you see movies with guns drawn in broad daylight in shopping malls. The only constant thing is change. That strong, strict Ghanaian culture is slowly growing lax with all the globalization.

 

 

Q. Nudity or sex in a film? Which would you prefer, and do you think they are both are the same?
Leila Djansi. Well either arouses sexual thoughts, desire and images; therefore, as an artist, in my opinion, they are same. It isn’t like your actors are really engaged in the act of copulation; they are selling the scene with the nudity and sexual gestures.

 

Q. What is considered in poor taste when putting nudity or sex in a film?
Leila Djansi. For one, if it’s out of place! That’s my subjective opinion, and if your composition is not attractive or appealing. Yes, it must be tastefully done, but, we all have different levels of taste. This makes it harder to define what’s appropriate because someone might say I sleep with my wife upside down. I might frown, and another might say sexy!! It’s hard to say, because all fingers are not equal. But, we all know a certain level of good from bad. Apply that, and your actors must be comfortable. I saw a still frame of two Ghana actors kissing, and the guy had a creased brow. He was not comfortable. There was no tenderness in the moment or any other kind of emotion. It just looked…ewww!

 

 

Q. How do you work with actors and actresses when filming a nudity and/or sex scene?
Leila Djansi. Closed set. Getting them to hang out with each other for a bit and get comfortable. I ask them if they are comfortable doing it. For example, we were having issues framing a shot in “Sinking Sands,” and Jimmy decided to do something brave. I asked him three times if he was sure he wanted to do that. He was like let’s go for it. We did. Once actors are comfortable, the rest is easy.

 

 

Q. When you were writing the script, were you thinking about how you were going to incorporate sex and nudity in the film?
Leila Djansi. No. I just wrote the script. The sex in “Sinking Sands” was used as a tool, not for beauty or commercialization. It is so obvious when you watch the movie after the sex scene you understand why the scene was there. It helped develop the characters and drive the story forward.

 

 

Q. There is a rape scene in the film, how were you able to direct this, seeing how it is such a savage crime against women?

 

Leila Djansi. Oh my God; it was intense! Sodomy is a distasteful word already. But to see it performed by such great actors[,] it was terrible. I was not watching the monitor. I could not. Interestingly, Jimmy noticed my discomfort and in a way he helped me laugh about it, and we were able to finish that scene. Ama could not watch it. When we shot the aftermath, Jimmy decided to reverse the action, because he was emotionally drained. His reversal did not make it into the cut though, but it was there if we needed it.

 

 

Q. Specifically, how did leads Jimmy Jean-Louis and Ama K. Abebrese handle filming the nudity and sex scenes?

 

Leila Djansi. Those two deserve more whisky! (Laughs) Ama was very uncomfortable initially. We took a break and kinda got naughty with a little bit of alcohol; her and myself. Jimmy was fine. He has a great body, and being that he was a model, he is already used to all that flesh.

 

 

 

Q. Like the United States, nudity and sex sells. Is this necessarily true in Ghana? If so or if not, why?

 

Leila Djansi. Oh yes; it sells. We are a huge bunch of hypocrites, we humans. I was sent a link to read comments about “Hot Fork,” Safo’s movie, and it had over 100 comments. They all watched the trailer, and they all saw the film. I saw it. I bought it. It’s the curiosity that drives sex. Porn is the richest market in entertainment right before horror then the others follow. Sex is a god in its own right. It sells. If it didn’t they won’t keep making films that have sex scenes.

 

 

Q. Do you believe more Ghanaian filmmakers will include nudity and sex in their films?

 

Leila Djansi. This is just the beginning! They will. They might do it more conservatively considering the insults they are getting. But, they will and actors will get more comfortable stripping.

 

 

Q. Lastly, what does nudity and sex mean to you in terms of being used as an art form? Can you have one without the other?

 

Leila Djansi. Nudity is a form of expression. It’s a storytelling tool. It’s also an aesthetic. It may not serve a strong purpose, but it brings other aesthetic dimensions. It can be used in so many ways. Film sex is almost the same thing. They carry the same connotations. How you depict the act of sex also is a storytelling tool—lovemaking or rape. You can have nudity without film sex, and you will be sending the same “erotic” message apart from what you intend to achieve artistically or even commercially.

 

(Photo Credits: Provided Courtesy Of Eaddy Perry & Associates, Inc.)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

OP-ED: Twitter, Facebook, and social activism : The New Yorker

Small Change

Why the revolution will not be tweeted.

by Malcolm Gladwell October 4, 2010

Social media can

Social media can’t provide what social change has always required.

At four-thirty in the afternoon on Monday, February 1, 1960, four college students sat down at the lunch counter at the Woolworth’s in downtown Greensboro, North Carolina. They were freshmen at North Carolina A. & T., a black college a mile or so away.

“I’d like a cup of coffee, please,” one of the four, Ezell Blair, said to the waitress.

“We don’t serve Negroes here,” she replied.

The Woolworth’s lunch counter was a long L-shaped bar that could seat sixty-six people, with a standup snack bar at one end. The seats were for whites. The snack bar was for blacks. Another employee, a black woman who worked at the steam table, approached the students and tried to warn them away. “You’re acting stupid, ignorant!” she said. They didn’t move. Around five-thirty, the front doors to the store were locked. The four still didn’t move. Finally, they left by a side door. Outside, a small crowd had gathered, including a photographer from the Greensboro Record. “I’ll be back tomorrow with A. & T. College,” one of the students said.

By next morning, the protest had grown to twenty-seven men and four women, most from the same dormitory as the original four. The men were dressed in suits and ties. The students had brought their schoolwork, and studied as they sat at the counter. On Wednesday, students from Greensboro’s “Negro” secondary school, Dudley High, joined in, and the number of protesters swelled to eighty. By Thursday, the protesters numbered three hundred, including three white women, from the Greensboro campus of the University of North Carolina. By Saturday, the sit-in had reached six hundred. People spilled out onto the street. White teen-agers waved Confederate flags. Someone threw a firecracker. At noon, the A. & T. football team arrived. “Here comes the wrecking crew,” one of the white students shouted.

