VIDEO + INFO: Nneka – The New Postergirl of the Afropean Music Movement > from Bella Naija

Nneka – The New Postergirl of the Afropean Music Movement

Posted on Monday, August 31st, 2009 at 8:11 PM

By Wana Udobang

nneka 3She is at the forefront of the renaissance of the Afropean movement. Alongside the likes of Bantu, Ayo and even Zap Mama; Nneka’s love for reggae, soul, hip-hop plus a huge dose of consciousness led to the creation of a splendid debut album – Victim of Truth. ‘Victim of Truth’ gave us gut wrenching tracks like Africans, Changes and God of Mercy. With an innate ability to writing music beyond her years, Nneka always holds dear to her an openness and honesty that doesn’t go without notice.

Nneka’s lyrics tackles subjects like spirituality, identity and hypocrisy. She says “I’m not here to entertain. I’m here to speak my mind because I am no longer at ease with the situation”. An emotional performer and visual artist, she has always been dedicated to the idea of artistic activism.

Recently her sophomore album - No Longer at Ease named after the Chinua Achebe novel unleashed the rock-induced ‘Heartbeat’ blazing on television screens across the nation. Heartbeat is currently nominated for a Channel O Award.
Check out the video for Nneka and Keziah Jones duet “Long Distance Love” and a live performance of “Come With Me”.

 

 

Nneka’s current single is Kangbe

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Who Is NNEKA?

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The Check In: Nneka @ The Roots Picnic 2010

SocietyHAE | June 30, 2010

Society HAE's n'dada vaz checks in with rising superstar Nneka at the 2010 Roots Picnic.

Still Photos: N'dada Vaz
Videography: Ngozi Odita

For WWW.SocietyHAE.com

 

VIDEO + AUDIO: ◄ The Many Voices Of Lauryn Hill::: NPR Interview ► > from WELL AND GOOD

◄ The Many Voices Of Lauryn Hill::: NPR Interview ►

 

http://www.kalamu.com/bol/wp-content/content/images/lauryn%2047.jpg

I have mixed messages about interviews, as usual, but all things must be considered to move forward. One thing people have to consider is that artist have lives and children and responsibilities. If my favorite artist stopped making records, I would not be mad. The problem with fans is that they always want new material and get spoiled. If I had one song of my favorite artist to live by, that's enough. One song can change and guide you through life. That's why Lauryn or any artist like her would never have to make another record again for me to be satisfied. "Humble thyself and jah will guide". Disregard the corny voices in the interview and/or opinions and skip to Lauryn.

 

 

 

 

 

 

 

 

 

 

PUB: call for participation—Soul Food Junkies documentary

 

Award-winning filmmakerByron Hurt is working on his next documentary film, Soul Food Junkies. He is looking for people who have interesting stories and viewpoints about soul food in the following cities:www.Bhurt.com 

  • New Orleans, LA  
  • Atlanta, GA
  • Jackson, MS
  • Oakland, CA
  • New York City
So if you have feelings about soul food, good or bad, then tell us your story! Whether you are an experienced video blogger or a complete novice, this is your time to shine!

Please send your 3-5 minute video blog to Soul Food Junkies Associate Producer Lisa Durden atlisadurden@bhurt.com. Each video must be under 5 minutes total running time (no exceptions).

This "Call for Video" is for you, if you:

  • love soul food and eat it on a regular basis
  • love eating meat and pork and are proud of it
  • would not eat pork with a 10 foot fork
  • own a soul food restaurant or a vegan soul food restaurant
  • are currently struggling with a family member or close friend to change his or her eating habits
  • have lost a loved one after a long battle with heart disease, diabetes, cancer, obesity, high blood pressure, or any other nutrition related illness
  • recently made changes to your soul food diet
  • have limited access to quality food in your neighborhood
  • are a food justice activist working to make sure your community has access to quality food
  • are a church member concerned about the church picnic or repass menu
  • live off the land by growing and eating your own fruits, vegetables, and meat from your own garden or farm
  • are having a black family reunion in August or September
  • attend an historically black college or university  and feel that your school's meal options are unhealthy.

 
Click Image to Watch Video Trailer
www.facebook.com/soulfoodjunnkies
NOTE: The deadline for sending your video is Friday, July 16, 2010. If you do not have access to a computer or the Internet and cannot send a video, please send Ms. Durden a short essay (500 words or less) describing your thoughts on soul food and why you should be included in this film.

All videos submitted to Ms. Durden will be viewed by staff at God Bless the Child Productions, LLC (GBC). GBC reserves the right to use footage from your video blog in the documentary film, Soul Food Junkies. No phone or email inquiries please. A representative from GBC will contact you, if we are interested in your story.