By the following Monday, sit-ins had spread to Winston-Salem, twenty-five miles away, and Durham, fifty miles away. The day after that, students at Fayetteville State Teachers College and at Johnson C. Smith College, in Charlotte, joined in, followed on Wednesday by students at St. Augustine’s College and Shaw University, in Raleigh. On Thursday and Friday, the protest crossed state lines, surfacing in Hampton and Portsmouth, Virginia, in Rock Hill, South Carolina, and in Chattanooga, Tennessee. By the end of the month, there were sit-ins throughout the South, as far west as Texas. “I asked every student I met what the first day of the sitdowns had been like on his campus,” the political theorist Michael Walzer wrote in Dissent. “The answer was always the same: ‘It was like a fever. Everyone wanted to go.’ ” Some seventy thousand students eventually took part. Thousands were arrested and untold thousands more radicalized. These events in the early sixties became a civil-rights war that engulfed the South for the rest of the decade—and it happened without e-mail, texting, Facebook, or Twitter.

The world, we are told, is in the midst of a revolution. The new tools of social media have reinvented social activism. With Facebook and Twitter and the like, the traditional relationship between political authority and popular will has been upended, making it easier for the powerless to collaborate, coördinate, and give voice to their concerns. When ten thousand protesters took to the streets in Moldova in the spring of 2009 to protest against their country’s Communist government, the action was dubbed the Twitter Revolution, because of the means by which the demonstrators had been brought together. A few months after that, when student protests rocked Tehran, the State Department took the unusual step of asking Twitter to suspend scheduled maintenance of its Web site, because the Administration didn’t want such a critical organizing tool out of service at the height of the demonstrations. “Without Twitter the people of Iran would not have felt empowered and confident to stand up for freedom and democracy,” Mark Pfeifle, a former national-security adviser, later wrote, calling for Twitter to be nominated for the Nobel Peace Prize. Where activists were once defined by their causes, they are now defined by their tools. Facebook warriors go online to push for change. “You are the best hope for us all,” James K. Glassman, a former senior State Department official, told a crowd of cyber activists at a recent conference sponsored by Facebook, A. T. & T., Howcast, MTV, and Google. Sites like Facebook, Glassman said, “give the U.S. a significant competitive advantage over terrorists. Some time ago, I said that Al Qaeda was ‘eating our lunch on the Internet.’ That is no longer the case. Al Qaeda is stuck in Web 1.0. The Internet is now about interactivity and conversation.”

These are strong, and puzzling, claims. Why does it matter who is eating whose lunch on the Internet? Are people who log on to their Facebook page really the best hope for us all? As for Moldova’s so-called Twitter Revolution, Evgeny Morozov, a scholar at Stanford who has been the most persistent of digital evangelism’s critics, points out that Twitter had scant internal significance in Moldova, a country where very few Twitter accounts exist. Nor does it seem to have been a revolution, not least because the protests—as Anne Applebaum suggested in the Washington Post—may well have been a bit of stagecraft cooked up by the government. (In a country paranoid about Romanian revanchism, the protesters flew a Romanian flag over the Parliament building.) In the Iranian case, meanwhile, the people tweeting about the demonstrations were almost all in the West. “It is time to get Twitter’s role in the events in Iran right,” Golnaz Esfandiari wrote, this past summer, in Foreign Policy. “Simply put: There was no Twitter Revolution inside Iran.” The cadre of prominent bloggers, like Andrew Sullivan, who championed the role of social media in Iran, Esfandiari continued, misunderstood the situation. “Western journalists who couldn’t reach—or didn’t bother reaching?—people on the ground in Iran simply scrolled through the English-language tweets post with tag #iranelection,” she wrote. “Through it all, no one seemed to wonder why people trying to coordinate protests in Iran would be writing in any language other than Farsi.”

Some of this grandiosity is to be expected. Innovators tend to be solipsists. They often want to cram every stray fact and experience into their new model. As the historian Robert Darnton has written, “The marvels of communication technology in the present have produced a false consciousness about the past—even a sense that communication has no history, or had nothing of importance to consider before the days of television and the Internet.” But there is something else at work here, in the outsized enthusiasm for social media. Fifty years after one of the most extraordinary episodes of social upheaval in American history, we seem to have forgotten what activism is.

Greensboro in the early nineteen-sixties was the kind of place where racial insubordination was routinely met with violence. The four students who first sat down at the lunch counter were terrified. “I suppose if anyone had come up behind me and yelled ‘Boo,’ I think I would have fallen off my seat,” one of them said later. On the first day, the store manager notified the police chief, who immediately sent two officers to the store. On the third day, a gang of white toughs showed up at the lunch counter and stood ostentatiously behind the protesters, ominously muttering epithets such as “burr-head nigger.” A local Ku Klux Klan leader made an appearance. On Saturday, as tensions grew, someone called in a bomb threat, and the entire store had to be evacuated.

The dangers were even clearer in the Mississippi Freedom Summer Project of 1964, another of the sentinel campaigns of the civil-rights movement. The Student Nonviolent Coordinating Committee recruited hundreds of Northern, largely white unpaid volunteers to run Freedom Schools, register black voters, and raise civil-rights awareness in the Deep South. “No one should go anywhere alone, but certainly not in an automobile and certainly not at night,” they were instructed. Within days of arriving in Mississippi, three volunteers—Michael Schwerner, James Chaney, and Andrew Goodman—were kidnapped and killed, and, during the rest of the summer, thirty-seven black churches were set on fire and dozens of safe houses were bombed; volunteers were beaten, shot at, arrested, and trailed by pickup trucks full of armed men. A quarter of those in the program dropped out. Activism that challenges the status quo—that attacks deeply rooted problems—is not for the faint of heart.

What makes people capable of this kind of activism? The Stanford sociologist Doug McAdam compared the Freedom Summer dropouts with the participants who stayed, and discovered that the key difference wasn’t, as might be expected, ideological fervor. “All of the applicants—participants and withdrawals alike—emerge as highly committed, articulate supporters of the goals and values of the summer program,” he concluded. What mattered more was an applicant’s degree of personal connection to the civil-rights movement. All the volunteers were required to provide a list of personal contacts—the people they wanted kept apprised of their activities—and participants were far more likely than dropouts to have close friends who were also going to Mississippi. High-risk activism, McAdam concluded, is a “strong-tie” phenomenon.