Thank you.


Soul Food Junkies is a co-production of God Bless The Child Productions
and the Independent Television Service(ITVS), with funding provided
by the Corporation for Public Broadcasting

ITVS.org

Soul Food Junkies is produced and directed
by Byron Hurt. Visit www.BHurt.com

To learn more , visitwww.Facebook.com/SoulFoodJunkies
or watch the SOUL FOOD JUNKIES video trailer!

www.BHurt.com

 

Photo Credit: Shawn Escoffery

 
 

 


 

Byron Hurt | c/o AKILA WORKSONGS, Inc. | PO Box 250553 | Brooklyn, NY 11225 | US

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PUB: call for papers—African American Contributions to Service Learning and Community Literacy | cfp.english.upenn.edu

African American Contributions to Service Learning and Community Literacy

full name / name of organization: 
Reflections: A Journal of Writing, Community Literacy, and Service-Learning

contact email: 
dfg126@psu.edu

cfp categories: 
african-american
cultural_studies_and_historical_approaches
ethnicity_and_national_identity
interdisciplinary
popular_culture
rhetoric_and_composition

 

The Community Classroom: Literacy Training in the Black Public Sphere will focus on literacy practices and institutions in Black American communities. There is a long and rich tradition of community sponsored literacy training projects in Black American culture that has for years sought to complement or supplement formal academic education. We are looking for submissions that discuss from historical, ethnographic, or pedagogical perspectives different forms of literacy training in community-based projects or cultural centers. The editors also invite submissions of community-based writing itself—the pamphlets, testimonies, artwork, and memoirs that often emerge from such locations. With this issue we hope to contribute to a broader discussion of community literacy development of Black Americans and the social activism that has historically been a by-product of it. Such traditions provide invaluable models for more recent community literacy projects and broaden the intellectual discussion of community literacy in general.

Editors: David Frank Green, Penn State University; Ersula Ore, Penn State University

Historically Black Colleges and Universities and African American Literacy Partnerships will focus on literacy partnerships between historically black colleges and universities (HBCU) and community organizations and institutions. From their inception to the present, HBCUs have partnered with the communities that they serve to promote literacy in African American communities. Whether it was African American churches offering their physical space to begin a college in the 1800s or an HBCU partnering with a community center to promote digital literacy in the 21st Century, these literacy partnerships are sites of rich literacy practices and activities. We invite submissions that discuss HBCU partnerships situated within a historical and or/contemporary setting and from diverse scholarly perspectives (ethnography, case study, social policy, historiography, theoretical, and so on). We welcome scholarly articles that include visual elements. With this issue, we hope to turn a scholarly gaze toward the research practices and sites situated at the intersection of HBCUs and their community constituents. More specifically, we seek to highlight the community-school literacy partnerships that expand our understanding of collaborative literacy practices, that demonstrate complex collaborative relationships built around literacy, that model school-community literacy partnerships, and most importantly, that contribute new voices to current scholarly conversations on African American literacy practices.

Editors: Beverly Moss, Ohio State University; Reva Evonne Sias, Syracuse University

We invite you to contribute to this special series. Manuscripts should be between 5000 and 6000 words and should be sent as electronic submissions to David Green (dfg126@psu.edu). Please indicate for which issue you are submitting your piece. Submissions should conform to MLA guidelines. Please provide a brief abstract (300 words) with your submissions. Attach the manuscript as a Word or Word-compatible document to an email. All manuscripts must be submitted before 12 a.m., September 17, 2010.

 

PUB: Sandburg-Auden-Stein Residency

2012 Sandburg-Auden-Stein Residency


Intensive Learning Term poet-in-residence program, from 30 April to 18 May 2012.

From the early 1930s to the mid 1940s, Olivet College hosted some of the bestknown

writers of the time: Sinclair Lewis, Sherwood Anderson, Katherine Ann

Porter, Carl Sandburg, Ford Madox Ford, W.H. Auden, and Gertrude Stein. In that

tradition, Olivet has established an annual residency program for poets who are

establishing a name for themselves in this new millennium. Previous Sandburg-

Auden-Stein poets-in-residence are John Rybicki (2007), Carol V. Davis (2008) and

Rhoda Janzen (2010).


During the 2012 Intensive Learning Term, the Olivet College Humanities

Department will offer its sixth poet-in-residence position. The Sandburg-Auden-Stein

poet will live on or near campus and teach ENG 247: Poetry Writing. The Sandburg-

Auden-Stein poet will also host two public events: a public reading of his or her work

and a stand-alone talk/discussion on a subject of his or her choice (publishing poetry,

beat poets, def poetry, etc.).