This pattern shows up again and again. One study of the Red Brigades, the Italian terrorist group of the nineteen-seventies, found that seventy per cent of recruits had at least one good friend already in the organization. The same is true of the men who joined the mujahideen in Afghanistan. Even revolutionary actions that look spontaneous, like the demonstrations in East Germany that led to the fall of the Berlin Wall, are, at core, strong-tie phenomena. The opposition movement in East Germany consisted of several hundred groups, each with roughly a dozen members. Each group was in limited contact with the others: at the time, only thirteen per cent of East Germans even had a phone. All they knew was that on Monday nights, outside St. Nicholas Church in downtown Leipzig, people gathered to voice their anger at the state. And the primary determinant of who showed up was “critical friends”—the more friends you had who were critical of the regime the more likely you were to join the protest.

So one crucial fact about the four freshmen at the Greensboro lunch counter—David Richmond, Franklin McCain, Ezell Blair, and Joseph McNeil—was their relationship with one another. McNeil was a roommate of Blair’s in A. & T.’s Scott Hall dormitory. Richmond roomed with McCain one floor up, and Blair, Richmond, and McCain had all gone to Dudley High School. The four would smuggle beer into the dorm and talk late into the night in Blair and McNeil’s room. They would all have remembered the murder of Emmett Till in 1955, the Montgomery bus boycott that same year, and the showdown in Little Rock in 1957. It was McNeil who brought up the idea of a sit-in at Woolworth’s. They’d discussed it for nearly a month. Then McNeil came into the dorm room and asked the others if they were ready. There was a pause, and McCain said, in a way that works only with people who talk late into the night with one another, “Are you guys chicken or not?” Ezell Blair worked up the courage the next day to ask for a cup of coffee because he was flanked by his roommate and two good friends from high school.

The kind of activism associated with social media isn’t like this at all. The platforms of social media are built around weak ties. Twitter is a way of following (or being followed by) people you may never have met. Facebook is a tool for efficiently managing your acquaintances, for keeping up with the people you would not otherwise be able to stay in touch with. That’s why you can have a thousand “friends” on Facebook, as you never could in real life.

This is in many ways a wonderful thing. There is strength in weak ties, as the sociologist Mark Granovetter has observed. Our acquaintances—not our friends—are our greatest source of new ideas and information. The Internet lets us exploit the power of these kinds of distant connections with marvellous efficiency. It’s terrific at the diffusion of innovation, interdisciplinary collaboration, seamlessly matching up buyers and sellers, and the logistical functions of the dating world. But weak ties seldom lead to high-risk activism.

In a new book called “The Dragonfly Effect: Quick, Effective, and Powerful Ways to Use Social Media to Drive Social Change,” the business consultant Andy Smith and the Stanford Business School professor Jennifer Aaker tell the story of Sameer Bhatia, a young Silicon Valley entrepreneur who came down with acute myelogenous leukemia. It’s a perfect illustration of social media’s strengths. Bhatia needed a bone-marrow transplant, but he could not find a match among his relatives and friends. The odds were best with a donor of his ethnicity, and there were few South Asians in the national bone-marrow database. So Bhatia’s business partner sent out an e-mail explaining Bhatia’s plight to more than four hundred of their acquaintances, who forwarded the e-mail to their personal contacts; Facebook pages and YouTube videos were devoted to the Help Sameer campaign. Eventually, nearly twenty-five thousand new people were registered in the bone-marrow database, and Bhatia found a match.

But how did the campaign get so many people to sign up? By not asking too much of them. That’s the only way you can get someone you don’t really know to do something on your behalf. You can get thousands of people to sign up for a donor registry, because doing so is pretty easy. You have to send in a cheek swab and—in the highly unlikely event that your bone marrow is a good match for someone in need—spend a few hours at the hospital. Donating bone marrow isn’t a trivial matter. But it doesn’t involve financial or personal risk; it doesn’t mean spending a summer being chased by armed men in pickup trucks. It doesn’t require that you confront socially entrenched norms and practices. In fact, it’s the kind of commitment that will bring only social acknowledgment and praise.

The evangelists of social media don’t understand this distinction; they seem to believe that a Facebook friend is the same as a real friend and that signing up for a donor registry in Silicon Valley today is activism in the same sense as sitting at a segregated lunch counter in Greensboro in 1960. “Social networks are particularly effective at increasing motivation,” Aaker and Smith write. But that’s not true. Social networks are effective at increasing participation—by lessening the level of motivation that participation requires. The Facebook page of the Save Darfur Coalition has 1,282,339 members, who have donated an average of nine cents apiece. The next biggest Darfur charity on Facebook has 22,073 members, who have donated an average of thirty-five cents. Help Save Darfur has 2,797 members, who have given, on average, fifteen cents. A spokesperson for the Save Darfur Coalition told Newsweek, “We wouldn’t necessarily gauge someone’s value to the advocacy movement based on what they’ve given. This is a powerful mechanism to engage this critical population. They inform their community, attend events, volunteer. It’s not something you can measure by looking at a ledger.” In other words, Facebook activism succeeds not by motivating people to make a real sacrifice but by motivating them to do the things that people do when they are not motivated enough to make a real sacrifice. We are a long way from the lunch counters of Greensboro.

The students who joined the sit-ins across the South during the winter of 1960 described the movement as a “fever.” But the civil-rights movement was more like a military campaign than like a contagion. In the late nineteen-fifties, there had been sixteen sit-ins in various cities throughout the South, fifteen of which were formally organized by civil-rights organizations like the N.A.A.C.P. and CORE. Possible locations for activism were scouted. Plans were drawn up. Movement activists held training sessions and retreats for would-be protesters. The Greensboro Four were a product of this groundwork: all were members of the N.A.A.C.P. Youth Council. They had close ties with the head of the local N.A.A.C.P. chapter. They had been briefed on the earlier wave of sit-ins in Durham, and had been part of a series of movement meetings in activist churches. When the sit-in movement spread from Greensboro throughout the South, it did not spread indiscriminately. It spread to those cities which had preëxisting “movement centers”—a core of dedicated and trained activists ready to turn the “fever” into action.

The civil-rights movement was high-risk activism. It was also, crucially, strategic activism: a challenge to the establishment mounted with precision and discipline. The N.A.A.C.P. was a centralized organization, run from New York according to highly formalized operating procedures. At the Southern Christian Leadership Conference, Martin Luther King, Jr., was the unquestioned authority. At the center of the movement was the black church, which had, as Aldon D. Morris points out in his superb 1984 study, “The Origins of the Civil Rights Movement,” a carefully demarcated division of labor, with various standing committees and disciplined groups. “Each group was task-oriented and coordinated its activities through authority structures,” Morris writes. “Individuals were held accountable for their assigned duties, and important conflicts were resolved by the minister, who usually exercised ultimate authority over the congregation.”

This is the second crucial distinction between traditional activism and its online variant: social media are not about this kind of hierarchical organization. Facebook and the like are tools for building networks, which are the opposite, in structure and character, of hierarchies. Unlike hierarchies, with their rules and procedures, networks aren’t controlled by a single central authority. Decisions are made through consensus, and the ties that bind people to the group are loose.

This structure makes networks enormously resilient and adaptable in low-risk situations. Wikipedia is a perfect example. It doesn’t have an editor, sitting in New York, who directs and corrects each entry. The effort of putting together each entry is self-organized. If every entry in Wikipedia were to be erased tomorrow, the content would swiftly be restored, because that’s what happens when a network of thousands spontaneously devote their time to a task.

There are many things, though, that networks don’t do well. Car companies sensibly use a network to organize their hundreds of suppliers, but not to design their cars. No one believes that the articulation of a coherent design philosophy is best handled by a sprawling, leaderless organizational system. Because networks don’t have a centralized leadership structure and clear lines of authority, they have real difficulty reaching consensus and setting goals. They can’t think strategically; they are chronically prone to conflict and error. How do you make difficult choices about tactics or strategy or philosophical direction when everyone has an equal say?

The Palestine Liberation Organization originated as a network, and the international-relations scholars Mette Eilstrup-Sangiovanni and Calvert Jones argue in a recent essay in International Security that this is why it ran into such trouble as it grew: “Structural features typical of networks—the absence of central authority, the unchecked autonomy of rival groups, and the inability to arbitrate quarrels through formal mechanisms—made the P.L.O. excessively vulnerable to outside manipulation and internal strife.”

In Germany in the nineteen-seventies, they go on, “the far more unified and successful left-wing terrorists tended to organize hierarchically, with professional management and clear divisions of labor. They were concentrated geographically in universities, where they could establish central leadership, trust, and camaraderie through regular, face-to-face meetings.” They seldom betrayed their comrades in arms during police interrogations. Their counterparts on the right were organized as decentralized networks, and had no such discipline. These groups were regularly infiltrated, and members, once arrested, easily gave up their comrades. Similarly, Al Qaeda was most dangerous when it was a unified hierarchy. Now that it has dissipated into a network, it has proved far less effective.

The drawbacks of networks scarcely matter if the network isn’t interested in systemic change—if it just wants to frighten or humiliate or make a splash—or if it doesn’t need to think strategically. But if you’re taking on a powerful and organized establishment you have to be a hierarchy. The Montgomery bus boycott required the participation of tens of thousands of people who depended on public transit to get to and from work each day. It lasted a year. In order to persuade those people to stay true to the cause, the boycott’s organizers tasked each local black church with maintaining morale, and put together a free alternative private carpool service, with forty-eight dispatchers and forty-two pickup stations. Even the White Citizens Council, King later said, conceded that the carpool system moved with “military precision.” By the time King came to Birmingham, for the climactic showdown with Police Commissioner Eugene (Bull) Connor, he had a budget of a million dollars, and a hundred full-time staff members on the ground, divided into operational units. The operation itself was divided into steadily escalating phases, mapped out in advance. Support was maintained through consecutive mass meetings rotating from church to church around the city.

Boycotts and sit-ins and nonviolent confrontations—which were the weapons of choice for the civil-rights movement—are high-risk strategies. They leave little room for conflict and error. The moment even one protester deviates from the script and responds to provocation, the moral legitimacy of the entire protest is compromised. Enthusiasts for social media would no doubt have us believe that King’s task in Birmingham would have been made infinitely easier had he been able to communicate with his followers through Facebook, and contented himself with tweets from a Birmingham jail. But networks are messy: think of the ceaseless pattern of correction and revision, amendment and debate, that characterizes Wikipedia. If Martin Luther King, Jr., had tried to do a wiki-boycott in Montgomery, he would have been steamrollered by the white power structure. And of what use would a digital communication tool be in a town where ninety-eight per cent of the black community could be reached every Sunday morning at church? The things that King needed in Birmingham—discipline and strategy—were things that online social media cannot provide.

The bible of the social-media movement is Clay Shirky’s “Here Comes Everybody.” Shirky, who teaches at New York University, sets out to demonstrate the organizing power of the Internet, and he begins with the story of Evan, who worked on Wall Street, and his friend Ivanna, after she left her smart phone, an expensive Sidekick, on the back seat of a New York City taxicab. The telephone company transferred the data on Ivanna’s lost phone to a new phone, whereupon she and Evan discovered that the Sidekick was now in the hands of a teen-ager from Queens, who was using it to take photographs of herself and her friends.

When Evan e-mailed the teen-ager, Sasha, asking for the phone back, she replied that his “white ass” didn’t deserve to have it back. Miffed, he set up a Web page with her picture and a description of what had happened. He forwarded the link to his friends, and they forwarded it to their friends. Someone found the MySpace page of Sasha’s boyfriend, and a link to it found its way onto the site. Someone found her address online and took a video of her home while driving by; Evan posted the video on the site. The story was picked up by the news filter Digg. Evan was now up to ten e-mails a minute. He created a bulletin board for his readers to share their stories, but it crashed under the weight of responses. Evan and Ivanna went to the police, but the police filed the report under “lost,” rather than “stolen,” which essentially closed the case. “By this point millions of readers were watching,” Shirky writes, “and dozens of mainstream news outlets had covered the story.” Bowing to the pressure, the N.Y.P.D. reclassified the item as “stolen.” Sasha was arrested, and Evan got his friend’s Sidekick back.