An award of $3,100 (plus room and board) will be given to the 2012 poet. The

Humanities Department faculty will evaluate the submissions and choose the

winner. Poets who have published at least one book of poetry are

eligible. Submissions are due on Sept. 10, 2010, and should include the following:

five poems from your most recent book, a single page personal statement regarding

your poetics and teaching, a current résumé and two references. There is no entry

fee. Please contact Kirk Hendershott-Kraetzer, Ph.D., Humanities Department chair,

with your questions at (269) 749-7621 or mailto:khendershottkraetzer@

olivetcollege.edu.


Electronic applications are strongly encouraged: .rtf, .doc, .docx formats accepted,

.pdf preferred. Send to khendershott-kraetzer@olivetcollege.edu with “Residency

application” indicated in the subject line.


Application materials also may be sent by regular mail to:

Sandburg-Auden-Stein Residency

Office of the Dean

Olivet College

320 S. Main St.

Olivet, MI 49076

REVIEW: Film—Patrice Lumumba by Raoul Peck > from Black Bird Press News & Review

Film Review: Patrice Lumumba by Raoul Peck



Film Review

Patrice Lumumba


A Film by Raoul Peck

Reviewed By Marvin X
© 2002 by Marvin X


Note: We send out this review on the 50th anniversary of independence in the Congo. Lumumba said he was fifty years ahead of his time, and so it is. But even fifty years later the same problems of poverty, ignorance and disease remain, the Europeans are still there stealing the wealth, although the Chinese have entered the drama. Hopefully, with the Chinese, in exchange for precious minerals, there shall be construction and reconstruction, although we don't understand with a population of seventy million mostly unemployed why Chinese laborers are needed. There seems little jubilation among the population. One Congolese said, "After fifty years of independence, happiness has come to the man in charge and those around him--they eat well and are well paid."

--mx


My African consciousness began with the murder of Patrice Lumumba. After high
school graduation, I enrolled at Oakland's Merritt College and found myself in the midst of the black revolutionary student movement. Students Huey Newton, Bobby Seale, Richard Thorne, Maurice Dawson, Kenny Freeman, Ernie Allen, Ann Williams, Carol Freeman and others were rapping daily on the steps at the front door of Merritt College. Some of them wore sweatshirts with Jomo Kenyatta's picture, sold by Donald Warden's African American Association, which held meetings on campus, and sometimes Donald Warden, renamed Khalid Abdullah Tariq Al Mansour, rapped. The theme was often the African independence struggle, especially the Mau Mau's in Kenya.

But a frequent topic was the 1961 brutal murder of the democratically elected Congolese Prime Minister, Patrice Lumumba. The brothers were well read and in their raps they documented the facts and figures of the African liberation struggle. They gave reference to such books as Kwame Nkrumah's Neo-Colonialism: the final stage of imperialism, where he documented the riches of Africa, especially the Congo, that the West coveted and committed mass murder to maintain. Patrice Lumumba was the first African leader I'd known about who was assassinated, and the brutal way he was eliminated helped expedite my African consciousness, especially learning how his so-called comrades betrayed him to continue the Western world's plunder of the Congo's vast mineral riches.

On one level, it was hard to believe, since I was attempting to get blackenized and didn't want to face the reality of black treachery. As students, most of us were Black nationalists, not yet the revolutionary black nationalists we would soon become, that allowed some of us to employ a class or Marxist analysis to the Pan African struggle, which Nkrumah's writings brought to the table.

The brothers leaning in the Marxist direction were Ken Freeman, Ernie Allen, and maybe Bobby Seale, all of whom were associated with SoulBook magazine, a revolutionary black nationalist publication featuring the writings of LeRoi Jones, James Boggs, Max Stanford, Robert F. Williams, Sonia Sanchez, Askia M. Toure', myself and others, although I was a budding writer, just out of high school and knew nothing about Marxism.

If I had, it would have helped me understand the class nature of Lumumba's final days. I couldn't comprehend how Mobutu, Kasavubu, and Tshombe could be so wicked to conspire with the white man to kill their brother. It would take the black hands of Malcolm's murderers for me to begin to understand.

Actually, I wouldn't fully understand until years later after reading a monograph by Dr. Walter Rodney, himself the victim of assassination in Guyana, South America, entitled West Africa and the Atlantic Slave Trade, in which he carefully deconstructed African social classes and their role in the slave trade, detailing how the political, military, judicial, and even religious institutions became corrupt and expedited our removal from the Motherland.