Shirky’s argument is that this is the kind of thing that could never have happened in the pre-Internet age—and he’s right. Evan could never have tracked down Sasha. The story of the Sidekick would never have been publicized. An army of people could never have been assembled to wage this fight. The police wouldn’t have bowed to the pressure of a lone person who had misplaced something as trivial as a cell phone. The story, to Shirky, illustrates “the ease and speed with which a group can be mobilized for the right kind of cause” in the Internet age.

Shirky considers this model of activism an upgrade. But it is simply a form of organizing which favors the weak-tie connections that give us access to information over the strong-tie connections that help us persevere in the face of danger. It shifts our energies from organizations that promote strategic and disciplined activity and toward those which promote resilience and adaptability. It makes it easier for activists to express themselves, and harder for that expression to have any impact. The instruments of social media are well suited to making the existing social order more efficient. They are not a natural enemy of the status quo. If you are of the opinion that all the world needs is a little buffing around the edges, this should not trouble you. But if you think that there are still lunch counters out there that need integrating it ought to give you pause.

Shirky ends the story of the lost Sidekick by asking, portentously, “What happens next?”—no doubt imagining future waves of digital protesters. But he has already answered the question. What happens next is more of the same. A networked, weak-tie world is good at things like helping Wall Streeters get phones back from teen-age girls. Viva la revolución.

 

HAITI: A journey through the unheard voices of Haiti’s reconstruction > Global Voices in English

Giordano Cossu from Italy and Benoit Cassegrain from France are two web-reporters managing Solidar'IT in Haiti, a web project created in the footsteps of the Paris Crisis Camp aimed at using the Internet and other technologies to help Haitians affected by last January's earthquake.

As an independent, multimedia non-profit project, Solidar'IT in Haiti is a journey through the unheard voices of Haiti’s reconstruction, documenting the current post-earthquake situation by giving exposure to local citizens mostly excluded from the reconstruction process and still living in an emergency state.

In an interview via Skype, Giordano Cossu explains that he and Cassegrain lived in Haiti for about two months last summer, talking with people and shooting videos for their documentary:

“There is a lot of frustration on the ground, not only by those still living in tents (often filled with holes) in camps, but also on the part of volunteers and organizations trying to offer help and provide solutions. Our plan is to give visibility to these voices, to avoid that information from and about Haiti [which] is being provided only by the NGOs on the ground with their own agendas to pursue, as is the case today 95% of the time.”

Refugee camp in Haiti (photo by SolidarIT in Haiti, under CC

Refugee camp in Haiti (photo by SolidarIT in Haiti, under CC)

While the material gathered in Haiti will be finalized in a full web-documentary by year end, the current multimedia website hosts a variety of content in English and French:

Our multimedia blog is a way to expose our work-in-progress and enable people to directly access the most important testimonies we collected so far.

We decided to provide only short summaries online, leaving unfiltered and strong content directly in video and audio footage. Only by listening and watching these images can people actually understand the reality in Haiti — at least much deeper than just by reading the news!

As for the web-documentary format, it has only been around for about two years and provides very creative opportunities for viewers to arrange - in their own way - the various videos available.

The current living conditions in most tent camps still have few humane aspects, and the situation is especially challenging for the more vulnerable, such as women, children, and sick people.

Even before the earthquake, violence against women was already a problem, but after the earthquake it just blew up, despite local institutions trying to minimize it: in most camps at night there is no electricity and often there are only shared bathrooms for both men and women, thus creating a dangerous situation and heightening the feeling of frustration and insecurity.

With images and voices, Solidar'IT in Haiti explains how local women's organizations are dealing with these problems:

In the so-called “box of grief“, women put anonymous, handwritten letters telling their stories of violence and abuse: from being denied food to being raped by their relatives. Once a week that box is opened and those letters read in a public ceremony, thus creating hard but necessary moments of revelation and acting as communal therapy — and also increasing women's awareness about their own rights.

Box of grief (photo by Solidar'IT in Haiti, under CC)

Box of grief (photo by Solidar'IT in Haiti, under CC)

Marie Sofonie is 25 years old and determined to break the silence about these abuses. She got involved in the AYITI SMS SOS project, which allows victims or witnesses of abuses to send an SMS text-message to a free number (3803 0303). Messages are then mapped geographically and classified based on the type of crime or help request, location and so on - by using the crowd-sourcing platform Ushahidi and the Frontline SMS service. The AYITI SMS SOS initiative is being supported by Survivors Connect, an organization closely related to Fondation Espoir, as well as by other groups of local women.

Marie Sofonie is in charge of reading and indexing those text-messages (already well over a thousand) and also contributes to the Solidar'IT blog: that's how her voice is becoming global.

Ralph is a young Haitian journalist hosting “A camp per day”, a 20-minute feature within a radio program called ENDK (“Enfomasyon nou dwe konnen”, meaning “Useful News”), produced by the NGO news organization Internews. He visits a different camp each day, and talks to the people to understand where the major problems are. His reports represent a direct line for the displaced people living in the camps to express their feelings and needs, and receive news about the other camps. ENDK is then broadcast daily by a network of 35 radio stations in Haiti. Ralph's story is another voice gathered and relaunched worldwide by the Solidar'IT in Haiti documentary.

The project website includes many other stories, including one about Radio Boukman, the community radio of Citè Soleil, a dangerous neighbourhood in Port-au-Prince, which also manages a hurricane prevention program without any international support. And there is also the The Koute Ayiti (Listen to Haiti) caravan, created to travel to the different provinces affected by the earthquake and to spread health and other vital information information to support reconstruction.


Radio Boukman, the voice of the voiceless in Cité Soleil, Haiti
from Web-Reporter on Vimeo.

Today more than 1,5 million people still live in tents, the reconstruction process has barely started, and almost nobody covers Haiti anymore. In the streets and refugee camps there are already many malnourished children, easily identified by their orange hair. The United States promised more than a billion dollars in help, but that money has never been released, nor has it reached Haiti thus far.

Until last August, the only help that actually materialized were goods from Norway, Estonia, Australia and Brazil. Today, many people can live in a tent only because they could afford to buy one.

Most Haitians feel excluded by the same NGOs that are managing the refugee camps, with scarce information provided to them; an 18-24 month waiting period for a final home transfer is a long time in a hurricane-infested area. And while the government remains largely absent, civil society is trying to step in. One example is the 50 refugee camps (from a total of about 460 camps in the Port-au-Prince area alone) that are entirely managed by the independent youth organization FNJD, by sharing the little resources available.

The second part of the web-documentary is scheduled for this November, when Giordano Cossu and Benoit Cassegrain will again travel to Haiti to delve deeper into the reconstruction process, producing interviews and footage with and about local citizens.

To find out more about the Solidar'IT in Haiti project, you can visit their website/blog, follow their Facebook page or Twitter account. For direct donations, people can use Ulule, a crowd-funding platform.

HAITI: A journey through the unheard voices of Haiti’s reconstruction > Global Voices in English

Giordano Cossu from Italy and Benoit Cassegrain from France are two web-reporters managing Solidar'IT in Haiti, a web project created in the footsteps of the Paris Crisis Camp aimed at using the Internet and other technologies to help Haitians affected by last January's earthquake.

As an independent, multimedia non-profit project, Solidar'IT in Haiti is a journey through the unheard voices of Haiti’s reconstruction, documenting the current post-earthquake situation by giving exposure to local citizens mostly excluded from the reconstruction process and still living in an emergency state.

In an interview via Skype, Giordano Cossu explains that he and Cassegrain lived in Haiti for about two months last summer, talking with people and shooting videos for their documentary:

“There is a lot of frustration on the ground, not only by those still living in tents (often filled with holes) in camps, but also on the part of volunteers and organizations trying to offer help and provide solutions. Our plan is to give visibility to these voices, to avoid that information from and about Haiti [which] is being provided only by the NGOs on the ground with their own agendas to pursue, as is the case today 95% of the time.”

Refugee camp in Haiti (photo by SolidarIT in Haiti, under CC

Refugee camp in Haiti (photo by SolidarIT in Haiti, under CC)

While the material gathered in Haiti will be finalized in a full web-documentary by year end, the current multimedia website hosts a variety of content in English and French:

Our multimedia blog is a way to expose our work-in-progress and enable people to directly access the most important testimonies we collected so far.

We decided to provide only short summaries online, leaving unfiltered and strong content directly in video and audio footage. Only by listening and watching these images can people actually understand the reality in Haiti — at least much deeper than just by reading the news!

As for the web-documentary format, it has only been around for about two years and provides very creative opportunities for viewers to arrange - in their own way - the various videos available.

The current living conditions in most tent camps still have few humane aspects, and the situation is especially challenging for the more vulnerable, such as women, children, and sick people.

Even before the earthquake, violence against women was already a problem, but after the earthquake it just blew up, despite local institutions trying to minimize it: in most camps at night there is no electricity and often there are only shared bathrooms for both men and women, thus creating a dangerous situation and heightening the feeling of frustration and insecurity.

With images and voices, Solidar'IT in Haiti explains how local women's organizations are dealing with these problems:

In the so-called “box of grief“, women put anonymous, handwritten letters telling their stories of violence and abuse: from being denied food to being raped by their relatives. Once a week that box is opened and those letters read in a public ceremony, thus creating hard but necessary moments of revelation and acting as communal therapy — and also increasing women's awareness about their own rights.

Box of grief (photo by Solidar'IT in Haiti, under CC)

Box of grief (photo by Solidar'IT in Haiti, under CC)

Marie Sofonie is 25 years old and determined to break the silence about these abuses. She got involved in the AYITI SMS SOS project, which allows victims or witnesses of abuses to send an SMS text-message to a free number (3803 0303). Messages are then mapped geographically and classified based on the type of crime or help request, location and so on - by using the crowd-sourcing platform Ushahidi and the Frontline SMS service. The AYITI SMS SOS initiative is being supported by Survivors Connect, an organization closely related to Fondation Espoir, as well as by other groups of local women.

Marie Sofonie is in charge of reading and indexing those text-messages (already well over a thousand) and also contributes to the Solidar'IT blog: that's how her voice is becoming global.

Ralph is a young Haitian journalist hosting “A camp per day”, a 20-minute feature within a radio program called ENDK (“Enfomasyon nou dwe konnen”, meaning “Useful News”), produced by the NGO news organization Internews. He visits a different camp each day, and talks to the people to understand where the major problems are. His reports represent a direct line for the displaced people living in the camps to express their feelings and needs, and receive news about the other camps. ENDK is then broadcast daily by a network of 35 radio stations in Haiti. Ralph's story is another voice gathered and relaunched worldwide by the Solidar'IT in Haiti documentary.

The project website includes many other stories, including one about Radio Boukman, the community radio of Citè Soleil, a dangerous neighbourhood in Port-au-Prince, which also manages a hurricane prevention program without any international support. And there is also the The Koute Ayiti (Listen to Haiti) caravan, created to travel to the different provinces affected by the earthquake and to spread health and other vital information information to support reconstruction.


Radio Boukman, the voice of the voiceless in Cité Soleil, Haiti
from Web-Reporter on Vimeo.

Today more than 1,5 million people still live in tents, the reconstruction process has barely started, and almost nobody covers Haiti anymore. In the streets and refugee camps there are already many malnourished children, easily identified by their orange hair. The United States promised more than a billion dollars in help, but that money has never been released, nor has it reached Haiti thus far.

Until last August, the only help that actually materialized were goods from Norway, Estonia, Australia and Brazil. Today, many people can live in a tent only because they could afford to buy one.