Amiri Baraka sings to us:

My brother the king
Sold me to the ghost
When you put your hand on your sister and made her a slave
When you put your hand on your brother and made him a slave
Watch out for the ghost
The ghost go get you Africa
At the bottom of the Atlantic Ocean
Is a railroad of human bones
the king sold the farmer to the ghost....

It is hard to believe it has been forty years since the death of Lumumba, maybe because in the interim we've had innumerable cases in Africa and even in America of similar acts of treachery. Supposedly black ministers were involved in the death of Rev. Martin Luther King, Jr. Black elected politicians have been selling out the black community for at least the past thirty years, especially since the 1972 Gary Convention of the Congress of African People. We have no choice but to see our struggle as class struggle, race being incidental.

We cannot have any illusions that a black face will save us, only black hearts. Those who study the Bible and Qur'an know the history of all men is the story of treachery, deceit, lust, greed, jealousy, envy and murder -- but the glass can be seen as half full: the history of man is also about good transcending evil, liberation defeating oppression, ascension after crucifixion, joy after sorrow, victory over defeat. Yet, how many prophets survived? How many righteous people survived and continued in their righteousness, rather than succumb to iniquities?

Men of Lumumba's character are rare upon the stage of history, men dedicated to the liberation of their people, men who are confident that no matter how great the odds, freedom will come soon one morning.

Raoul Peck's film was depressing because it showed a leader in a Indiana Jones snake pit full of vipers and cobras of the worse sort, snakes who danced to the rhythm of Western drums, not those of the mighty Congo, for Lumumba's mission appeared doomed from the start, he said himself that he was fifty years ahead of his time. This may have been the truest statement of the movie, for only ten years remain before the half-century mark in the modern history of the Congo or Zaire. Maybe in the last ten years of his prophecy, the people of Zaire will become truly free.

What the movie failed to give us were the deep structure motivations for the behavior of men like Kasavubu, Tshombe and Mobutu. Yes, the Europeans were there, had been there stealing the wealth, especially of Katanga Province which held 70% of the nation's riches, but we needed to see the very beginning with Belgium King Leopold's butchery, including his role in the European carving up of Africa at the 1890s Berlin Conference. We need to know the custom of chopping off limbs so en vogue today with diamond seeking armies in Zaire, Sierra Leone, Liberia, and elsewhere originated with King Leopold. Only then can the unaware and unread understand what demonic forces created such inhuman beings as the three main characters that surrounded Lumumba and ultimately brought about his downfall. From the movie we are tempted to say his own people did him in, but we know better, we must know better-think of diamonds, chrome, uranium, plutonium, cobalt, zinc and other minerals.

Look at Zaire today with several competing armies from neighboring countries (Rwanda, Uganda, Angola, et al) warring over the same minerals for the same European masters who instigated the treacherous actions of Kasavubu, Tshombe and Mobutu. Their names have a poetic ring that we should remember forever as the sound of death in a people, the sound of condensation and the lowest rats in creation, but understand they represent class interests and their class mates are visible throughout Africa and the world, even in the American political landscape: we have Clarence Thomas, Ward Connelly and Colin Powell -- new world rats, but rats none the less, who are every bit the measure of the Congo Three.

And let us not forget the reactionary behavior in the black liberation movement, the murder by incineration of Samuel Napier in the Black Panther fratricide, the assassination of Bunchy Carter and John Huggins by the US organization in the BSU meeting room on the campus of UCLA, the Muslims setting a prostitute on fire in San Francisco and other terrorists actions such as the Zebra killings.

Even the Black Arts Movement had its psychopathic shootouts with the wounding of Larry Neal and other acts we need not list. Shall we neglect to mention the hip hop generation also has its catalogue of madness such as the east coast/west coast killing of rap giants Tupac and Biggie Small. Let Lumumba be a lesson for us all. Let's learn from it and move to higher ground. Some of our madness is simply that -- we cannot attribute all evil acts of man to white oppression, although white oppression in inexcusable. We must take responsibility for Black Madness.

We are happy the director created a screen version of this historic drama. The actors made us feel the good in Lumumba and the evil in his associates, black and white, for the whites performed their usual roles as arrogant, paternalistic colonial masters whose aim was to hold power until the last second as we saw when they released Lumumba from prison to attend independence talks in Belgium. We saw the stark contrast of character in the speeches of Lumumba as prime minister and Kasavubu as president. Lumumba was strong, Kassavubu capitulating even on the eve of freedom, signaling his intent to remain a colonial puppet.

For those who came away like myself, and one could sense the sad silence in the audience as they departed the theatre, a friend remarked that we must not give up hope because the enemy will never tell you when you are winning.