Most Haitians feel excluded by the same NGOs that are managing the refugee camps, with scarce information provided to them; an 18-24 month waiting period for a final home transfer is a long time in a hurricane-infested area. And while the government remains largely absent, civil society is trying to step in. One example is the 50 refugee camps (from a total of about 460 camps in the Port-au-Prince area alone) that are entirely managed by the independent youth organization FNJD, by sharing the little resources available.

The second part of the web-documentary is scheduled for this November, when Giordano Cossu and Benoit Cassegrain will again travel to Haiti to delve deeper into the reconstruction process, producing interviews and footage with and about local citizens.

To find out more about the Solidar'IT in Haiti project, you can visit their website/blog, follow their Facebook page or Twitter account. For direct donations, people can use Ulule, a crowd-funding platform.

HAITI: A journey through the unheard voices of Haiti’s reconstruction > Global Voices in English

A journey through the unheard voices of Haiti’s reconstruction

Giordano Cossu from Italy and Benoit Cassegrain from France are two web-reporters managing Solidar'IT in Haiti, a web project created in the footsteps of the Paris Crisis Camp aimed at using the Internet and other technologies to help Haitians affected by last January's earthquake.

As an independent, multimedia non-profit project, Solidar'IT in Haiti is a journey through the unheard voices of Haiti’s reconstruction, documenting the current post-earthquake situation by giving exposure to local citizens mostly excluded from the reconstruction process and still living in an emergency state.

In an interview via Skype, Giordano Cossu explains that he and Cassegrain lived in Haiti for about two months last summer, talking with people and shooting videos for their documentary:

“There is a lot of frustration on the ground, not only by those still living in tents (often filled with holes) in camps, but also on the part of volunteers and organizations trying to offer help and provide solutions. Our plan is to give visibility to these voices, to avoid that information from and about Haiti [which] is being provided only by the NGOs on the ground with their own agendas to pursue, as is the case today 95% of the time.”

Refugee camp in Haiti (photo by SolidarIT in Haiti, under CC

Refugee camp in Haiti (photo by SolidarIT in Haiti, under CC)

While the material gathered in Haiti will be finalized in a full web-documentary by year end, the current multimedia website hosts a variety of content in English and French:

Our multimedia blog is a way to expose our work-in-progress and enable people to directly access the most important testimonies we collected so far.

We decided to provide only short summaries online, leaving unfiltered and strong content directly in video and audio footage. Only by listening and watching these images can people actually understand the reality in Haiti — at least much deeper than just by reading the news!

As for the web-documentary format, it has only been around for about two years and provides very creative opportunities for viewers to arrange - in their own way - the various videos available.

The current living conditions in most tent camps still have few humane aspects, and the situation is especially challenging for the more vulnerable, such as women, children, and sick people.

Even before the earthquake, violence against women was already a problem, but after the earthquake it just blew up, despite local institutions trying to minimize it: in most camps at night there is no electricity and often there are only shared bathrooms for both men and women, thus creating a dangerous situation and heightening the feeling of frustration and insecurity.

With images and voices, Solidar'IT in Haiti explains how local women's organizations are dealing with these problems:

In the so-called “box of grief“, women put anonymous, handwritten letters telling their stories of violence and abuse: from being denied food to being raped by their relatives. Once a week that box is opened and those letters read in a public ceremony, thus creating hard but necessary moments of revelation and acting as communal therapy — and also increasing women's awareness about their own rights.

Box of grief (photo by Solidar'IT in Haiti, under CC)

Box of grief (photo by Solidar'IT in Haiti, under CC)

Marie Sofonie is 25 years old and determined to break the silence about these abuses. She got involved in the AYITI SMS SOS project, which allows victims or witnesses of abuses to send an SMS text-message to a free number (3803 0303). Messages are then mapped geographically and classified based on the type of crime or help request, location and so on - by using the crowd-sourcing platform Ushahidi and the Frontline SMS service. The AYITI SMS SOS initiative is being supported by Survivors Connect, an organization closely related to Fondation Espoir, as well as by other groups of local women.

Marie Sofonie is in charge of reading and indexing those text-messages (already well over a thousand) and also contributes to the Solidar'IT blog: that's how her voice is becoming global.

Ralph is a young Haitian journalist hosting “A camp per day”, a 20-minute feature within a radio program called ENDK (“Enfomasyon nou dwe konnen”, meaning “Useful News”), produced by the NGO news organization Internews. He visits a different camp each day, and talks to the people to understand where the major problems are. His reports represent a direct line for the displaced people living in the camps to express their feelings and needs, and receive news about the other camps. ENDK is then broadcast daily by a network of 35 radio stations in Haiti. Ralph's story is another voice gathered and relaunched worldwide by the Solidar'IT in Haiti documentary.

The project website includes many other stories, including one about Radio Boukman, the community radio of Citè Soleil, a dangerous neighbourhood in Port-au-Prince, which also manages a hurricane prevention program without any international support. And there is also the The Koute Ayiti (Listen to Haiti) caravan, created to travel to the different provinces affected by the earthquake and to spread health and other vital information information to support reconstruction.

 


Radio Boukman, the voice of the voiceless in Cité Soleil, Haiti
from Web-Reporter on Vimeo.

 

Today more than 1,5 million people still live in tents, the reconstruction process has barely started, and almost nobody covers Haiti anymore. In the streets and refugee camps there are already many malnourished children, easily identified by their orange hair. The United States promised more than a billion dollars in help, but that money has never been released, nor has it reached Haiti thus far.

Until last August, the only help that actually materialized were goods from Norway, Estonia, Australia and Brazil. Today, many people can live in a tent only because they could afford to buy one.

Most Haitians feel excluded by the same NGOs that are managing the refugee camps, with scarce information provided to them; an 18-24 month waiting period for a final home transfer is a long time in a hurricane-infested area. And while the government remains largely absent, civil society is trying to step in. One example is the 50 refugee camps (from a total of about 460 camps in the Port-au-Prince area alone) that are entirely managed by the independent youth organization FNJD, by sharing the little resources available.

The second part of the web-documentary is scheduled for this November, when Giordano Cossu and Benoit Cassegrain will again travel to Haiti to delve deeper into the reconstruction process, producing interviews and footage with and about local citizens.