For more writings and/or information on Marvin X go to

www.blackbirdpressnews.blogspot.com

www.parablesandfablesofmarvinx.blogspot.com

http://www.blackthinktank.com
http://www.aalbc.com
http://www.nathanielturner.com
http://www.umich.edu,
http://www.konch.com.

INFO: Angola 3 's Albert Woodfox Responds to Court Ruling : NOLA Indymedia

Angola 3's Albert Woodfox Responds to Court Ruling
by Angola 3 News Wednesday, Jun. 30, 2010 at 12:50 AM

On Monday, June 21, the US Fifth Circuit Court ruled to overturn a July 2008 decision that ordered that Albert Woodfox's conviction and life sentence be "reversed and vacated." Albert Woodfox's response to this ruling has just been released, and is featured in full below.

Angola 3's Albert Wo...
albert-woodfox.jpg, image/jpeg, 233x312

Today, after waiting 15 months, I learned that the 5th Circuit Federal Appeals Court has reversed a Middle District Court ruling by Judge James Brady granting me a new trial.

What has happened to me is nothing new, still it is a blow like so many other blows suffered by so many other political prisoners, such as Mumia Abu Jamal and Leonard Peltier being the most well-known.

The question now is where do I, our attorneys and many friends and supporters go? Judicially, I will meet with our attorneys and see what options there are. Politically, there is no question – the struggle goes on.

To our family, friends and supporters, I can only imagine what you must be feeling and thinking, and I understand disappointment, but this ruling is not the end of our cause to free Herman Wallace and myself. It is a call to move on, grow stronger, fight harder, not to just to free the A3, but all political prisoners!

This ruling is not an end to revolutionary and social struggle for justice, an end to poverty and the exploitation of the majority of the human race. This ruling is nothing more than the biased opinion of a branch of the U.S. government.

I am not sure what the future holds for me. It took Wilbert Rideau 3 trials to get justice. I may never get justice, but my dedication to revolutionary struggle is unwavering! To the A3 family, my message to you is stay strong, stay focused and stay involved!

All power to the people!

Albert “Shaka Cinque” Woodfox

--For more information about the US Fifth Circuit Court ruling, please read this article by James Ridgeway and Jean Casella:

http://solitarywatch.wordpress.com/2010/06/22/court-reverses-appeal-of-angola-3s-albert-woodfox-no-end-in-sight-to-37-years-in-solitary-confinement/

http://www.angola3news.com

add your comments


The Angola 3
by Angola 3 News Wednesday, Jun. 30, 2010 at 12:50 AM

The Angola 3...
angola3.jpg, image/jpeg, 200x169

Photo of the Angola 3: left to right, Herman Wallace, Robert King, and Albert Woodfox.

add your comments


Free the Angola 3!
by Angola 3 News Wednesday, Jun. 30, 2010 at 12:50 AM

Free the Angola 3!...
a3_poster.jpg, image/jpeg, 444x325

GULF OIL DISASTER: Louisana Must Evacuate – BP Oil Spill | Happily Natural

Louisana Must Evacuate – BP Oil Spill

by amun ra ~ June 30th, 2010. Filed under: Uncategorized.
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Related Posts

  1. The New Gulf War Syndrome – Is the Oil Spill a War?
  2. CDC Warning: Avoid Oil Spill Areas
  3. Oil Spill Workers Sickened -Top Kill Fails
  4. The Chilling Tim Rifat Interview on the Gulf Oil Spill

==============================================

GRAND ISLE, La., June 30, 2010

Alex Thwarts Skimming, Sends Tar Balls Ashore

Double Trouble: Hurricane Alex's High Winds Drive Oil Ashore as High Surf Forces Halt to Skimming Work

Like this Story? Share it:

    • Contracted workers clean oil and tar balls from Biloxi Beach near Edgewater Mall in Biloxi, Miss., June 30, 2010.

      Contracted workers clean oil and tar balls from Biloxi Beach near Edgewater Mall in Biloxi, Miss., June 30, 2010.  (AP Photo/The Sun Herald)

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  • VIDEOBP Spill Plagues Pensacola

    Plagued with a series of crises, ranging from hurricanes to the recession, the beach community of Pensacola, Fla. is reeling from the BP oil disaster. Harry Smith reports.

  • VIDEOBiden Tours Oil Spill, Day 71

    As fisherman and other local residents still struggle ten weeks after the BP oil spill first began, Harry Smith reports on VP Biden's tour of the disaster region.

  • PHOTO ESSAYOil Spill: A Photo Diary

    More than a Month after the Deepwater Horizon Oil Rig Explosion, Containment And Cleanup Efforts Continue

(CBS/AP)  Updated 6:46 p.m. ET 

As rough seas generated by Hurricane Alex pushed more oil from the massive spill onto Gulf coast beaches and sidelined cleanup vessels, a member of Congress scolded BP for not including hurricanes or tropical storms in its disaster response plan. 