To find out more about the Solidar'IT in Haiti project, you can visit their website/blog, follow their Facebook page or Twitter account. For direct donations, people can use Ulule, a crowd-funding platform.

 

GULF OIL DISASTER: Massive stretches of weathered oil spotted in Gulf of Mexico | NOLA.com

Massive stretches of weathered oil spotted in Gulf of Mexico

Published: Saturday, October 23, 2010, 11:37 AM     Updated: Saturday, October 23, 2010, 6:45 PM

 

Just three days after the U.S. Coast Guard admiral in charge of the BP oil spill cleanup declared little recoverable surface oil remained in the Gulf of Mexico, Louisiana fishers Friday found miles-long strings of weathered oil floating toward fragile marshes on the Mississippi River delta.

Oil Slick in Gulf of Mexico Enlarge MATTHEW HINTON / THE TIMES-PICAYUNE A boat travels through oil that was spotted in West Bay just west of the Southwest Pass of the Mississippi River Friday October 22, 2010. Oil Slick in West Bay gallery (9 photos)   

The discovery, which comes as millions of birds begin moving toward the region in the fall migration, gave ammunition to groups that have insisted the government has overstated clean-up progress, and could force reclosure of key fishing areas only recently reopened.

The oil was sighted in West Bay, which covers approximately 35 square miles of open water between Southwest Pass, the main shipping channel of the river, and Tiger Pass near Venice. Boat captains working the BP clean-up effort said they have been reporting large areas of surface oil off the delta for more than a week but have seen little response from BP or the Coast Guard, which is in charge of the clean-up. The captains said most of their sightings have occurred during stretches of calm weather, similar to what the area has experienced most of this week.

On Friday reports included accounts of strips of the heavily weathered orange oil that became a signature image of the spill during the summer. One captain said some strips were as much as 400 feet wide and a mile long.

The captains did not want to be named for fear of losing their clean-up jobs with BP.

Coast Guard officials Friday said a boat had been dispatched to investigate the sightings, but that a report would not be available until Saturday morning.

However, Times-Picayune photojournalist Matt Hinton confirmed the sightings in an over-flight of West Bay.

Robert Barham, secretary of the Louisiana Department of Wildlife and Fisheries, said if the sightings are confirmed by his agency, the area will be reclosed to fishing until it is confirmed oil-free again.

Just Tuesday, Coast Guard Rear Adm. Paul Zukunft, in charge of the federal response, and his top science adviser, Steve Lehmann, said that little of the 210 million gallons of oil spilled into the Gulf remained on the surface or even on the Gulf's floor. Lehmann pointed to extensive tests conducted by the National Oceanic and Atmospheric Administration that included taking samples of water from various depths, as well as collections of bottom sediments both far offshore and close to the coast.

Those claims, announced on the six-month anniversary of the spill, brought quick rebuttals from a variety of environmental and fishermen's groups who insist their members have been reporting sightings of surface oil all along.

LSU environmental sciences professor Ed Overton, who has been involved in oil spill response for 30 years, said he believes both claims could be accurate. The Louisiana sweet crude from the Deepwater Horizon is very light and has almost neutral buoyancy, Overton said, which means that when it picks up any particles from the water column, it will sink to the bottom.

Oil Slick in Gulf of Mexico

"It's quite possible that when the weather calms and the water temperatures changes, the oil particles that have spread along the bottom will recoagulate, then float to the surface again and form these large mats.

"I say this is a possibility, because I know that the (Coast Guard) has sent boats out to investigate these reports, but by the time they get to the scenes, the weather has changed and they don't see any oil."

"I think the reports are credible, but I also think the incident responders are trying to find the oil, too,'' Overton said. "This is unusual, but nothing about this bloody spill has been normal since the beginning."

Overton said it is important for the state to discover the mechanism that is causing the oil to reappear because even this highly weathered oil poses a serious threat to the coastal ecology.

"If this was tar balls floating around, that would be one thing, but these reports are of mats of weathered oil, and that can cause serious problems if it gets into the marsh," he said

Oil Slick in Gulf of Mexico

The reports are a great concern to wildlife officials. The Mississippi delta is a primary wintering ground for hundreds of thousands of ducks and geese, some of which already have begun arriving. The West Bay area leads into several shallower interior bays that attract ducks, geese and myriad species of shore and wading birds each winter.

Earlier this month state wildlife officials were expressing optimism the spill would have minimal impact on most waterfowl visitors because little oil had penetrated the sensitive wintering grounds.

 

 

VIDEO: Watch MTV’s Staying Alive Web Series Based In Kenya > Shadow And Act

Watch MTV’s Staying Alive Web Series Based In Kenya

I’m late on this, but check out this web series from the MTV Ignite Staying Alive campaign – a microscopic lens into the lives of young people around the world, and their sexual habits, with the goal being to challenge them to consider their behavior, in an effort to stop the spread of HIV/AIDS.

This series, titled Shuga, is set in Nairobi, Kenya (locally shot and produced).

All 3 episodes follow below (each is about 24 minutes long; so it’ll be like watching a feature-length film). Think Real World (also an MTV product) – except this is obviously scripted. And if you’re interested in seeing the remaining episodes, click HERE. There’s also a Trinidad and Tobago version, which you can watch HERE:

 

Episode 1:

Episode 2:

Episode 3:

 

VIDEO: Umthombo - Street Spirit


Umthombo - Street Spirit
Umthombo - Street Spirit - Vuka - Commercial - 1080p
Production - Tough Sunday Productions
Visual Effects - Pepperoni Pictures
This is a new promo ad for Umthombo, a project to rehabilitate Durban's (South Africa) street kids through surfing and other positive sporting and health projects. It's run mainly by former street kids who are now trained as youth care workers, social workers, advocacy leaders etc, Umthombo depends on the generous donations of the public so if you have second hand surfing gear or are interested in helping in other ways - through donation, gift-giving or volunteering please checkout: www.umthombo.org.
>via: http://afroeurope.blogspot.com/2010/10/video-changing-urban-black-children.html

Ubuntu Surf Challenge


The Umthombo surf club hit south beach for a fun surf comp with mentors Simon Nicholson and John Whittle.