The waves churned up by the hurricane splattered beaches in Louisiana, Alabama and Florida with oil and tar balls. 

Rep. Edward Markey said Wednesday that BP's omission is yet another example of what the oil giant was not prepared to handle. 

The Massachusetts Democrat's comments came during a congressional hearing on a law to improve technology intended to prevent disasters like the Deepwater Horizon oil spill. 

CBS News Correspondent Mark Strassmann reports that winds from Alex are too strong for BP to spray dispersants, meaning that for the course of the storm new oil pouring from the well and heading to shore will be thick crude. 

The hurricane was churning coastal waters across the oil-affected region on the Gulf of Mexico. Waves as high as 6 feet and winds over 25 mph were forecast through Thursday just off shore from the Mississippi Delta in Louisiana to the Florida Panhandle. 

Special Section: Disaster in the Gulf 
Bad Weather Halts Spill Relief 
Rough Seas Halt Skimming Operations in Gulf 

In Louisiana, the storm pushed an oil patch toward Grand Isle and uninhabited Elmer's Island, dumping tar balls as big as apples on the beach. Cleanup workers were kept at bay by pouring rain and lightning that zigzagged across the dark sky. Boom lining the beach had been tossed about, and it couldn't be put back in place until the weather cleared. 

"The sad thing is that it's been about three weeks since we had any big oil come in here," marine science technician Michael Malone said. "With this weather, we lost all the progress we made." 

The loss of dozens of skimmers, combined with gusts driving water into the coast, left beaches especially vulnerable. 

Large waves churned up by Hurricane Alex left Alabama beaches splattered with oil and tar balls Wednesday, even with Alex more than 500 miles away as it approached the Texas-Mexico coast. Long stretches were stained brown as far as 60 yards from the edge of the water. 

Oil deposits appeared worse than in past days, and local officials feared the slowdown would make matters worse as tourists come to the beach for the July Fourth holiday. 

"I'm real worried about what is going to happen with those boats not running. It can't help," said Orange Beach Mayor Tony Kennon.

The nasty weather will likely linger in the Gulf through Thursday, National Weather Service meteorologist Brian LaMarre said. 

Meanwhile, Mark McVicker worries about yet another threat. 

"If I lose my job, I wouldn't know what to do," he tells CBS News correspondent Mark Strassmann. His company loads and unloads supply boats that service deepwater drilling rigs. The industry's shut down - skittish the White House will reimpose a moratorium while a safety review is underway in the Gulf. 

"With this moratorium, ya know, we never know when you're gonna get that call; 'we don't need you no more.'" 

In Florida, tar lumps the size of dinner plates filled a large swath of beach east of Pensacola in Navarre Beach after rough waves brought the mess ashore. Wind and rain kept crews from cleaning the crude. 

"The weather has hampered the cleanup. Our night crews went out there to try and verify exactly how much it was and it's about half a mile," said Santa Rosa County spokeswoman Joy Tsubooka. 

She said cleanup crews would work throughout the day Wednesday, but lightning and rain from expected thunderstorms could slow the work. 

Officials scrambled to reposition boom to protect the coast and had to remove barges barricading oil from sensitive wetlands. Those operations could soon get a boost. The U.S. accepted offers of help from 12 countries and international organizations. Japan, for instance, was sending two skimmers and boom. 

Alex is projected to stay far from the spill zone off the Louisiana coast. It is not expected to affect work at the site of the blown-out well. But the storm's outer edges complicated the cleanup. 

Early Wednesday, Alex had maximum sustained winds near 80 mph (130 kph). The National Hurricane Center said the Category 1 storm is the first June Atlantic hurricane since 1995. It is on track for the Texas-Mexico border region and expected to make landfall Wednesday night. 

As Alex approached, skimming efforts off the coasts of Louisiana, Florida, Alabama and Mississippi had mostly stopped. 

BP's disaster response plan for a spill didn't mention hurricanes or tropical storms, Rep. Edward Markey, D-Mass., said Wednesday during a congressional hearing. He said the omission is yet another example of what the oil giant was not prepared to handle. 

At the main staging area for oil cleanup efforts around Grand Isle, stacks of boom, bottled water, ice chests and cleaning materials stood ready to load up when the work restarted. 

Brothers Otis and Vahn Butler of Houma got jobs there just three days ago. 

"We've been steady busy until today," Otis Butler said Tuesday. "Now we're mostly standing around and looking around. We just find things to do when we can today. But once this is over, I bet we'll be twice as busy." 

The rough seas and winds aren't all bad, though - scientists have said they could help break apart the oil and make it evaporate faster. 

The wave action, combined with dispersants sprayed by the Coast Guard, have helped break a 6-by-30-mile oil patch into smaller patches, Coast Guard Cmdr. Joe Higgens said. 

Jefferson Parish Council member Chris Roberts said the oil was entering passes Tuesday at Barataria Bay, home to diverse wildlife. A day earlier, barges that had been placed in the bay to block the oil were removed because of rough seas. Boom was being displaced and had to be repositioned, he said in an e-mail. 

The Bureau of Ocean Energy Management, Regulation, and Enforcement - formerly the Minerals Management Service said 28 platforms and three rigs in the path of the storm in the western Gulf have been evacuated. 

Still in the water are vessels being used to capture or burn spewing oil and gas and those drilling relief wells that officials say are the best hope for stopping the leak for good. 

A third vessel that would ramp up how much oil is being captured or burned was delayed by the weather, said the government's point man for the spill, Coast Guard Adm. Thad Allen. It was expected to be done this week, but now won't be online until next week. 

Hurricane warnings were posted for parts of the coast along Mexico and Texas. Except for the border area itself, though, most of the warning area is lightly populated. 

So far, between 70.8 million gallons and 137.6 million of oil have spewed into the Gulf from the broken BP well, according to government and BP estimates. The higher estimate is enough oil to fill half of New York's Empire State Building with oil. 

BP's Huge Political Donations Defy Company Code 
  
More containment help could be arriving after the storm lets up. Mexico, Norway, Holland and Japan are providing skimmers; Canada is providing containment boom; and Croatia is pitching in with technical advice. Only one offer has been rejected, according to the chart: dispersant chemicals offered by France are not approved for use in the U.S. 

The U.S. rarely faces a disaster of such magnitude that it requires international aid, though it did accept assistance after Hurricane Katrina. 

>via: http://www.cbsnews.com/stories/2010/06/30/national/main6632758.shtml?tag=nl.e875

 

OP-ED: Redemption, Resurrection & Bull > from Writing While Black

Redemption, Resurrection & Bull

Yep, I’m talking about Chris Brown’s performance Sunday night on the BET’s 10th Anniversary Awards Show, which is already being considered the revival of his career.

I’ll be the first to admit his tribute to Michael Jackson in terms of the choreography was on point.  The silhouette of the dancers glowing in the dark to “Smooth Criminal” was insane! His performance was undeniably entertaining.

And then there was the brilliantly staged break down his PR team orchestrated. In the middle of singing MJ’s “Man in the Mirror” Chris couldn’t control his emotions and began to sob uncontrollably causing him the inability to sing.

Chris Brown MJ Tribute BET Awards 2010

I was annoyed to say the least. My rants on Twitter did not go unread as I began receiving several @ Tweets and even a text message about why I shouldn’t go so hard on him.

So that my position is clear and there is no room for interpretation of what I mean, I’m going to directly state it. I’m not a fan of Chris Brown, never was. I never purchased any of his albums and wouldn’t do so now.

I absolutely believe in second chances, and don’t necessarily believe his woman-beating incident should forever define him.

However, I don’t understand why so many women and men alike feel obligated to tell me I shouldn’t feel the way I do about him. It’s not like I’m imploring his stans to denounce him. Therefore, let me voice my opinion without trying to change my mind.

Approximately 1.3 million women every year are physically abused by their partner according to the American Bar Association Commission on Domestic Violence. Yet the punishment for domestic violence is similar to that of rape- bare minimum. Our laws punishing the assault of women are deplorable.  These days a man is sentenced to more time for selling crack than for physically assaulting a woman. Brown’s slap on the wrist community service and five year probation is a prime example.

I would have much more respect for CB post the Rihanna incident if his actions in the past year and a half have shown he was genuinely remorseful for what he has done. Instead all I hear is him whining about how his career has suffered. From his teleprompter public apology, to the insincere interview with Larry King, to his Twitter rants about his music not being sold or played, I’ve seen no growth. What I have seen is a sense of entitlement.

As an artist Chris Brown should without a doubt have the right to create his music which he has continued to do. What he isn’t entitled to is having the same level of success he had prior to him smashing Rihanna’s face with his fist. I’m not saying he should never be successful again, but he’s not entitled to it just because he’s some Pop singer who knows how to moonwalk across the stage.

Chris’ break down really proved he’s in need of the number to Ron Artest’s therapist. In all honesty he really needs to seek help because his actions in the past year have been a cry for help. I really hope he seeks the therapy he needs to heal and become a better man.

What I’m more concerned with moreso than C Breezy’s come to Jesus moment is the mindset of the masses. All an entertainer has to do is dance like Mike, cry and all is good in the world again. James Brown and Marvin Gaye were no different. We all loved them unconditionally despite their abusive ways.

Then there is this troubling mindset that a woman must be at fault for her abuse. The minute the world got wind of the CB and Rihanna situation the Rihanna blame game began. “She must of hit him. I heard she gave him Herpes. Rihanna is crazy she deserved it.” As a society we’re truly flawed when we start blaming victims for their abuse. The same sentiments were expressed with the beating of Kat Stacks, which was recorded for everyone to witness.

Why is there such sympathy and forgiveness for men, but blame and condemnation for women?

Everyone wants to turn a blind eye to the way women are treated in this country. Especially, when it comes to society’s obsession with pop culture. The men can do no wrong, but the women are always to blame.

Sorry, I don’t subscribe to this notion. Just like I can criticize Alicia Keys for sleeping with a married man, I will also hold CB to the same standard of criticism.

So please dismiss me with your devoted love for Chris. I don’t have to revel in his moment of redemption and resurrection, just like you have the choice to be happy for him. In my book a ploy to reestablish your career is not authentic and I call bulls*#@!

Chris, “[I] don’t believe you, you need more people.”

Comments (3)

nesha's avatar

nesha · 1 day ago

I like both rihanna and CB's music, but I am not a fan to either one. I am simply a person who believes in blaming both parties when both are wrong. Yes I agree cb was wrong for hitting or "beating" rihanna, and he should be punished. But to act like she didn't play her role in the domestic violence as well isn't fair either. Like the judge stated, she did her share of hitting and starting the fights. Domestic violence is wrong regardless of who does it and it not just pointed at men. The same statistics that everybody through around about men because you will be surprised how many women actually are abusive.....come to nashville and you will see cause these men here have flip the script and are calling the police and actually sending women to jail for dv.so I agree one hundres percent that cb was wrong because a man should never hit a woman, but a woman should never hit a man either. I learned that one the hard way, because I was a very abusive female myself and I have been abused. So I know both sides well..wrong is wrong period......nice post in expressing your views
1 reply · active 23 hours ago  
I agree in that a woman should also never put her hands on a man. My issue though is how we all blame the woman. Regardless if she did hit him, does that mean she deserved to get hit back? Furthermore, I think it is assumed she hit him. To this day Rihanna stands behind her word she didn't hit him. So I don't get where all the "she hit him" is coming from. Women can be abusive, but they don't have the physical strength men have. I could almost understand everyone's argument that she hit him if CB had hit her once. He repeatedly hit her, choked her and mushed her head into the glass window. I'm not condoning that type of behavior whether she hit him or not. Wrong is wrong. But I refuse to look at an abusive situation between a man and a woman equally. The proof was in the photographs. Where were all the photographs of Chris Brown's face swollen and bruised? There were none. As a society we really need to break out of the habit of immediately resorting to defending men for their poor choices.

 

Bene,

Bene,

I share your feelings about this situation. I have not been a Chris Brown fan, actually I am not much of a pop artist fan (but for some reason lady gaga's songs always tend to catch my attention). Nevertheless, I do believe that CB does deserve a second chance. In this world where male public figures (i.e.-tiger woods, Kobe Bryant, MJ, Barkley...and the list goes on) have "moral failure", we tend to be forgiving and crucify anyone whose "forgiveness" does not look like our own.

In the image driven celebrity culture, it is really hard for me to think that his PR Manager did not script his act. I am not saying that he did not feel the pain he showed but why wait until the BET awards to breakdown like that? I am sure he didn't break down when the country of England closed their doors to him. There are always three sides when a public figure "goes down". Those who want to act like nothing happened and continue to follow blindly, those who are overly critical and were waiting for the individual to fall, and those like yourself (who either liked him/her or not); who want to see the person (not the public figure) be better (maybe he does need to call Ron Artests psychologist).

Not only do the specific moral issues need to be addressed, but the systematic issues need to be taken on. Why is it okay for someone who beats another human being only be given community service? In my class of Gender and Race, my professor outlined a social hierarchy. White males are on the top, white females are second, men of color are third, and women of color are unfortunately at the bottom. This means that white men, for the most part, have the authority to do pretty much what they want and for the most part everyone under would be blamed who is under him if an altercation happens (i.e.-see case in seattle). I am not saying that this is ALWAYS the case; however, it is often the case. With the hierarchy it allowed CB to do what he did and people question Rhianna. Sad case. Let's hope some systematic change comes soon.